To guide us through the next simulated experience; Passing Notes Radio boss and 1/2 of the great new label ‘Companion', Pjenné [Melbourne, AUS], shows us what a utopian existence can sound, feel and look like.

Follow on as she glides through the stratosphere, looking down on the lush greenery and crystal water that our earth effortlessly inhabits... occasionally looking up into the vast display of distant stars and planets, glittering across the stillness of outer space.

Pjenné beautifully illustrates the phenomenology of nature through tracks which touch on each element, whether that be the ethereality of air, the intricacy of water, the depth of earth, or just the pure warmth flowing through this immaculately thought-out audible narrative.

We couldn’t help but think this would be the perfect soundtrack for the day peace on earth is declared, where humanity sits back and appreciates a new world— where collectively, we love what grows, exists and dies.

This small blue dot is our home… our balanced oasis in the desert of space. Perhaps we need the ability to fly to see a different perspective - and we’re sure this will help.

Close your eyes and drift into your own self.

Enjoy, and thankyou Pjenné 

“SAHASRARA” - The Thousand Petal Lotus

Virtual Utopia 03: Pjenné

@ameliaholt

Amelia Holt here. One of my favourite human beings that crossed my path the last few years. From the late nights in New York last year, to her Public Records invite, to a b2b night in Radio Radio in Amsterdam. 
This is the recording from an amazing openingset at her own party called Honey Trap, in NYC. Getting into a spectrum of steamy downtempo, triphop & smokey deep dubs in underwater realms.

TASCAM DR-40X

Knekelhuis # 113 - Amelia Holt

Australian producer Cousin warms up for his performance at Horst Festival's Moon Ra stage.

Cousin @ Kiosk Radio 29.04.2025

lowercase discourse is a bi-monthly sonic ride from LazerGazer, a.k.a. damascus-born, amsterdam-based artist Hala Namer. expect a slow-burning hour of left-field, clunky breaks, dub, and synth soundscapes—a cluster of the bass spectrum. she descends on a quest beyond her club sound, seeking to explore the hidden.

lowercase discourse w/ LazerGazer @ Kiosk Radio 15.05.2025

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

An excerpt from the ever b2b session by Gabriele (Sunny Crypt) and Daniele (Young Gaina),
who run together the Alveromancy project / label.
Alveromancy is a method of divination performed by attending to and interpreting certain
sounds, so that the loudness of sound is taken to indicate the severity of predicted event and
from it's proximity how soon the event will come to pass.
Recorded live at the infamous Milan based Pentimento party on a hazy may evening, on a
special night that both of them won’t easily forget - if you know you know. 

Don’t believe everything you think :)

@ggaabbrriieellee
@morelized

LIO Press mix #34 ~ by Alveromancy · 'First Divination Session'

Furka Radio hosted a day of live broadcasting from the rooftop of Bessire Winter’s intervention Loggia Trouvée at the Swiss Art Awards 2025. Responding to the project’s focus on thresholds, the program explores transitional spaces through music, conversations, and live performances. Airwaves will make us aware of spatial, social, and sonic in-betweens at and around the Messe.

mark lando vs tesdorpf @ Furka Radio x Swiss Art Awards - 21.06.25

An extremely underrated  Naarm based artist, WTP (@worktheperipherals) for number #182. Miles has been releasing music under his WTP alias for a few years now - with releases via Hannah D's @thespacebetweenus & Millu & Pjenne's @companionmelb & more. 

Locally adored & undeniably talented, Miles' releases are consistently luscious & groovy.- reminiscent of the pure bliss freedom of raves during late summer at home. Housey, progressive & full of rare-cuts - this mix is a perfect extension of MIles' style & a great fit for the series. Welcoming Spring in full bloom in Australia :) 

Thank you so much for the mix Miles! 

Downloads enabled 

Animix One Hundred & Eighty Two: WTP

New Kind Of Love

NUMB

🎧 BBS5 – End of Time | Fear no more the heat o’ the sun

“Fear no more the heat o’ the sun” — whispered, as if from another time.
Between dream and decay arises a moment of quiet beauty.
Echoes of light and darkness — a voice beyond the veil.
Where silence turns to sound — and sound becomes memory.

A poetic soundscape by BBS5 / 5 Records — a reflection on time, silence, and the beauty of endings.

„Fear no more the heat o’ the sun“ — flüsternd, wie aus einer anderen Zeit.
Zwischen Traum und Vergänglichkeit entsteht ein Moment stiller Schönheit.
Echos aus Licht und Dunkelheit — eine Stimme jenseits des Schleiers.
Wo Stille zu Klang wird — und Klang zur Erinnerung.

🌙 Listen & follow: bbs5music.com

#BBS5 #5Records #EndOfTime #FearNoMore #Ambient #Experimental #SoundArt #Dreamlike #Melancholy #CinematicMusic #PoeticSound #DarkAmbient #MysticalVibes #Ethereal #Dreamscape #Echoes #BeyondTheVeil #SpokenWord #Shakespeare

End of Time | Fear no more the heat o’ the sun

We are an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.

A meeting point for music freaks from Brussels and beyond. A tiny kiosk bar serving eclectic music and drinks. Sometimes, in sunny summer days, a safe space to dance under the trees.

For general questions: info@kioskradio.com
For music submissions: music@kioskradio.com