Fuzzy-Sets

Sound fantasy on:

without a voice
the heron would disappear
morning snow

Naviarrecords, Haiku challenge 459

Without a voice_Naviarhaiku459

Ploia

Bodies fall in slow motion. Time walks on, in slow motion, as bodies fall. Bodies falling slowly towards the dust on the floor. Visions blurred by clouds of dust. Blurred visions of falling bodies. Tense faces frozen by bodies that fall in slow motion. Eyelids drooping. Eyes no longer wanting to see. The eyes of the bodies waving goodbye to a world with blurred vision. Dust in the eyes of the world. A hand opens and closes on emptiness. A body reaches for the ground. Feet detach themselves from the ground. A tense face crashes into the dust. A thousand grains of dust - of sand - embed themselves in the face of the fallen body. Cries arise, like anxious silences; cries like bodies falling towards the sky. Anxious silences etched into the tense faces. Silence reigning over the bodies that fall in slow motion. The dust embeds itself into the anxious silences, like deep wrinkles to be kept forever.

Au ralenti

Au ralenti (original)

https://antonindebemels.bandcamp.com/album/rivermen

"In the annals of musical history, there exists a lesser-known soundtrack, unwittingly nestled within the burgeoning glitch scene of its time, that retrospectively emerged as a harbinger of the Clicks & Cuts movement, which would take root a year later. The obscure opus in question, shrouded in obscurity, quietly laid the groundwork for a sonic revolution yet to come.

An essential touchstone, proudly acknowledged by its creator, is the seminal album "Kulma" by Pan Sonic, unleashed upon the world in 1997. As one revisits this sonic artifact, its profound influence becomes unmistakably evident, permeating through the fabric of experimental soundscapes.

Rumours, though vehemently refuted, whisper of Carsten Nicolaï's clandestine encounter with a performance of Rivermen during the genesis of his inaugural solo endeavour under the moniker Alva Noto. Such tales, while enigmatic in nature, add layers of intrigue to the already enigmatic persona of the artist.

Beyond the foundational pillars of drone, glitch, post-techno, and post-industrial aesthetics, astute scholars have purportedly discerned faint echoes of the synth-pop ensemble Eurythmics within a fleeting passage of the composition's third movement. Veracious or anecdotal, this purported connection, although unintended by its creator, serves as a testament to the multifaceted tapestry of musical influence." (Alfred Innsmouth)

Rivermen

Rivermen - Part 1

Session 100% improvisée à Radio Campus le 10 décembre 2022 avec:
- Frederic Aerden (processed field recordings, texte, voix)
- Nicolas Claus (guitare, basse, loops, effets) @nic-ooze
- Antonin De Bemels (groovebox) @antonindebemels
- Olivier Taskin (percussions, synthé, voix loops, effets) @olitaski

Live @ Radio Campus 3 - Animal(s)

Extract from Les Antonymes' latest impro session with https://soundcloud.com/antonindebemels on groovebox, @olitaski on drums and for the first time David Christophe - best known as a member of Nile On waX - on bass guitar
Recorded on May 25, 2024, in our studio aka "La salle de cinéma"

Watch us!

impro "spaciale" 25/05/2024

Live composition, for the first time - but not the last! - with Jann Dūne aka https://soundcloud.com/nina-sky-w-k-coeur
Recorded on July 17, 2024

Guitar : Jann Dūne
Drums : Olivier Taskin
Processed field recordings : Frederic Aerden
Groovebox : Antonin De Bemels

impro feat. Jann Dūne 17/07/2024

This was recorded by Nicolas Michaux in March 2015, in Studio Pyramide
Mastered by Pierre Vervloesem in studio Fiasco
All compositions by Solitary Boy 

Hoedic

Boat horns in the port of Piraeus on 6 january celebrations.

Epiphany (Theophania) - Boat Horns in Piraeus Port, Greece- January 2017

Le Naufrage

https://ffm.bio/lafindespseudonymes

La fin des pseudonymes is a jam session of all shapes and sizes. Nothing is predetermined, except for the start tempo. With each invocation, new pieces arise, stumbling and sounding, biding their time. Audiences are summoned to these uncertain - yet meticulous - elaborations, to witness the melodic and the percussive constantly argue, in search of new paths to tread. The result is storylike and abstract. Sometimes it soars. Sometimes it dances. But it is always psychedelic.

La fin des pseudonymes was active from 2021 to 2023 and consisted of:
Fred Aerden (spoken word & processed field recordings)
Nicolas Claus (guitar, bass, loopstation) https://soundcloud.com/nic-ooze
Olivier Taskin (synth, drums, loopstation) https://soundcloud.com/olitaski
Antonin De Bemels (groovebox) https://soundcloud.com/antonindebemels

Live @ Radio Campus 3 - Animal(s)

La fin des pseudonymes

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