It's a wonderful track with plenty of atmosphere, and the silence is a wonderful accent to the avant-garde expression.

@user-936947521 Thanks again. Keep up the great work, too. :)

Amazing soundscape - almost tactile haunting sounds...very effective!

Inviting and super interesting organic soundscape

Related tracks: Thought I Was Dreaming

An experiment: 

Dark ambience surrounds the sounds

The disparate sounds and jarring changes reflect 

the increasing dissonance 

between the system and its users,

between a society and its citizens..

A Cybernetic Hypothesis: An Experiment

Cast of characters:

Llanpsych-- @llanpsych -- Tez – Takamine acoutic and Gibson Les Paul electric guitar, composition, lyrics, mix, and production
Mistermark-- @user-432503709 -- Mark – jaw harp, vocals, production, mix, and editing     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 for voices that include bagpipes, Celtic flute, and Hammond B3, along with the bagpipe and "off with her head" outro
TexMex Shaman– @texmex-shaman –Stephen– mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision bass

This song started as a rough recorded by Tez on his acoustic and electric guitars. He also wrote the lyrics right off the bat, and introduced them to the rest of The Eclectic Collective by singing them as a rough, too. His vision for this was to create a song that sounded like it could've been recorded at Headly Grange (recording place of several Led Zeppelin albums). He also wanted it to feature instruments that wouldn't sound out of entirely out of place in Feudal Age Britain (between 1000-1600 C.E.) to carry the spirit of his lyrics.
  Tez always writes songs that are fun to learn and have cool changes, so we all jumped in with both feet. Ken was first up with his Bonham like big, bad beat. To that, Josh added his P-bass, which he used a plectrum on, something he rarely does, trying to sound like JPJ to match his Ken's energy. JJ came along next, adding his colourful mix of raucous organ, time period relevant Celtic flute, and outro bagpipes. He did the entire outro, in fact, including the "off with her head," line, too. 
  Once the music was all laid down, Tez tapped Mark to sing the humorous lyrics. Mark came through with flying colors on the vocal performance, as always, too. Mark also added the textural, boingy-sounding jaw harp in the chorus sections.
  Now that it was all in the can, Two of our master producers Tez and Mark mixed it, then asked the third, Stephen, to do the final mastering. It should be noted, too, that Mark also contributed significantly to the production, too, with his masterful editing skills.
  This was a really fun tune to put together, as we always have fun working on Tez's seeds. He is telling the tale of lust between two Feudal era peasants. Of course, it's rife with ribaldry, being as Tez is British. We hope you enjoy listening to this a much as we enjoyed creating it.

Original yrics by Llanpsych:

Verse 1
Working in the fields
All summer long
Glowing like the sun
Oh so fit and strong 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Verse 2
Loving in the dusk
Lying in the hay
Drinking hot cider
Till the end of the day 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Feudal Woman Blues (The Eclectic Collective)

As minimal as it gets. 
Just me, my piano and 4.39 of few notes here and there :)

Solitude

Dedicated to my  Friend Carl of The Beautiful Dark here on soundcloud. We were discussing old tracks and he said he has a man drawer full of old demos. I found this one the other day..   I did manage to tweak it in garageband.

 life is good

Lyrics
copyright Bill Liggett 19..long time ago.. back when I was in a good mood..

come monday morning I’m on vacation
and if I don’t return your call
I left my phone in the kitchen
leave a message with you bitchin and complain
all day long

but rest assured now.. I’m feeling guilty
and it is with a heavy heart
that I recline with my ray bans
freeing up my hands to raise my glass
heres to you

I know the rent is due on tuesday
I can hear the landlord sayin
Where is that rat
she’ll have to wait and hold her horses
cause Im on vacation
on vacation..thats where I’m at

I must remember to send a postcard
oh how I wish that you were here
but now its time for my nap
and I forgot to give a crap about obligations
and pressing affairs

I know the rent is due on tuesday
I can hear the landlord sayin
Where is that rat
she’ll have to wait and hold her horses
cause Im on vacation
on vacation..thats where I’m at

On Vacation

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

GATES OF HEAVEN (Ft. Molly Barnett)

UnBoxed February 2025
Vocals “Echo’s Call” by @blackbird-750549711
Sounds “Machine Music” by Box Number Ten
Image by Cleo Collina

Machine Music With Echo’s Call (featuring Blackbird)

Back To Athos - Επιστροφή Στο Άγιο Όρος

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

Image created by me.
https://www.deviantart.com/leehon/art/906016027

Tezcatlipoca's Requiem

A dark song in a jazz style, revolution and all that stuff

Against The Wall

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

An atmospheric soundtrack with minimal percussion — electro ambient with piano & bass for occasional neoclassical, jazz, and R&B notes at a very chill 60 bpm to drift along to Cosmic Dust

.................................
While reading about the Archimedean spiral, I stumbled upon an image captured by ALMA of the European Southern Observatory. As seen in my cover art, LL Pegasi shines in a binary star system. There, it and its companion star are “locked in a stellar waltz” that weaves a spiraling cosmic dust trail as they orbit through gaseous material emanating from “old star LL Pegasi.“ (links to full explanation, image, and video in the credits below).

Wonderstruck, I became aware of how universal the spiral is — from sea shells on beaches to star trails in the Pegasus constellation — how human DNA, too, is a spiral chain of atoms, a double-helix that contains genetic code to materialize into physical form as what we call biology of the Natural World. 

Science teaches that everything in the known universe originated in the Big Bang, a topic that, for me, always conjures up Joni Mitchell lyrics from Woodstock — 

We are stardust, we are golden. 
We are billion-year-old carbon.
And we’ve got to get ourselves 
Back to the garden 

— all of which inspired Cosmic Dust. 

Welcome to all, and to science and sci-fi enthusiasts🖖
.................................

DAW: Apple Logic Pro X
MIDI: Akai MPK Professional keyboard
E-INSTRUMENTS:
Concert Grand
Cello Section Legato
French Horns 
Tuba
Flute Solo
Clarinet Solo
SoCal Ballad Piano 
Cinema Strings 
Lunar Strings
Upright Jazz Bass
Deep Round Synth Bass
After The Rain
Crystals & Voices
Classical Ensemble
Blue Cavern 
Glacier Pad 
Space Harp
Rain Harp
E-PERCUSSION:
Timpani
Timpani Crescendo Tremolo
2-Step Remix Kit
European Folk Kit
Goa Remix Kit 

PHOTO CREDIT: 
ALMA (ESO/NAOJ/NRAO)/H. Kim et al. 
Celestial spiral with a twist
https://www.eso.org/public/images/potw1710a/

SOURCE: European Southern Observatory (ESO) via Wikimedia Commons:
https://commons.wikimedia.org/wiki/File:Celestial_spiral_with_a_twist.jpg

SUNNYBECK altered the ALMA image by duplicating it and changing its hue as a background element while overlaying the original as the main cover image with an outer shadow, and finally adding the Cosmic Dust song title and artist logo. Use of the Atacama Large Millimeter/submillimeter Array (ALMA) image is not an endorsement by the European Southern Observatory (ESO) or by its employees, but the image is licensed under a Creative Commons Attribution 4.0 International License.
.

Cosmic Dust

Planet Confusionn is a Jazz Fusion track and collaboration between myself and good friend John Corsaro. John sent me the track played as a single take, I then added everything else and mixed it, eventually producing what we have here. 
John is an incredible drummer and percussionist and it is my great honour to be able to join with him again on this track. The track was originally recorded around ten years ago.
Thanks for listening and hopefully get some enjoyment from doing so.
Alan

Planet Confusion

Planet ConFusion (Hamilton/Corsaro)

Hey, I’ve done a mix of Clive’s @winkandwoo great tune  https://soundcloud.com/winkandwoo/the-great-awakening

Enjoy! 
Dx

The Great Awakening **Wink & Woo & Ricø. REMIX

Inspired by “The New Colossus” by Emma Lazarus, 1883.
Copyright 2025

They got on boats, and they sailed across the ocean hoping for a better life
They left behind poverty, famine, hardship and strife
She lifted her lamp behind the golden door
She welcomed them with open arms 
But we don’t need those people any more 
We’ll use robots to tend our farms
There’s an angry mob wearing red caps
And they’re pulling on a rope
They’re trying to knock down that statue that gave so many people hope.
They say a rising tide lifts all boats but now it’s every nation for itself
As the billionaires and oligarchs accumulate more wealth
We’re all just living on this rock floating in the vastness of space
You’d think we’d find a way to co-exist as one human race
There’s an angry mob wearing red caps
And they’re pulling on a rope
They’re trying to knock down that statue that gave so many people hope.
Someday if you’re standing there waiting at the pearly gates
With a bunch of other people waiting in line to get into heaven
And you’re filling out God’s paperwork so you can immigrate 
How will answer that question did you love or did you hate 
There are people who call themselves Christians who don’t practice what they preach
They see a man whose down on his luck, and they consider him a human leech
There’s an angry mob wearing red caps
And they’re pulling on a rope
They’re trying to knock down that statue that gave so many people hope.
There’s an angry mob wearing red caps
And they’re pulling on a rope
They’re trying to knock down that statue that gave so many people hope.

Angry Mob Wearing Red Caps

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

I'm an avant-garde musician. I like to experiment with software, instruments, and everyday objects when creating on a song.

Music is my latest artistic passion; aside from being deeply invested in making music, I create digital art, drawings, paintings, mixed-media pieces, photography, photomanipulations, poetry, and short stories. All of which can be found on my DeviantArt: Leehon.

Thank you for reading and listening.

Tezcatlipoca's Requiem

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