Laid back lofi beats. Or at least my take on them. Couldn't help putting in a Moog solo though... Perhaps one too many parts, but I like it that way :)

The Moog Subsequent 37 is an object in physical reality space, the rest are Analog Lab V and various effects.

Sunset Pulse

#hardstyle #hardcore #trance #techno #electronic #ambient

mostly generative music using Reason players.
trying to avoid known musical genres.
usually the rack makes the track.
more often then not the better parts are happy accidents.

A professional drummer/percussionist for over 30 years turned producer.
Powerful, beautiful and mind bending rhythmical and melodic sonic adventures.

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

Thanks to  the music-makers ,theirs is the universe of bass and treble ,space and time ,creators of new energies ,free to imagine a world of harmonic structure and dissonant entropy.
I love listening to all the music posted and thanks for listening to mine.
Grian Óg

An old fart making old music.

Everything is made in Reason, https://www.reasonstudios.com
I love it since it let me use patch cables the way I'm used to.

Arturia V-collection, https://www.arturia.com, let me play with synths I couldn't afford back in the days.

Full Bucket, https://www.fullbucket.de, make some fantastic VST soft-synths that I love. He has an impressive setup of Korg clones that I recommend. Try FB-3300, the best synth Korg has ever made.

Cherry Audio, https://cherryaudio.com, is another source of old synth clones that sound fantastic. Good price and wonderful sound.

el_mare_maschinsky in connection with WAHRISE
.._..*_*--.--.:.--.;.__.._..*_*--.--.:.--.;.__.._..*_*--.
and by the way,
the nail caught in her dress
during a conversation with whatever
and her absence of an open mind,

her brother was chasing a trap of nature
in dusty plastic woods,
where wild digital creatures straggle,

as yet with or without success,
we don't know.
and in the meantime ... .. ... ..
... ... ... ... ... ... .. .. .. .. . . .

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Ableton Live with a couple of va, analogs, fm, romplers and various hybrid synths via a MOTU 828x and of course vsts. Style includes all sorts of genres, I guess film and games is the theme. As long as it resonates in my head even if its sometimes only the gear talking. Anyway, thanks for listening.

Beneath the streets of Shiraz, there’s a bloke called Sasan. He crafts sounds for himself and his mates, both real and virtual. He’d be well chuffed if you gave his work a listen, here and there.