Rodolfo https://soundcloud.com/rplanes first shared this beautiful piece with me 2 years ago, which has had a gradual development since I first wrote the lyrics back then. More recently Ce Mastro https://soundcloud.com/cemastro added some exciting backing vocals which transformed the chorus and then even more recently we invited Dave McKeown https://soundcloud.com/dave-mckeown to contribute some lovely sax that we believed was just what the song needed. Rodolfo's song has such a feeling of romantic innocence yet with a wonderful rhythmic flow, that I hoped the words might feel from a simpler time. We hope you all enjoy our song of innocence (and inexperience) which thankfully is a work of fiction. Thanks again to Rodolfo for sharing this magical piece and his great skills as well as Ce and Dave's unique gifts to make this one happen. 
We thank you all for taking the time to listen.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Ce Mastro - Backing vocals
Me - Lead vocals and lyrics
Dave McKeown - Sax solo and fills

https://continentalcollision.bandcamp.com/track/almost-lovers

Almost Lovers (by Rodolfo Planes / Mark Bennett)

Once we were almost lovers, without a care.
We weren’t like all the others, somehow we just didn’t dare.
We never faced the fact,
What we had wasn’t real,
Didn’t have to deal,
With the truth while we were putting on an act
We’d have to pay,
And quite how that would feel.

The moment when I discovered, not wanting to share,
You with any of the others, that I just couldn’t bear.
But when my back was turned,
You made out with a guy,
I thought was my friend.
Then I knew that my world had been overturned,
Put out to dry,
And what a way to end.

It’s not the way that I’d hoped this scene would play out,
Leaving the stage in the first act. 
It was cruel but at least I was left in no doubt.
C’est la vie, as a matter of fact.

Were never really lovers, just make believe.
Like sister and brother, with only ourselves to deceive.
I should have known right then,
I’d be out on my ear 
Instead of in love.
Waiting for the finale, not knowing when,
I’d disappear,
When the push comes to shove.

It’s not the way that I’d hoped this scene would play out,
Leaving the stage in the first act. 
It was cruel but at least I was left in no doubt.
C’est la vie, as a matter of fact.

Almost Lovers - Continental Collision (featuring Ce Mastro & Dave McKeown) Now Available on Bandcamp

When Tom approached me with this piano melody, the initial arrangement and the title to which he hoped I’d add lyrics and vocals, I thought it was almost unnecessary as the piece already said everything required. Shortly afterwards, Jussi had added sublime guitar which offered a hopeful balance in the mood. Knowing what Tom was referring to without discussing it openly I wrote these words from a similar position of experience. I contrasted the first verse of a woman at her peak with the second verse of a woman in decline to heighten the emotion. I found that the spoken word approach allowed more emotion to flow from both the music and the words. Tom had the great idea to ask Hidefumi to complete the song with a phenomenal solo. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - https://soundcloud.com/tom-r-gnier
First guitar and guitar arrangement - https://soundcloud.com/juswel
Lyrics and vocals - https://soundcloud.com/markjbennett
Final guitar and guitar arrangement - https://soundcloud.com/boon-suzuki

Image of a painted door in Funchal, Madeira - Douglas Corrance (https://www.facebook.com/DouglasCorrancePhotographer)

She knows just what it feels like now.
I think she’s losing it, I think she’s losing it. 
When she is almost ready, 
She will lose her reserve 
And her inhibition too.
Then she’ll lose herself in herself and then she’ll be free,
To be what she wants, what she wants to be.

She knows not who she feels like now.
I know she’s losing it, I know she’s losing it. 
As if she's gone already, 
She has lost her reserve 
And her inhibition too.
Already lost herself in herself and now she’s elsewhere,
Knows not what she wants, nor who she used to be.

She's Losing It - Tom Régnier/Jussi Welin/Mark J Bennett/Boon-Suzuki

Rodolfo https://soundcloud.com/rplanes gave me this piece and title to write a lyric around. I was drawn to man's not unnatural obsession with the cosmos from the earliest days, through using it to navigate the world and gain power, to now potentially using it as a last ditch escape from our polluted and depleted home. I particularly enjoyed this song as I get to sing in Spanish and also a good proportion of this song is instrumental. So sit back and let this journey wash over you. Many thanks to Rodolfo for all his great work and a special thanks to you for listening. Mark

Available now on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Me - Vocals and lyrics

Southern Star by Rodolfo Planes and Mark J Bennett

It’s written in the stars,
When seen from Earth,
Venus… even Mars.
Whatever it’s worth.

The Southern Star 
The Southern Star 

Is that ‘Pie in the Sky’? 
Take the bait,
Maybe just a lie,
Trust in fate?

The Southern Star 
The Southern Star 

Estrella del sur
Estrella del sur
Estrella del sur
Es la clave,
Del rumbo del destino
Del rumbo del destino.
(Southern star, it's the key from the course of destiny)

Man’s knowledge and skill,
Charts land and sea.
In order to fulfil,
Destiny			
 
The Southern Star 
The Southern Star 

Celestial sphere,
Obscured now by,				
Tears and fear.
The end is nigh.		

The Southern Star 
The Southern Star 

Estrella del sur
Estrella del sur
Estrella del sur
Sin la clave,
Nos niega el destino
El curso del…
El curso del	destino
(Southern star, without the key, fate denies us the course of destiny)

 
Need and hunger, 
Has our innocence
Rent asunder, 
By its wickedness
 
The Southern Star 
The Southern Star 

Escape to stars.
Throw right off of your
Shackles and bars.
We need to endure.

The Southern Star 
The Southern Star 

Estrella del sur
Estrella del sur
Estrella del sur
Sin la clave,
Nos niega el destino
El curso del…
El curso del destino
(Southern star, without the key, fate denies us the course of destiny)

Southern Star - Continental Collision (Rodolfo Planes/Mark J Bennett) on Spotify too

A modern Christmas carol for you all. The lovely Mark J Bennett has provided the vocals (and artwork) - all at rather short notice too which is typical of his generosity.

We hope you enjoy it and that it encourages some thought about the Christmas message (which, let's face it, seems to have got a little lost in recent times....)

May the deep peace of the running wave be yours.

Music (based on trad tune)/Lyrics/Backing Vocal - enlimila
Vocals - Mark J Bennett.
[Audio-clip of children playing courtesy of garuda1982]

THREE BOATS
I saw three boats come sailing in,
Come sailing in, come sailing in.
I saw three boats come sailing in,
On Christmas Day in the morning.

One of those boats won’t sail again,
Not sail again, never sail again.
For that boat sank with all its men
And all its women and children.

The second boat its engine died,
Its engine died ‘cos the smugglers lied
And the waves crashed down on the folk inside
That little boat in the morning.

Those desperate folk held hands and prayed,
Held hands and prayed, as the sea it sprayed
’Til at last they sank beneath the waves
On Christmas day in the morning.

The third boat managed to reach the shore
And the folk inside all prayed some more.
Then the politicians began to roar
With rage on Christmas morning.

“How dare these strangers reach our land
Expecting us to lend a hand?
Our inn is full and we have no room.
Let them go home and face their doom.”

They went to church to sing and pray,
To sing and pray, to sing and pray,
And watch their kids in Nativity plays
On Christmas Day in the morning.

Three Boats

My friend and close collaborator @rplanes offered me this great arrangement and the title and theme that he thought might make an interesting subject matter. Initially, I was scratching my head as the topic seemed too vast but then the ideas started to attach themselves to his melodies and I was hooked. Humans en masse appear to be taking wrong-turnings and making things worse rather than better. This is me letting off a little steam with Rod's help. Thanks for taking the time to listen.
Link to tracks on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Me - Vocals and lyrics
Photograph - Courtesy of Douglas Corrance

Reverse Entropy (by Rodolfo Planes and Mark J Bennett)
We drift from order to chaos,
Like it’s the norm.
Without a sense of pathos,
To see the storm.
Following your safe instinct,
Where it may go,
Or go where you are told.

We let others cloud our vision,
Like they know best.
What happened to our ambition
Never addressed.
Following your safe instinct,
Where it may go,
Before we get too old

You have the choice,
When you have the will,
And it’s backed with the,
Knowledge, and fulfilled by skill.
 
We fall for the theorists,
Like it’s gospel.
Go find yourself some realists,
Who’re less hostile.
Following your safe instinct,
Where it may go,
While you still have a hold.

We’ve been duped at every turn,
By those we trust.
Without alarm or concern,
Now we are bust.
Following your safe instinct,
Where it may go,
If you can still feel bold.

You have the choice,
When you have the will,
And it’s backed with the,
Knowledge and fulfilled by skill.

All our futures are in your hands
With all that it commands
Focus on how it now all stands
Before making your demands.

Reverse Entropy - Continental Collision (by Rodolfo Planes and Mark J Bennett) now on Spotify

Rodolfo Planes offered me this great arrangement and suggested the title of 'Professional Liars' as a starting point. I changed the title to Career Liars as it scanned better with the melody and although we didn’t discuss the subject closely we both had our own ideas who these usual suspects might be. You all may also have your own choices other than these potential ‘Comeback Kids’. 

This was first written in 2022, but has developed gradually over the last two years with Ce Mastro’s spectacular chorus harmony arrangement lifting the song to astonishing new heights, then lastly Georg’s additional sax work giving a renewed energy and power. Thanks to everyone for their valued collaboration on this. Thanks for taking the time to listen.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - https://soundcloud.com/rplanes 
Me - Vocals and lyrics
Ce Mastro - Backing vocals and chorus vocal arrangement - https://soundcloud.com/cemastro 
Georg Boehme - Sax solo and fills - https://soundcloud.com/georg-boehme

https://continentalcollision.bandcamp.com/track/career-liars

https://youtu.be/tHFD8lZXQII

 Career Liars by Rodolfo Planes and Mark J Bennett

How are you ever able to live with yourself? 
What do you really care about? 
You can cope just as long as you’re not left on the shelf, 
Hear me out. 

Are you ever conscious of the harm that you do?
 Or is all fair in love and in war?
And there is no depth that you and your crew won’t sink to. 
We’re done for.

Career liars, 
Truth deniers,
Big high flyers,
 Falsifiers.

Making all of your deals with your old cronies,
I think that is all that you’re good for. 
Nothing is ever sincere coz you’re real phoneys.
 Show them the door. 

Lying for a living, as long as we’re forgiving,
 We’ve been truly hood-winked this time for sure.
 We’re learning a lesson about the true cost of living 
Now we’re all poor.

Career liars, 
Truth deniers,
 Big high flyers, 
Falsifiers.

Career Liars - Continental Collision featuring Ce Mastro & Georg Boehme - Now Available on Bandcamp

Mark says,
"Making music with Rodolfo is always exciting and often a challenge, although I know we both find it stimulating, as we always aim to reach high and this post is no exception. This new song, started its gestation almost a year ago, instantly showed a lot of promise and since has been through many stages of exploration and rounds of problem-solving. The painfully blunt lyrics were initially inspired by a friend's brutal relationship break-up, but the final result is much heavier. I hope you find it moving rather than disturbing, I was trying to match the mood of Rod's deeply dramatic music."

Rodolfo says,
"I think it's a fantastic song and you've done an amazing job on both the story and the vocals, especially those tough lines. When I was writing it, I just felt like a modern blues with a techno vibe was taking shape. The final sound was defined by the story and those really dramatic, emotional lyrics. You might want to make it clear that it's a fictional story to avoid giving our friends heart attacks."

We appreciate all of the kind support that the Soundcloud community has given our collaborations. Thanks for listening and sharing your thoughts, Mark and Rodolfo

Now available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix https://soundcloud.com/rplanes
Me - Vocals and lyrics

Moments of stress,
How did you deal with the rest?
All that is left of you and me,
Is wrecked.
How can we expect,
To go on when there’s nothing at all left?
 
…Left in the lurch,
You should have done more research.
I was truly never a safe bet for you…
For you could have made,
A much better match than you did with me.
 
Open your eyes,
I promise you won’t be surprised,
It’s been there before you,
All along, all of the way…
…Way before you had sensed,
That we had got it all so wrong by then.
 
Moments of stress,
All such a mess,
It’s anyone’s guess,
How it all went so wrong?
Moments of stress,
No more nor less,
Need I express,
How it all went so wrong?

Moments Of Stress - Continental Collision (by Rodolfo Planes/Mark J Bennett) on Spotify now

This is new take on a song that Rodolfo and I first worked on 4 years ago. He had always imagined it with fine saxophone and great backing harmonies and now that Continental Collision has a wonderful pool of talent to draw on, that has become a reality, thanks to Ce Mastro and Georg Boehme's beautiful contributions.
The song has been given so much more feeling and emotion.
Thanks to them and Rodolfo for believing that we could succeed  and thanks to all of you for listening.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and additional lyrics
Javier Rolando - Original song lyrics
Ce Mastro - Backing vocals and chorus vocal arrangement - @cemastro
Georg Boehme - Sax solo and fills - @georg-boehme
Image (Caithness, Scotland): Courtesy of Douglas Corrance

A Stranger In Your Heart - Continental Collision featuring Ce Mastro & Georg Boehme

I don't know what I've done wrong?
I don't know why you have gone?
Though I hope some day,
When I whisper your name,
We'll be together.
But today's too soon.
When I think of you, I dream.
Yet still, I'm a stranger,
Yet still, I'm a stranger in your heart.

Sometimes I feel like a fool.
Never knowing whether you'll,
Give me hope some day,
Still I call your name.
We'll be together.
Is today too soon?
When I think of you, I dream.
No longer a stranger,
No longer a stranger in your heart.

A Stranger In Your Heart - Continental Collision (featuring Ce Mastro and Georg Boehme)

Three Owls are
 Régulo Tortolero: Drums, Bass, Cuatro Venezolano and lyrics 
 Oorlab https://soundcloud.com/oorlab : Lead Vocals and Backing Vocals, Piano, Strings and lyrics
Mark Bennett: Lead and Backing Vocals and lyrics

Recorded at NoHum Studio, El Limón - Venezuela and Oorlab Studio, Amersfoort - Netherlands and Edinburgh, UK 2025. Mixed by: R.T. ©® NoHum Records 2025  All Rights Reserved

Recorded and Produced by Three Owls 
 Art Cover: Mark J Bennett

Régulo (AKA @kings-of-manguareo) in Venezuela started this project a year ago with a piece called ‘Al Paso C’.
After several evolutions involving Dick (Oorlab) and myself, then the new title was suggested by Régulo and we ventured into space, with a ‘Musical Consequences’ scenario. I started off the lyrics, then Régulo added some lines and finally Dick completed them. Soundcloud is a great place for experimentation. Many thanks to my collaborators and also to you for taking part by listening, Mark

Am I the follower?
 Pleiades am I bound? 
Pleiades I am bound,
 I am the follower.

Aldebaran, Aldebaran, Aldebaran, Aldebaran… 
Never going, never going… coming back!

The fiery eye of Taurus,
 Trains its gaze upon, 
Orion’s shiny belt 
And it's perfect triad
 Over all of us
 For all eternity…

As long as the sun will shine
 And the magnetic field  
Stays well aligned 
The World will keep itself  
On course.

The long night will turn around
 Winter solstice is here 
Aldebaran will rise
 The ice will disappear

Aldebaran by Three Owls

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

My Way Through - Tom Régnier & Friends

A month or so back my good friend Ian Tait messaged and sent me a cover of a Deep Purple song he had done the music to, and asked if I would like to sing it. Well to be honest normally I would jump at the chance, but when I seen the song of theirs he wanted me to sing, I knew it would not suit my voice and instantly another clouders voice who I knew who would be perfect to do the job sprang to mind. So I gave him my recommendation for the job and told Ian to get in touch with him.

Now I do not know if Ian had done, but as he asked me in the first place, it was about a month prior to this, I happened to hear a superb instrumental piece he put out on his cloud, he entitled "Le Mans" and at the time I heard the piece I actually thought about messaging Ian myself to ask him if I could write some lyrics to it and sing it. So now was my perfect opportunity to ask him, as I did not really want to let him down in the first place.

There is no doubt in my mind that Ian's instrumental track "Le Mans" is bang on perfect to the title of the famous motor racing event and sport. Ian had also mentioned to me at the time he sent me his music, that I could change the title if I liked, and as a rule I never like to, as it already gives me a subject matter to write about and in reality is a great starting point. But straight away I knew that this particular subject of motor racing was never gonna be something I wanted to write about. Simply because this sport and cars for that matter do not interest me one bit. So I very much decided to change the title to "Breaking Point" and go in an entirely different direction regarding the subject matter for the lyrics I wrote here, to which I still feel works very well with Ian's superb music. 

In order to make "Breaking Point" work for me as a singer, I very much had to chop up Ian's music and rearrange and piece it together to suit all the parts I wanted to sing in it. In doing so, I had to throw out a lot of Ian's great guitar work, and even though my version is only 1 minute shorter than Ian's, there is in fact a lot more I have thrown out of his original piece to make this work. So I really do suggest you do if you get the chance, give Ian's original track a blast, it really is superb.

I would like to thank my good friend Ian for giving me licence to dissect his great music and make this Rock in another light. 

You can find Ian's original instrumental piece "Le Mans" here: https://soundcloud.com/ian-tait/le-mans

"Breaking Point" has been made as a free digital download @ Bandcamp and can be had here: https://leelucas.bandcamp.com/track/breaking-point

Breaking Point (Music By Ian Tait/Words By Lee Lucas)

Lee Lucas - Vocals & Backing Vocals - Artwork.
Ian Tait - Guitars - Bass - Drum Programming.

Smashing stuff courtesy of Freesounds.org.

The lyrics are as follows:

It's ten to midnight
an angels at my feet
is it mercy you cry out for
or are you in need of sympathy

Stress and tension now surrounds me
as all hell starts breaking loose
and if I cannot contain it
there's no telling just what I'll do

Chorus
As I fall down on my knees
you will hear me scream
in a violent rage of pain
don't come near
I'm at my breaking point
breaking point 

It's this helpless situation 
that causes one to crack
(you might at some point think there's a devil on your back)

Chorus
It's when I fall down on my knees
then you will hear me scream
no please, please don't come near
you just might get hurt 
there's no telling what I will do
especially to you
I'm an helpless case 
of fear and rage
I'm at my breaking point
breaking point

Please find time to leave comments to which are all very well appreciated, and many thanks for listening.

Free Download

Lee Lucas & Ian Tait - Breaking Point

I very much started out playing instruments very late in life, and spent much of my earlier days listening to it, rather than playing it. I am very much a self taught musician and regard my instruments very much like implements, tools or devices to write with, rather than being anything remotely near a good playing musician of any great technique. 

I guess I really got into instruments more back in 1994 when I got into my first band (though I did learn to play the Harmonica when I was 8 years old) it was around this time I wrote a song on the Guitar entitled Oldtime Street. The song is very much even today one that contains some of the finest lyrics I have ever written, and very much perhaps inspired me to carry on.

Though the band back in 1994 was a very short affair, it was not long after I got into a R&B band performing Rock & Blues in various pubs around my own town Birmingham. I was very much the lead singer in this outfit which lasted some 6 years. Though during these years the band had gone through several line up and name changes and came to a stop in 2001. I suppose it was a bit of relief in a sense, because it's quite easy to put a band together, but murder to keep everyone happy, and keep it going.

Even though I only really did Vocals and played my Harmonica in the band, I still found time now and then, for my guitar, and my keyboards at home, and I also contributed in a big way to our own compositions in the band.

My tools are as follows:

Studiologic VMK-188 Plus 88 Key Midi Controller Keyboard.

Yamaha PSR E303 61 Key Keyboard (Used Via Midi)

Yamaha F310 Acoustic Guitar.

Yamaha ERG121 Electric Guitar.

Encore E4 Bass Guitar.

Various Harmonicas in many Keys.

Alesis Performance Pad Pro Drum Machine & Pads. 

Audio Technica AT2020 USB Microphone.

Vic Firth Drum Sticks.

Various VST Software for Keyboards, Guitars & Mixing.

Cubase 5.

Ableton Live 8.

Steinberg Wavelab.

Influences are from mainly 70's Prog/Rock/Blues/Traditional Folk/Electronic Music.                    

Lee Lucas & Ian Tait - Breaking Point

Lee >>> Lucas