PRVA KISA

Ladat's first cover ever. Taking well known Erik Satie's Gnossienne 1 and wrapped it in old fashion rock vibes. The result  is crossover of classical piano piece with classical rock mood.

Mixed and mastered by A7 Recording Studio (@a7-recording-studio, www.a7recordingstudio.com)
Produced by Blaž Pavšič

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: www.facebook.com/77Ladat

▶ARTWORK◀
MaKo: instagram.com/marketka1975

In the Box

Rocking Gnossienne

Dirty acoustic, finger-picking blues. Some dark themes on oppression with a hint of hope at the end. Lyrics below - get in touch if you are interested in licensing any lyrics …

I hold it in
Your holding out
I’m holding up
But I don’t know how

You hold me under
I hold my breath 
I’m holding on
By a single thread

You hold me down
hold me down
You hold, hold, hold me down

No holding back
No holds barred
You look down on me
With your head held high

I hold my tongue
And swallow my pride
You hold all the cards
And you still want mine

Don’t hold me down
Don’t hold me down
Don’t hold, hold, hold me down

Block up the windows
Lock up the doors
Black out the lights
Block out all the noise

Lock down the borders
Lock out the press
Lock up the children
That wash up on our shores

You won’t hold me 
You won’t hold me 
You won’t hold me down
You won’t hold me down
You won’t hold me down
You won’t hold me down
You won’t hold me down
You won’t hold me down
You won’t hold me down
You won’t hold me down

Hold me down

The first single from Please Silence Your Phones

https://music.apple.com/us/album/nasty-little-themes-single/1660226463

https://open.spotify.com/album/1aWNbbhKjzBFPX3Tf6ShIO?si=BpJMfU3rTAWKEsq-Fvo5Iw

04 - Nasty Little Themes

Lyric Video:
https://youtu.be/LTc5I124Lqc

01 - Teeth

Indie rock tune with great bass of Gregor Alič.

Single about how love can be sweet and how it can be hard, about how it pumps the heart beat up and how it can make one feel hopeless.

Mixed and mastered - A7 Recording Studio (http://www.a7recordingstudio.com)
Produced by Blaž Pavšič
Bass by Gregor Alič

▶MORE◀
Web: https://www.ladatinthebox.com/
Spotify: https://open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: https://soundcloud.com/Ladat
Apple Music: https://music.apple.com/ch/artist/ladat/1465006973
Amazon Music: https://music.amazon.com/artists/B07S5HGR98
Deezer: https://www.deezer.com/artist/66111552
BandZone.cz: https://bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: https://www.facebook.com/77Ladat

▶ARTWORK◀
MaKo: https://instagram.com/marketka1975

Hopeless, bitter and sweet

Omarion Ice Box Remake

HORMIGA

https://youtu.be/J7I4dtEd-g4

"Yo me llamo Domingo Espinoza,
yo soy... me quedo en la iglesia,
¿Cómo se llama? yo soy... yo no soy mero mero de aquí,
yo soy de Tlanchinol".

Trueno intenso,
tiempo negro,
viento frío,
llueve intenso,
olor a fresco.

Dolerá hormiga.

"Allá de Tlanchinol, allá de la Sierra de la Huasteca,
cerca de Tampico, ¿Si conoces Tampico o no conoces?".

Luna blanca,
pecho lleno,
cae neblina,
sube y gira,
cae a tierra.

Dolerá hormiga.

"Ajajajajajajá, acá na'más pues,
a que esta persona es este,
y yo me quedaba aquí atrás,
aquí, aquí me queda... ¿Cómo se llama...?
aquí me quedaba atrás".

Campo abierto,
solo cielo,
cerro abajo,
viene fiero,
sopla en serio.

Dolerá hormiga.


Composición, producción, mezcla y master: Sojue Stradac Portada: Mis dibujos + Leonardo AI

SILUETAS

Hormiga

Fearless

Addicted to the rockstar life makes me immortalized. What you guys think?

Bottles and Pain (MegaBoosted)

"Kingdom of the Lost" is a rebellious and emotionally charged anthem that explores themes of resistance, alienation, and self-empowerment in a collapsing world. The lyrics follow a lone figure navigating a society plagued by corruption, conformity, and decay. Rather than surrender, the narrator finds strength in defiance and solidarity with outcasts and misfits. The chorus becomes a rallying cry for those who refuse to be silenced, celebrating individuality and the unbroken human spirit. With vivid imagery and strong lyrical conviction, the song speaks to anyone who has ever felt displaced but refused to be erased.

Song Title: Kingdom of the Lost
Song Style: 80s-inspired punk/post-punk anthem with gritty guitars, driving basslines, anthemic hooks, and atmospheric instrumental passages.



Kingdom of the Lost

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Hopeless, bitter and sweet

Ladat

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