} - {

Pintes Musicales 2023-s48 (27 novembre au 3 décembre)

Lost in conversation

test babette

Matt Evans - Percussion
Henry Fraser - Double Bass
Lucia Stavros - Harp
Lester St. Louis - Cello 

Composition + electronics by Lea Bertucci, 2021

Of Shadow And Substance (Excerpt)

Very Complex (feat. Piya Malik)

Volume 9

War Is Over, Pt. 1

Bubblegum Dog

Twenty Things

Tunnel Lights

Frosted Floor

Marco Lucchi : samples (hyper bass flute) and tape
Henrik Meierkord : cello

18 gennaio 2024

Warum [w/Henrik Meierkord]

New wars are raging, now in Gaza, I wish I could hug all the people who suffer them in first person, for all the hugs not given. Hold me close.


SI DEBO MORIR

Si debo morir, tú debes vivir para contar mi historia,  para vender mis cosas, comprar un trozo de tela y algunas cuerdas, (hazlo blanco con una cola larga) para que un niño, en algún lugar de Gaza…

mientras mira el cielo a los ojos esperando a su padre que se fue en llamas —y no te despidas de nadie, ni siquiera a su carne, ni siquiera a si mismo— Ve la cometa, mi cometa que tú hiciste, volando arriba  y piensa por un momento que un ángel está ahí, trae de vuelta el amor.

1979-2023 Refaat Alareer

Si debo morir  deja que traiga esperanza… deja que sea un cuento.

Artwork cover by aura.songs

Hold Me Close

hold me close

Scratched

Track one on upcoming "Blue Phase" album. Fall 2017.

Pollution

Recorded on June 20, 2018, for Poem-a-Day, a series produced by the Academy of American Poets. www.poets.org

Fred Moten: "revision, impromtu"

River Of No Return

This - Is - Not

For the new Arma release Ena explores different, distinct facets of his sound across three productions. “Pale” distills his vision of techno as a minimalist, repetitive construct. Working around non-standard time signatures, he creates a densely woven lattice of percussive pulses, which cut a polyrhythmic path through nightmarish sheets of noise. “Secondary Color” uses a broader palette that opens the Ena sound up to the light,,, “Wired” heads further away from the grid in pursuit of sound design exploration, as a rack of pipes and chambers strike, boom and chime against artful distortion and cavernous reverb. While Ena has historically been hesitant about remixes of his material, he warmed to the idea of long-time Arma friend JASSS reworking “Wired”. Taking the track into her own fiercely individual sound world, she uses the harmonic tonality of the original as a jump-off point for an epic, emotionally forthright chiller loaded with coldwave bombast, trap hats and Silvia’ own voice.

Coming from entirely different angles of approach, Ena and JASSS are bound together by their fearless individuality. You can sense the slithers of pre-existing music somewhere in their constructions, but such familiarities are no more than faint echoes of places they passed through on their way to somewhere new.
Cover artwork by Judex Franju

A2. Ena - Wired

@xxxof

In an effort to give back to our community, which has been hit hard during Covid-19, over the past month, we’ve been collecting unreleased tracks from some of our favorite musical artists. ALL of the money raised through this purchase will go to the Artist Relief Project, which was created to help artists in need during Covid-19.

Sirens Scrapyard takes form as a digital album with an A and B side. Side A takes listeners on an emotionally ambient ride and Side B celebrates high energy rave hymns.

If you are in need of support yourself you can request funding here:
artistreliefproject.org/request_funding/

XOF – Vysparov

@thetafash

In an effort to give back to our community, which has been hit hard during Covid-19, over the past month, we’ve been collecting unreleased tracks from some of our favorite musical artists. ALL of the money raised through this purchase will go to the Artist Relief Project, which was created to help artists in need during Covid-19.

Sirens Scrapyard takes form as a digital album with an A and B side. Side A takes listeners on an emotionally ambient ride and Side B celebrates high energy rave hymns.

If you are in need of support yourself you can request funding here:
artistreliefproject.org/request_funding/

Thetafash – Anxiety Room, Forest Of Illusion

https://soundcloud.com/cedricmadden

In an effort to give back to our community, which has been hit hard during Covid-19, over the past month, we’ve been collecting unreleased tracks from some of our favorite musical artists. ALL of the money raised through this purchase will go to the Artist Relief Project, which was created to help artists in need during Covid-19.

Sirens Scrapyard takes form as a digital album with an A and B side. Side A takes listeners on an emotionally ambient ride and Side B celebrates high energy rave hymns.

If you are in need of support yourself you can request funding here:
artistreliefproject.org/request_funding/

Cedric Madden – Dreamsss Aaand Nightmaresss

Dane Law, 'Delph' (2020). Courtesy Astral Plane Recordings, United States.

Movement II of 

PERPETUAL MOTION (in two contrasting movements)

Movement I: 'Acoustic' -  Cello, Violin 
Movement II: 'Electronic' - Electronic voice manipulation

Premiered at the Barbican Centre as part of 'Ada Lovelace: Imagining the Analytical Engine (2 Nov 19)'

More info: https://www.rncm.ac.uk/research/research-centres-rncm/prism/prism-events/ada-lovelace-imagining-the-analytical-engine-2-nov-19/

Perpetual Motion: Movement II - 'Electronic' (2019)

info: https://www.factmag.com/2020/09/22/fact-live-shiva-feshareki/

Turning Tides (25/07/2020)

www.leabertucci.bandcamp.com Please buy my music
UPCOMING SHOWS
1.24 - Suarez Family Brewery, Hudson NY
2.12 - The Owl Music Parlor, Brooklyn NY
3.8 - Vapours string quartet NYC premiere at Public Records, Brooklyn