OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Email: baobab.booking@gmail.com

Biography:
Being a refuge from the Ivory Coast, he traveled to Germany in ’92 where he made Hamburg, a city in the northern parts of the country, his new residence. His biggest dream was to become a professional soccer player and he even made it to the professional level in Germany, but after a serious knee injury he was forced to stop playing soccer. 

It was in Hamburg where he first got in touch with the aesthetic vibe of house & techno music that was played at the local clubs, after which he was immediately sold: these nightly experiences resulted in a surprising change in his future career. In 1999 he moved to Lubeck, where he during the day would work long hours as a carpenter and developed and refined his musical skills at night. After years of taking double shifts and setting aside every hard earned penny, he finally had enough money to build his own studio. Mr. Raoul K., a true perfectionist, was ready to share his productions with the world.

His exotic productions from the Ivory Coast ensured that his current home base and other cities in Germany welcomed him with open arms. His productions are characterized by a combination of traditional African instruments, ranging from the Cora to the Balafon, with the industrial sound he found in the clubs.  

Part from being a talented producer, Raoul also is an exceptional DJ. Being a vinyl lover, he regularly still spends days in the local records stores, looking for that one 12” that can make the difference during his sets. He accommodates his own music at the Baobab Music label (founded in 2007), his own brainchild. The label is named after the ancient African tree, which according to the myth is being inhabited by the wisest of monkeys. Through his label, gems like “Le Cercle Peul” were released, which received critical acclaim from prominent critics and respected producers like Jerome Sydenham, Josh Deep and Henrik Schwarz. In 2009 he set up the Baobab Secret label in order to put out tracks that do not fit the output schedule of Baobab Music. All of his hard work is paying off and earned him gigs at the world famous Panoramabar (Berlin), Rex Club (Paris) and a set in the legendary Boilerroom. Nowadays Raoul created a firm, still growing fan base all around the world, from Germany to Japan.

Born in the province of Minas Gerais in Brazil and having been adopted by dutch parents at a young age was the beginning of the journey. 

Having travelled around the world living in different countries, finally moving to Holland was where Remmi Demmi was introduced into the techno scene.

First being a full time enjoyer of the music it was time for him to slowly spread the love himself.
Looking at being a dj was more of a hobby for Remmi Demmi but since his first "big" performance in Den Haag he started to focus more on playing at smaller venues i.e. house parties.




1/2 of O/H/M 
Curating grooves
Somewhere between house and techno
Appears on: Anjuna, EXIT, Green Room
More info: miroslav.miletic@exit-festival.org

This is the Official SoundCloud account for Richie Hawtin and contains all audio media from Richie’s career: releases, remixes, DJ mixes, Live shows and interviews. We invite everyone to listen and enjoy what will become the definitive audio history of Richie’s career from past to present. All this material will also be linked into the new richiehawtin.com website that is currently in development.

Please note that we will NOT answer any emails, listen to any demos or tracks, or follow any individuals that are sent to this account. QUESTIONS CAN BE SENT TO info@richiehawtin.com

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