Ladat’s Support July’23 vol.1

Guitar rock song single taken from Electroman album
Written, arranged and produced by JH
John Hardman - guitars & vocals
(p)(c) Swamp Records UK & Swamp Music UK for all territories.

ElectroMan

Cross The Line

Cross the Line - Beats Working (John Hardman)

2econd Skin - A Light At The End Of My Dream

©️2022 ToMo
All Right Reserve
Exclusively Owned Copyrighted©️

https://open.spotify.com/album/0UT4Gt7sHNS38TADcLJKAz?si=MVoyrQTvR5ag199ziLAnRQ

Lofi - Key Chill EP

https://open.spotify.com/track/1gZKKhhoPW6PbdIrcG13tm?si=1opvr76tT8alwmL_4O8L7A&utm_source=copy-link

Available on all digital platforms such as Spotify, Apple Music, YouTube Music, Deezer, Tidal, among others.

Cover por Wladimir Martínez.

Todos los derechos a sus respectivos autores, originalmente por David Bowie de su album Space Oddity (1969)

Space Oddity (David Bowie Cover)

The story of William Guise, who in 1651 was executed without trial by royalists after the Battle of Worcester. He was a local tailor who supported Oliver Cromwell (i.e. anti-monarchy). He spied on Charles II and his cavaliers discussing battle plans, then told Cromwell, leading to the King's defeat and England's only period as a republic. But the royalists hanged him before Cromwell could take control of the city. They made a death mask of his head and embedded it in a wall as a warning to royalist traitors. It is still there today, and is the cover image for this song.

Lyrics:
i heard the call 
the summon to the hall in the commandery
it's a good job that i did
i heard it all 
the reckless few, the fearing of the many 
though they kept their true thoughts hid

but if they'd said what's in their head
i doubt that history would change
but maybe some things would

armour-clad 
a camisado, fifteen hundred royal men to hit the rebel camp
i was glad 
i think i had always suspected i would upon history leave my stamp

i'd heard my fill 
up to redhill i ran and did the only thing
i'd do it all again
the king's men struck, but with no luck
the rebels knew to be prepared and drove them whence they came

face on a wall 
i didn't mean to wreck it all
the dreams we had of children playing and never saying no

i kind of knew 
that short of you no one would understand me
not the people roundabout
and that was true 
as i came to our home again they grabbed me
and they crowned me with a shroud

still on my feet 
down to broad street they bundled me and strung me up, a symbol on a pole
for those who might 
one autumn night
defy the herd and speak what they believe, not what they're told
and so my name was cast in shame
how can they call it treachery if to yourself you're true

face on a wall 
i didn't mean to wreck it all
the dreams we had of children playing and never saying no
face on a wall 
i guess i heard the rebel call
and if our children hear it too please never tell them no
just let them go

Face On A Wall

There's No Secret

Stream or purchase A Tribute to Israel at found.asherlaub.com/atributetoisrael

Asher's "A Tribute to Israel" is a medley that combines three well-known Israeli melodies: Yerushalayim Shel Zahav, Raid on Antebbe, and Hatikvah (the Israeli national anthem). The medley begins with a slow tempo and employs simple harmonies to create a solemn and reverential mood. Throughout the piece, a simple and expressive melody is repeated, and various techniques such as chromaticism, syncopated rhythms, and orchestration are used to add interest and variation.

One interesting aspect of "A Tribute to Israel" is the influence of Naomi Shemer's "Yerushalayim Shel Zahav" on the composition. This song, written in 1967 to celebrate the reunification of Jerusalem during the Six-Day War, has become an iconic Israeli song, with its melody based on an old Hassidic tune and its lyrics expressing a love and longing for Jerusalem.

In "A Tribute to Israel," Asher pays tribute to Shemer's contribution to Israeli music by incorporating a variation of the melody from "Yerushalayim Shel Zahav" in the first part of the medley. This use of the melody highlights the song's significance in Israeli culture and music and demonstrates the impact that Shemer had on Israeli music. The melody is played with reverence and a slower tempo, contributing to the overall solemnity of the piece.

In conclusion, "A Tribute to Israel" is a moving medley that combines iconic Israeli melodies, including a variation of "Yerushalayim Shel Zahav." This tribute to Naomi Shemer and her contribution to Israeli music demonstrates the importance of this song in Israeli culture and music and honors its enduring impact.

A Tribute To Israel

Lament Flute

I Wonder

Guitar Girl

"One More Dollar"

Te sigo buscando por las calles de Alcalá </3

Missiego Beats

Por Las Calles De Alcalá

Watch It Burn (Wednesday Series, Track 3)

Midnight

Blue One

This i the singel to my upcoming album with the same name Hope you like it!
RAGNARÖK Prod. and Composed by Nomax
Full Album on Spotify Appel Amazon.......

RAGNARÖK Prod. and Composed by Nomax

2023/08/05
「白菊」, "white chrysanthemum".

Vol02

shiragiku

Bret Tobalske and Jerred Seveyka

Tobalske:   Lead Guitar, MIDI, Looping & Production
Seveyka:    Rhythm Guitar, Lead Slide Guitar

Decompression Stop

Hills of Selah

Hills Of Selah

Kristin Key -- vocals and background vocals 
John Neil Martin -- guitar, production, mixing (credits include: Marty Stuart, Johnny Neel, Tiffany, The Staple Singers) 
Dominic John Davis -- bass (credits include: Bob Dylan, Jack White, Buddy Miller)
Ben Wirsching -- drums 
Recorded, mixed, produced at Purple Mountain Studios, Hendersonville, TN 
purplemountainaudio.com
Mastered at Euphonic Masters, by Grammy Award-winning Brad Blackwood

C. Key/Martin 2015

Photo credit: Nelson Velez


Verse 1
I wake up late I stay up late I party every night
Got a bias towards a pretty bangin social life 
Never bother with a schedule but it's all alright
No lack of motivation -- rather feed my appetite
Chorus
I guess it's me -- am I the only one? 
I guess it's me -- like a broken shiny gun
I guess it's me -- but what am I runnin from? 
I'm the only one keeping me from being free 
Verse 2 
I've got a lot of situations that tie me up 
But more distractions that come and interrupt 
If I don't stay busy something in me always picks a fight 
But I know there's something I'm just not doing right 
Chorus 
Well I guess it's me -- am I the only one?
I guess it's me -- like a broken shiny gun
I guess it's me -- but what am I running from? 
I'm the only one keeping me from being free 
Verse 3
If I ever lose myself I know I will be found 
I'm an easy one to pick out from the crowd 
When I find my way, no one here allowed 
Others masquerade, I'll be left standing proud 
Chorus
I guess it's me -- am I the only one? 
I guess it's me -- like a broken shiny gun 
I guess it's me -but what am I running from?
 I'm the only one keeping me from being free 
(repeat chorus)

Free Download

I Guess It's Me (An Original)

"Babel" is the 2nd full length album by Greece world pop music ambassador Ulisseus.

Ulisseus: Babel
https://store.cdbaby.com/cd/ulisseus12

Babel

Make Friends With Anyone

Make Friends

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.