MANAGEMENT : 
quentin@purposeprod.com
info@the-magician.be

EUROPE, ASIA BOOKING :
themagician@allaroundagency.fr
Info@the-magician.be

AMERICA BOOKING :
quentin@purposeprod.com
info@the-magician.be

NEWS : https://linktr.ee/themagician

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

Bringing you the history of leftists of color one swipe at a time.

This podcast is hosted by Left POCket Project creator Wendi Muse & her co-host Richard.

Learn more about the Left POCket Project via:

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Media platform driving electronic music culture. 
📄🎧🩸🇧🇷
A música conecta.

Inquiries:
alan@alataj.com.br

Camikazy Uzi​,​ is a vocal lyricist​,​ DJ​/​producer and model
from Paris based in between Amsterdam & Barca.

Her fiery energy and fierce music selection are what make the Uzi experience.
She is mixing beats such as Disco​/​Funk​,​ Deep​/​Tech House​,​ and MinimalTechno when the darkness arises.

Naarm/Melbourne-based Close Counters’ diverse soundscape sits at the crossroads of house, neo-soul, broken beat and disco. Their 2023 Music Victoria Award-winning album, ‘SOULACOASTA II’ secured their spot as one of the top talents in their class, with the duo tirelessly sourcing niche samples from films and records on trips across the globe. The LP was touted by tastemakers Gilles Peterson, Folamour, Jamz Supernova and landed Album Features with Australian stations Double J, 3RRR, PBS and 2SER. Breakout singles from the pack were originally released by Melvo Baptiste’s The Remedy Project, an imprint of Defected Records.

Their collab 'Rollout' with Young Franco, Scrufizzer and Jay Prince, won over fans across the globe and was added to the Official Soundtrack for acclaimed video game FIFA 23, and have been synced for Apple’s recent iPhone campaign. In the past year the band have also performed for triple j, 3RRR, Defected Radio, FBi Radio, Soho Radio NYC, Baked, and interviewed on BBC Radio 1Xtra on tour recently, and when hotly tipped as their ‘After Dark Discovery’ and ‘EP of the Week’ (‘FLUX’, 2022).

The duo expands up to a 7-piece tour-de-force with live-mapped visuals, dancers and featured musicians and vocalists from their wider collective and they’ve continuously sold out their hometown Naarm/Melbourne dates, notching impressive shows at Sidney Myer Music Bowl, sold out dates at 170 Russell, Corner Hotel, The Night Cat, and packed-out rooms across Australia’s east coast. Support duties have flowed from Madlib, Sofi Tukker, Crazy P Soundsystem, Tall Black Guy, to local mates Confidence Man and The Jungle Giants, betwixt bucket-list festivals Splendour in the Grass, Falls Festival, Let Them Eat Cake, Strawberry Fields, Meredith Music Festival, MONA FOMA, Party in the Paddock and showcasing at BIGSOUND, Electronic Music Conference and three sold-out Melbourne Music Week events.

The band recently finished their UK & EU summer ticking off Lost Village Festival, Manchester Jazz Festival, Defected Malta and Cabaret Sauvage. In London, they sold Ronnie Scott's, did 180 tickets at Ninety One Living Room, packed out Hootananny Brixton and landed a sold out Jazz Café support for Somewhere Soul's showcase with Cotonete. The band have also played packed sets in Berlin, Paris, Amsterdam, Monaco, Brighton and featured behind the decks at ADE, Defected Croatia, Reflektor in Belgium with A-Trak, and are returning for Brick Lane Jazz Festival in April 2025.

Politics, culture, and public policy from the left. Stay alive another week.

w/ Beatrice Adler-Bolton, Artie Vierkant, Phil Rocco and Jules Gill-Peterson. 

https://www.patreon.com/deathpanelpod

Check out my DJ Mix Series on Youtube: https://www.youtube.com/c/FabichMusic/videos

For more music check out my "Fresh Finds" Playlist on Spotify: http://spoti.fi/1TWzVwM

IG: FabichMusic

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

An independent daily global news hour, anchored by award-winning journalists Amy Goodman and Juan González, broadcast weekdays on 1,400+ radio and TV stations. Livestream the show weekdays from 8AM to 9AM ET at http://www.democracynow.org.

Join us every Sunday in the Death Panel Podcast Discord Server for Reading Group. Check out Death Panel at www.deathpanel.net

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