This is amazing. Love the mix of dark, chaotic distortion with soft piano and steady beat

Dig the guitar scratching or whatever that is

This is pretty unique but dope! I feel like the guitar scratching (or whatever) is a unique sound but I wold lower the volume of it. Allow for the dissonance to be in the background, not right up front in the mix. I don't think it should be overpowering your vocals, or the cool instrumental you have going in the background

this is incredible!! definitely one of my favs

real beautiful, definitely conjures a sort of toothless gnaw

your voice with the guitar riff and the sort of unfocused feeling really reminds me of modest mouse for some reason. I really like this

two of my favorite bcg classics i could cry. this is such a great track

2nite Bby, It About Us

Rifftastic, shredding and a slow bit in. the middle

Enemy Within Remix

Nowhere Boy

i found joy but it couldn't find me
borrowed time and it caught up with me
i found god, they're nothing but a feeling
set to launch, and it's going away

sailing through electric dead dreams
i will always love you
all the love you gave me
a cross i couldn't bear

i found god in a pair of used gloves
love letters grow and they die in the trees
i'm unsure and it eats me away
gnawing thoughts, i can't live with my brain

dear you
send it off in my jaws
i will always love you
though i couldn't keep those stitches in your sweater
cinema of regret
i will always love you
all the ghosts that live here
a cross i couldn't bear

gnaw

loading

early morning hallucination

Covalent

https://www.youtube.com/watch?v=GYac4qYWUiU&ab_channel=ClarkeJackman

Moth

Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise.
Originally released on CD in 1990 by Alchemy Records as part of the Good Alchemy Series, Rainbow Electronics marks the pinnacle of Merzbow's late 80’s noise phase. Selected and transformed from about 21 hours tape of primitive raw material recorded during three years (1987-1990) in 14 fragments lasting about 74 minutes, this monumental work is an aural trip through a cold plotted universe of intergalactic space ships and golden celestial bodies. Remastered in December 2019 and split into four parts directly by the artist for the double vinyl version it opens up with a slow, kind of creepy tempo, reaching from dirty harsh noise flows coupled with eerie reverbed screeches and scrapes of iron objects. Noise and blasts come from every angle, and all you can do is sit and take it. Then continues with solid drumbeats briefly emerging from the static and disappearing just as quickly, again long stretches of subdued electronic drones buzzing along sleepily and the occasional sudden shift of noise into something more violent, though it all happens kind of slowly and gradually. A truly mesmerizing and immersive body of sound and its intense finish is something of pure artform. 
“I don't need a lot of words about Merzbow. All you have to do is immerse yourself in the sound.” translated from Japanese liner notes of Alchemy Records CD by Toshiji Mikawa.
Double vinyl comes in only 299 copies with gatefold cover that faithfully reproduces the original art work plus a 12" size insert. If you looking for a great starter title by Merzbow, an amazing piece of art, or something to get high to, this double LP is perfect!
Out late November 2020. Please link on webstore via linktr.ee/urashima and join to our newsletter for more information and updates.

Merzbow - Part D Excerpt (from Rainbow Electronics)

Team Friction

This album was composed with help of artificial intelligence, and has a variety of uses. , and it is now available online in your download area. Featured on the album are many different versions of the album, such as the ‐Faster Track ‑,‬- and ‐Loudest‬. It has also been used by the artists in the songwriting of many songs and also includes numerous references to the lyrics of the song and other tracks. See track Descriptions for tracks.

Baba

solo project

one eye is shut and the other one's completely crushed

gnaw

Lazy Eyelids

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sun is poison

Fakest

Electric Bench Hoop

Electric Bench Hoop

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