Berlin native Estimulo digs deep into his record collection to deliver a mix brimming with ambient, electronic and leftfield cuts perfectly tailored for a mind trip beyond the club.

READ OUR INTERVIEW WITH ESTIMULO HERE: https://www.lazy-daze.com.au/#/59-estimulo/

@estimulo

lazydaze.59 // Estimulo

The Underground Slum Podcast

Spinning records for over 20 years, Garth finds it difficult putting an exact description to his music. Drawing heavy influences from late 80's / early 90's house music in Chicago, New York, Italy & Japan and artists/labels such as MBG, Logic, Fred P, Tevo Howard, Soichi Terada, Rick Wade, Telephones & Gnork, Blind Jacks Journey, Deep 88, Jose Rico, Dubbyman, Ron Trent, DaRand Land, C.K & The Estimulo Show. He is a self confessed vinyl enthusiast from Sydney, pushing music that is characterised by rhythmic kick drums, off-beat hi-hat cymbals & synthesizers.


Anything Soul and Synth driven, warm & creative, you can be pretty sure it's in his record bag.

www.lazy-daze.com.au

curated by @henryjohnstone

contact: henrykljohnstone@gmail.com

SLVA + MOUSETRAP 

catch me on the 2nd Monday of every month 2-3am at Voices Radio

curating SLVA Radio

This is only a backup account, please follow my main account @estimulo

Balearic, Downtempo, Jazz, Disco, House, Ambient, Deep etc.  Podcasts & Mixes.

Rami Abi Rafi’s work captures the essence of his migratory experiences. Born in the UK and of Lebanese heritage, he nowadays bridges between two burdened and deeply absorbing cities: Berlin and Beirut. The journey from London to Beirut, and current presence in Berlin, breathes the life into his work and inspired him to harmonize these influences in the different facets of his oeuvre.

As a DJ, Sound Artist, and Photographer, Rami's practice reflects a life lived at the crossroads of cultures and places. Subtly confronting and surprising, his works aim to empower imagination as they retell stories through music. They are an invitation to explore themes of memory, time, migration and forced existential exile. 

His first live performance was in Madame Claude’s infamous EXPERIMONTAG nights, one of the strongholds of Berlin’s experimental music scene. From there he appeared at Tresor’s New Faces, Silent Green, OHM, and ELSE and established a presence in Berlin's night culture. Rami has also made a name as radio host through monthly residencies on Radio Alhara, Noods Radio, and Cashmere Radio. 

Insijam, his show on Cashmere Radio focuses on the essence of chances and encounters. In Arabic, Insijam means harmony, and in this show different sounds peacefully coexist and enhance each other. Musique Concrète naturally merges with traditional Lebanese music, spoken words, and improv jazz. In these performances, Rami forms an auditory journey that deeply resonates with feelings of displacement and the eternal quest for belonging. To deliberately bring about this sentiment, Rami is versatile in using media - tapes, recordings and vinyl collected in the fragmented places that influenced him, are puzzled and layered together. They build fluid structures that bring people together and make them belong- through the experience of listening. 

For “love is on my side” on Noods Radio, Rami showcases Cold Wave, Post Punk and Synth tunes with a focus to offer a space for reflection. 

"Layali Insijam" on Radio Alhara, is a continuation of the INSIJAM project by documenting Folk music from Lebanon by highlighting musical plays and instrumental pieces. Radio is an important vessel of self-expression for Rami, and in his words, working with Radio made him a better listener and DJ.  

Moreover, Rami’s sound projects extend to sound art by amplifying chairs and manipulating samples of traditional Lebanese instruments. The Oud, Nay, Qanun, and Tabla intertwine with electro-acoustic elements, field recordings from Beirut and Berlin, and spoken words to evoke a sense of contemplation. 

But his examination of places and spaces and their significance for one’s identity and sense of belonging doesn’t stop here. As a photographer Rami’s current focus is on taking urban pictures. He seeks to find a deeper understanding of boundaries. They either separate or unify public and/or private realms, giving birth to spaces, which Rami coins as a “diasporic field”. Within these newly human-defined spaces, the pictures serve as a mirror. They capture and reveal these for Rami so important themes of remembrance and displacement.

Rami’s pursuit of harmonizing a fusion of influences - may it be via sound or visual art - acts as a reminder to embrace the beauty of chance encounters and form deep contemplations about belonging and the fluidity of cultural identity.

Written by Theresa Baumel -

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.