Record collector / DJ / Broadcaster / Producer / Brownswood Recordings boss / occasional remixer

Musician/artist based in Vancouver British Columbia

The mixes will be added / updated every now and then.
For your promo tracks please send it to this account <a href="http://soundcloud.com/dac" rel="nofollow" target="_blank">DaC</a>

If you have some requests or mixes that you think are rare please message me. Thanks

Electronic music composer, international DJ, charting producer, in-demand remixer, Beatport Music Awards nominee, Olivier Giacomotto is a proven integral player in the underground music scene.
For those past two decades, his tireless need to evolve and grow as creative entity and forward thinking artist pushes this Paris based composer to constantly seek a new musical excitement, naturally crossing musical genres, always keeping an eye on the original definition of the underground, in Techno, Electro-House, Tech- House, Deep House, Deep Tech, Minimal, Indie-Dance, Melodic House & Techno, releasing on acclaimed labels such as Get Physical, Plus 8, Definitive Recordings, Great Stuff, Mau5trap, Noir Music, Suara, Knee Deep In Sound, Yoshitoshi, Terminal M, Stil Vor Talent, Toolroom, Tronic, Senso Sounds, Eleatics, Atlant, Radikon, Watergate, Oddity, Spectrum, Truesoul, etc...
As well as boasting a number of excellent releases under his own name, he also continues to put out a number of top-quality work under the alias of Ohmme. But his unwavering determination to push boundaries sets him apart from the others and his creativity span far beyond the music that’s brought him to international acclaim. In the last 15 years, Olivier wrote several songs for mainstream artists, top-selling video games, Hollywood box office movies, and composed the entire soundtrack to a full length feature film and multi award-winning horror movie 'The Red Man'.
Alongside his long time friend and partner John Acquaviva, he co-ran independent label Definitive Recordings from 2006 to 2016. Launched originally in 1991 by John Acquaviva, Richie Hawtin and Karl Kowalski, Definitive represented the housier side of the electronic empire that Hawtin and Acquaviva started with Plus 8 Records in 1990, and after a brief hiatus, John Acquaviva re-launched Definitive in 2005 with Olivier as his main artist and A&R, seeking and presenting the latest emerging sounds and talent to the world via a reputable, consistent, and trust- worthy platform.
With this impressive career achievements and a relentless work ethic for touring, Olivier is also known around the world for his exhilarating DJ performances that combine a heavy dose of groove inside an inspired blend of melodic flavors, demonstrating his talent behind the decks with an undoubtable versatility, adaptability, and headlining some of the world’s most iconic venues and events.

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

Broadcasting Worldwide // An international platform for underground music, culture and stories from around the globe → https://worldwidefm.net/

It’s not easy ploughing a furrow that ain’t already been ploughed in dance music, but Tim Paris makes it look easy. Nestling somewhere between the sideways slant of a sepia Sunday morning and the electrostatic seduction of a Saturday night, Tim has carved out a cultural niche that is his, and his alone. His original productions range from the jaw-droppingly original (It’s a Fine Line – Woman), to the heartbreakingly sublime (Tim Paris – Outback, Stones & Vinyl), and his remixes (the XX; Silicone Soul; Salif Keita; Telepop Musik) reflect his unique musical position.  Tim’s label, Marketing Music, has quietly gone about releasing some of the most innovative and gloriously confounding electronic house music of the past decade, and his collaboration with ex Black Strobe bohemian Ivan Smagghe, It’s a Fine Line, has borne fruit, after juicy fruit. Dancers, his first full-length release, was signed by Canadian label My Favorite Robot and is an astonishing piece of work. Switching effortlessly from metallic electro purring, to slack-jawed new-wave disco, to shimmering, bewitching, house, it marks a new high point in a career rammed full of them.

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