Fantastic vocals for this excellent song ! 

This is such a heartfelt song. The lyrics are powerful and I love the harmonies.

we're 'there' now within this glorious music you guys! 😍

Wow, Nimiwari! This is my first time hearing you and hey, I've been baptized! 😊 Thank you for this beauty.

stunningly wonderful vocals you two! hats off to all of you! 😊

Amazing song. Great musicianship. Vocals are incredible! love the build and emotion. Really well done. Guitar solo and phrasing throughout is lovely!

With this Hopeful attitude, may that day be Today!!! :-D

Really well executed on all fronts.  Thanks for sharing this one with me!

Sheri Canary - Lovers Play Cat And Mouse

This is my second track.
A little dark music to remember how our days are going on.

Dead Trees

Domingo temprano despiertas en tu pueblo después de un buen concierto de banda el Sábado por la noche, escuchas el concierto de los pájaros y buscas un buen café, te empiezan a rodear los sonidos de el Domingo, caminas hacia la plaza involucrándose en el ambiente escuchas una voz diciendo; hace frío -y como escribió Paul McCartney en un día en la vida; te viras a un sueño. ¿Es Domingo fiesta del pueblo, La Virgen del Pilar? y se sigue la canción hasta el final por la tarde casi noche cuando una buena banda termina el concierto y las festividades de ese particular Domingo con una bella voz femenina que te transporta de regreso.

Domingo A La Mañana (Cover)

Domingo A La Mañana 2

Domingo A La Manana

Spotify : https://open.spotify.com/album/1pVX0Eqat2EcxuAdX888OZ?si=DsZEJ7vfQEi2RJyGS2ROzw
(Translation above)

Chanson écrite dans le cadre des ateliers d'écriture de Claude Lemesle, immense parolier français, avec pour double thème : "Violette et Narcisse" et "Amour subliminal".

Sur la très belle musique que DiVaDY m'a autorisé de mettre en chanson :
https://soundcloud.com/divady-j/find-love-again_instrumental-balade

Voix : Miorcos 

Amour subliminable

Quand je t’ai connue, c’était fête
T’aimais danser sur mes musiques
T’avais qu’un mot dans ton lexique :
Paillettes

T’aimais mes bouquets de violettes
Et mes parfums de chez Channel
Mais plus encore ta vie charnelle
Conquêtes

Et mes violettes ont fait la tête
Devant tes caprices de narcisses
Plus la peine d’entrer en lice
Défaite

Refrain :
À l’heure des comptes
Passent les pour, viennent les contre
C’est notre histoire impitoyable
Viennent les contre, passent les pour
Plus trop sublime, l’amour,
Subliminable

Et t’es partie un matin moche
Sans violettes avec tes narcisses
Sans même un début d’armistice
En poche

Plus de likes et plus de partages
Dans ma caverne je m’enferme
Toutes mes envies sont en berne
Naufrage
(refrain)

Myckaël Marcovic, le 11 novembre 2021

Song written during the writing workshops of Claude Lemesle, immense French lyricist, with a double theme: "Violette and Narcisse" and "Amour subliminal".

On the very beautiful music that DiVaDY authorized me to put in song:
https://soundcloud.com/divady-j/find-love-again_instrumental-balade

Vocal : Patrice

Subliminable love

When I met you, it was a party
You loved to dance to my music
You only had one word in your lexicon:
Glitter

You liked my bouquets of violets
And my perfumes from the Channel
But even more your carnal life
Conquests

And my violets made the head
Before your narcissistic whims
No longer worth the trouble to enter the fray
Defeat

Refrain :
At the time of the accounts
Pass the pros, come the cons
It's our merciless history
Come the cons, come the pros
No longer too sublime, love,
Subliminable

And you left one ugly morning
Without violets with your narcissus
Without even the beginning of an armistice
In your pocket

No more likes and no more shares
In my cave I lock myself up
All my desires are at half-mast
Shipwreck
(refrain)

Myckaël Marcovic, November 11, 2021

Amour subliminable (DiVaDY / Myckaël Marcovic) feat. Miorcos

These turbulent times have divided both families and friends. The path ahead is not so clear. But, I have to believe that “We’re Going To Get There”… someday.
                   This is a follow-up to my song “When We Were Free”
Featuring the heartfelt vocals of Tony Mac and Nimiwari

YOUTUBE: https://youtu.be/xr1qvaNWjzs
SPOTIFY:  https://open.spotify.com/track/7509TMXhSCnVv6oOMVE2yj?si=01caf5071f094ef1

WORDS
How did we get here? Feels like a bad dream
Friends from before, now strangers it seems,
The weight of the world has built high walls
How easy it was to lose it all

We stand at a crossroad, frozen by fear
Wondering what was and what might be
The dreams we had, the hopes we held dear
The path ahead, It’’s not so clear

Feel no shame, for what you believe
Feel no shame, for who you are
Dare to choose
And Dare to dream
The sun will follow, follow the rain

Deep in my heart, I do believe 
We’re going to get there, some day
You can hold me down, but I’ll rise up
We’re going to get there, some day

Truth is a blur, Time has past 
Lost moments, we’ll never get back
No matter the road, Hold on, don’t let go
We decide which way to go
Our world has changed, and so have I
We need to put our differences aside.

Dare to choose
And Dare to dream
The sun will follow, follow the rain

Don’t give up, we’ve come this far
My friend, you are not alone.

Deep in my heart, I do believe, 
We’re going to get there, some day
You can hold me down but I’ll rise up
We’re going to get there, some day

Deep in my heart, I have to believe, 
We’re going to get there, some day
You can hold me down but I’ll rise up
We’re going to get there
We’re going to get there
We’re going to get there, 
……….some day

We're Going To Get There (Feat Toni Mac and Nimiwari)

Just her smile

Dancing with the Dirt

Buy/Bandcamp

In the Dirt

Out Your Cages

Don't Break, Break Out

December's Flight

Well, this music was not created in an alcoholic state, but in a special free and improvisational mood. I used Moog and Arturia synthesizers, guitar and sound samples for it.

Drunk Housekeeper

Streaming !!!

Overdub instrument at Home Recording - 9/10/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad

Lost in the moment  -  Vocal n Drums.wav

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

We're Going To Get There (Feat Toni Mac and Nimiwari)

Kluane Takhini

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