This is the lyrics version of my piano piece (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand). (Roughly) same melody, but now with lyrics. 
If the melody left you puzzled about the title, maybe the lyrics will connect the dots. Hope you enjoy it — drop me a comment, I’m curious what you think!

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The Clap of One Hand - Lyrics
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The high priest looked the monk straight into the eyes 
“You search for wisdom, want to see through disguise 
Then hear the clap of only one hand, 
Imagine tasting the kiss of only one lip!”

The monk was puzzled, did not know what to make of this question 
His mind was racing without the slightest suggestion 
The meaning was hiding so deep 
He could as well go to sleep

And as he lay down he thought and he thought some more, 
And soon he’d snore a Monkish snore 
Deep in his dream he saw the cosmic law 
As it is and will be and has been before

To find the truth you need to see the world through different frames,
As place and motion, time and energy play Heisenberg’s games
The one single truth, the clap of one hand deceives the ancient lore

And then his dream shifted to our world
Where flags of dogma are unfurled
Where it’s en vogue to scorn the views of those 
Whose minds are differently curled

They yell their slogans convinced that it's only their kind who knows truth
They silence doubt and debate to keep everything smooth
They vote in blocs convinced others mean harm
They don't want to discuss they don’t want to disarm
They spit poison and phlegm - 
Them is us, us is them

The monk awakened quite surprisingly rested – and something like pride filled his chest 
The dream had opened his eyes and he knew the deep meaning that the koan expressed 
And so as fast as his feet could carry him he ran to the temple ground Requesting to see the high priest and as soon as he met him he told him the solution he found:

“Avoid the clap of one hand 
'Cause you can not understand 
The world in all its true colors if your mind cannot bend 

Every Current or Tide 
Must with others collide, 
A single stream is quite boring, nothing happens inside.

Seek out the voices that are not like your own – 
Don’t guard your comfort like a dog protects its chewed upon bone 
Be cautious if all of your friends do agree – 
You might discover greeater insights without cheap harmony

A field of only one crop may spark in sunlight like gold, 
But slight disease might turn these fragile monoculture to mold 
No coral alone can just survive with it’s kind – 
Reefs only thrive when hundredthousand curious creatures entwine

Don’t flatten the ground so that your pace can be faster –
'Cause if you don’t train your balance each false step means disaster 
All life, all vision needs to ripple and bend – 
Not frozen in uniformity but free to transcend”

The monk fell silent, his speech was complete - 
He wanted praisal, but the priest kept his seat. 
An awkard silence filled slowly the air, 
The priest just sat there with a calm, timeless stare

“I like your thinking—it rings wise, it rings bold, 
It has reason, it's crafted, it's gold. 
But, dear monk, there might be one subtle twist: 
There is one aspect that you seem to have missed.

You see the truth where opinions compete, 
That wholeness only grows where none is complete. 
But if no single view should stand out alone 
Then even your own view must be overthrown

You praise duality, the joining of two - 
But what if your view in itself is not true? 
What if the world isn't built as you claim? 
What if we’ll never know the rules of the game?"

Hear the clap of one hand 
Avoid the clap of one hand 
Hear the clap of one hand 
Avoid the clap of one hand 
Hear the clap of one hand 
… Reflect on the clap of one hand

The Clap of One Hand (Piano Poetry)

*** For better listening, use headphones ***

I'm Antonio Porrino (Tonino).
Graduated in Physics in March 1979, I was Researcher in Theoretical Nuclear Physics at the "Federico II" University of Naples until November 2019.
I studied music, initially at the Conservatory of San Pietro a Maiella in Naples and then self-taught piano, organ and composition.
I have been married to Anna since July 1982 and we have 5 children, Fabio, Luca, Francesca, Cecilia, Vincenzo and 3 grandchildren, Antonio, Sofia and Vincenzo, Fabio's children, married to Sara.
I founded the polyphonic choir "Vicus Novanensis" in 1992 and in 2019 "I Cantori di Maria", which have collected the legacy of the numerous "long distance adoptions" of the previous choir.
The musical activity takes place mainly at the "Pontifical Minor Basilica of Maria Santissima Assunta" in Santa Maria a Vico (Italy).
I have composed music of various genres.
My music would like to express and transmit feelings of peace, serenity and joy, contrasting those of war, hatred and oppression that seem to prevail on planet Earth, causing the degradation of the natural environment that guards us.

Sono Antonio Porrino, per tutti Tonino.
Laureato in Fisica nel marzo 1979, sono stato Ricercatore di Fisica Nucleare Teorica presso l'Università "Federico II" di Napoli fino a novembre 2019. 
Ho studiato Musica, inizialmente presso il Conservatorio di San Pietro a Maiella di Napoli e poi pianoforte, organo e composizione da autodidatta.
Sono sposato con Anna dal luglio 1982 e abbiamo 5 figli, Fabio, Luca, Francesca, Cecilia, Vincenzo e 3 nipoti, Antonio, Sofia e Vincenzo, figli di Fabio, sposato con Sara. 
Ho fondato nel 1992 il Coro polifonico "Vicus Novanensis" e nell'anno 2019 "I Cantori di Maria", che hanno raccolto l'eredità delle numerose "adozioni a distanza" del precedente coro. 
L'attività musicale si svolge prevalentemente presso la "Basilica Pontificia Minore di Maria Santissima Assunta" di Santa Maria a Vico (Italy). 
Ho composto brani musicali di vario genere. 
La mia musica vorrebbe esprimere e trasmettere sentimenti di pace, di serenità e di gioia, contrastando quelli di guerra, odio e sopraffazione che sembrano prevalere sul pianeta Terra, provocando la degradazione dell'ambiente naturale che ci custodisce.
Alcune delle mie musiche sono anche su youtube (porrinomusic)

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co

Hello!! my name is hara. Nice to meet you.

I love music.
I like all kinds of music.
I love listening to music.

have a good life good luck. I hope for your happiness.

（はじめまして!！ハラと申します！）
（音楽が好きです）（どんな音楽も好きです）（色んな音楽を聴きます）
（貴方の未来の幸せを願います。幸運を！）



Guilherme Cé Pagliari

´´Médico e Músico todo mundo tem um pouco''.

Médico especialista em Radiologia e Diagnóstico por Imagem pelo Colégio Brasileiro de Radiologia.

Compositor de longa data.

Produção musical por necessidade de se expressar com e pela música.

all songs now recorded by a pro and they sound good, even if I do say so myself, they,re five tracks free to view and free to down load, if you want to see me live,please say so in the comments

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.