Beats & bass since 1999

www.techniquerecordings.co.uk

Bookings - jan@makinoagency.com

https://bio.site/Amoss___

MOVED TO @LEAHCULVERMUSIC 

http://twitter.com/leahculvermusic  http://facebook.com/leahculvermusic  http://instagram.com/leahculvermusic 

BIO:
An  original junglist from Los Angeles, now residing in Ojai, I. Wright rinses jungle, drum and bass and has been rocking crowds in California and beyond for the past two plus decades.  He's built up a reputation for moving the masses with wall-shaking performances, mixing crisply patterned percussion and ubiquitous bass.  

In Santa Barbara, 1997,  I. Wright’s love for jungle music had evolved into dj'ing; he began creating his own signature jump-up and ragga sound in by mixing and recording jungle and drum and bass vinyl from the Metalheadz, Ram, No-U Turn, Da’ Lick, Joker, Urban Takeover, Switch, Fresh Kuttz, Zion, Kemet and Congo Natty record labels.
  
By the Spring of ’98, I. Wright was already pushing his sound in the SoCal EDM scene with his performances and via mix tapes such as “The Human Experiment,” "Subversive Cursive," and “My Habitat”.  When asked about the origins of his d.j. name, I. Wright shares, “DJ'ing is writing for me, every dj has a unique, creative style- their poetic voice; it's a musical signature behind the turntables.  For me, each mix is a new musical poem or story I write.”  That same year he created “Plastic Addicts,” a production company, and d.j. collective, which was originally conceived by I. Wright in his “Plastic Addicts” radio show on KJUC, one of Santa Barbara’s only independent, non-commercial radio stations. This was the beginning of I. Wright’s career in radio broadcasting.  I. Wright would later follow up with his own internet radio show, “Junglist Unity” from 2003-2008, first on  movementradio.com and then on dnbradio.com. By 2001, I. Wright was inspired to throw “Strictly DnB”: the only all-drum and bass monthly club night in Santa Barbara with his friend and fellow junglist Mad Huban of the Beatnix Labs, Santa Barbara. This drum and bass night was the longest running monthly drum and bass show in Santa Barbara and the 805 area from 2001-2003. 

Over his career, I. Wright has performed with noteworthy international drum and bass producers and d.j.’s in Los Angeles and across Southern California:  R.A.W.(6-Blocc), Origin(Back2Basics),Clutch and No Face (Respect, Junglist Platoon), APX-1(Ghetto Life Rec.), Nightstalker(Bassrush Prod.), Infiltrata (John Dada) TABU (Refuge), among others. 

Select performances from I. Wright include “In the Beginning” Santa Barbara (1998), “Ambition”(1999) “Covert” (1999), Junglist Unity(2000- 2003),“Strictly DnB” (2000-2003),“Recon”, Los Angeles(2002),“Underscene”, Ventura(2003),“Odyssey”, Isla Vista (2000),“Can of Jam” at the House of Blues, Hollywood; “Rhythmic Bliss” in Los Angeles, "Blue Lounge" Santa Barbara (1999-2000) "Strictly DnB",Santa Barbara(2000-2003, 2007), “Elevate,” Los Angeles (2005),“Central Coast Science”(2006), “Synesthesia” and “Rhapsody” Santa Barbara(2004-7),"Santa Babylon" Santa Barbara (2009), "Bassix" Ojai (2015), "100K Artists for Change" Ventura (2016) and "Strictly DnB" Ojai (2017). 

I. Wright is constantly exploring the drum and bass horizon, blending the sub-genres of dnb sounds into his unique, bass-heavy percussive poetry. 

His most recent mix is the ethereal and uplifting chill dnb mix, "Effervessence" (2025) Other mixes include his soulful, summertime studio mix, "Illiquid Volume 2" (2025), the live rave set "I. Wright at Strictly DnB" (2017), the romantic dnb poem "My Love"(2016), the uplifting dnb composition, "Uplift"(2015), the fast-paced liquid dnb journey "Love This Way"(2015),  the jump up dance-floor freight-train "Indomitable Sound"(2015), the melodic and smooth liquid sonic-cocktail “Illiquid”(2015), and the all-vinyl audio sculpture “Optimism”(2014).

Invariably setting off crowds, I. Wright mixes the original jungle and freshest millennial drum and bass to those who know and those who don't, stateside, worldwide.  Get set to elevate and dance to the inimitable sounds of I. Wright.

Contact: hollis@symmetryrecordings.co.uk

Break Bookings: clive@earth-agency.com
 
Long hours in the studio have lead to releases on Ram, Metalheadz, Shogun, Exit, Critical, Soul:R, Quarantine, Subtitles and a host of others; cementing Break’s reputation as one of drum & bass’ hottest talents. His trusted skills have been reigned in to remix seminal drum & bass classics including Shy FX’s ‘Bambaata’, Die’s ‘Clear Skyz’, Commix’s ‘Talk to Frank’ and Ram Trilogy’s ‘Gridlock’ as well as Bloc Party’s UK top-5 hit ‘The Prayer’.

Equally praised for his DJ skills, Break maintains a consistent touring schedule that sees him playing across the globe on a weekly basis on the stages of the world’s biggest drum & bass institutions; from Fabric, Detonate, Bedlam, Warning, Metalheadz and Hospitality in the UK to the USA, Australia, New Zealand, Japan and the breadth of Europe, playing headline shows or back2back sets with the likes of Die, Goldie and Dillinja.

Launching his own label, Symmetry Recordings in 2006, Break honed and polished his sound with each single and released his fist album, also entitled ‘Symmetry’ in 2008. Featuring forays into ambient, dubstep, funk, hip hop, house and soul amongst an arsenal of sure-fire drum & bass, ‘Symmetry’ earned Break an army of new fans from outside the d&b world with tracks picked up by the likes of techno legends Laurent Garnier and Josh Wink. 

Two years later Break has risen the bar further still via his second LP; ‘Resistance’. Featuring collaborations with No U-Turn mastermind Nico, Bristol’s DJ Die, super-duo Calyx & Teebee, DNAudio cohorts Silent Witness and Survival, Shogun Audio’s SpectraSoul and vocalists Kyo and SP:MC, the album offers a glorious journey through the spectrum of Break’s styles and influences and a clear indication of where his talents will lead him next. 

The next chapter for Break is signing new exciting artists to coincide with his own output on the label. Keep a keen eye on Symmetry as this is the label for the real sounds of Drum & Bass, absolutely no compromise.

Thee-O started DJing at the young age of 13 and by the time he was 18 in 1992, he started DJing in the thriving underground rave scene of Southern California. He has created a name for himself while changing genres and staying true to his integrity, committing to what he feels is the best in underground dance music. His consistency of skillful mixing and lively scratching has cemented “his sound” regardless of what genres co-mingle in his style.

In addition to his DJing, Thee-O is also an accomplished producer and remixer that have landed tracks on Bedrock, Suara, Perfecto, Looq, Drops and System Recordings to name just a few. His approach to music production mimics his DJing artistry in the aspect that genre comes second over the feeling of the music. Genres and styles are split, shattered and then reformed into songs that work on multiple dance floors.

Recently, he was DJing and producing with Robert Pointer (AKA Robtronik) under the name Stylus. Stylus is also responsible for some of the most engaging events to occur in Los Angeles . Their events have occurred in amazing venues such as King King in the heart of Hollywood, The Standard Rooftop in downtown LA and Los Globos in the trendy Silverlake area, while attracting international talent of both House and Techno to join in on the fun. Thee-O also continues to work with the LA Based "re:love" crew to plan and execute the legendary park parties as well as pushing the brand to extend itself into new venues and opportunities.

As of January 2019, Thee-O has relocated to Honolulu. He is already DJing on the islands and has played for events at venues like Nextdoor and Hawaiian Brian’s as well as the Tropical Oasis Retreat in Maui. While he is on the islands, the slower pace of life will allow him to work on music with less distractions and should increase his output. 

While a lot can be talked about when it comes to “Old School,” Thee-O walks the walk. He has accomplished a lot in his 24 years of being a DJ, producer and promoter and he is just getting started. He remains wildly popular while staying firmly planted into the underground scene and not falling into the hype that can surround the current EDM culture. With a new island home, new ventures, new branding, new tracks, and new ideas, the future is going to be one for the books with lots more to come from this music innovator.

Leah Culver

www.LeahCulverMusic.com

Info@LeahCulvermusic.com

Ant TC1 along with Hidden Agenda founded Dispatch Recordings back in 2001, Ant originally helped out with the management side of the label before finding his feet within the realms of production; which was a natural progression for him having DJ’d on pirate radio and in clubs from the age of 14 (since 1992).  His first release alongside frequent production partner Stress Level appeared on Dispatch after almost 3 years of hard work getting their collective sound where they felt it needed to be before even thinking about turning on a DAT recorder.  After their first release hit the stores they quickly picked up a wealth of DJ support across their early material and went on to release for a who’s who list of established Drum & Bass record labels including the likes of Renegade, CIA, Advanced, Critical Records Integral, Liquid V, Commercial Suicide, Good Looking Records, Bingo Beats and Samurai Music.

By demand remix work started to feature heavily within their output and the duo went on to remix for the likes of Hidden Agenda, Chris SU, Artificial Intelligence, Kabuki, Total Science, Optical & Ryme Time (Jagged Edge), Atlantic Connection, Tactile & DJ Marky.  Branching out and working with other producers such as Survival, DLR & Philth has only furthered experience Ant’s skills at the controls over the years, Ant has also released his own solo material more recently on top of remixing for the likes of Lomax on Integral Records.  In 2014 Ant realised a lifetime ambition, securing his first ever release for the legendary Metalheadz label “Hungry For Atmosphere” alongside Mako, DLR & Villem with further releases for the label and counting going into 2024.

Ant’s production output has featured on a mass of compilations and mix CD’s compiled by the likes of Shy FX, LTJ Bukem, Total Science, AI, Spectrasoul, Klute and Brian G.  Additionally his work has featured very heavily within the radio shows of Friction, Grooverider, Fabio, Goldie, Bailey & Rene LaVice on their respective BBC Radio 1 slots over the years as well as BBC 1Xtra where Ant once hosted his own one-off 4 hour show, he has since additionally made 2 guest DJ appearances for DJ Friction on his Radio 1 show.  His DJ’ing work has seen him play all over the globe from Adelaide to Los Angeles, from Hong Kong to Sarajevo, Vancouver to Bangkok and last but by no means least regularly UK and EU wide. Additionally for the most part of the decade beyond 2010 Ant also worked as the Artist Manager for both Outlook and Dimensions Festival in Croatia, leading up the booking process, budgets and travel aspects for the festival.

Fast forward through to 2024; Ant is now responsible for the lead label management roles of both Metalheadz & Dispatch Recordings and is based in Thailand, with a purpose built studio room recently finished the plan (alongside managing a mass of planned record label releases) is to get back to focusing on writing music more consistently than he ever has previously.

Affiliates-  Lethal Talent / Timeless / Project 51 / Liquid Brilliants / Elevated Press / Hood Famous Music 

Damien, aka Wil, is a driving force in the US drum and bass community; handling bookings for many of the living legends in the scene as well as many of the biggest new comers in the US.  Aside from his positions held in the business side of things, he is also a resident DJ for the Los Angeles based monthly, Timeless and the DJ collective, Villains.  

As a producer, he has showcased his versatility with releases on Liquid Brilliants, Elevated Press, and Ming's Hood Famous Music.  He is also one half of the production duo Theatrix with partner Dip Vertigo.   Having received play support from the likes of Reid Speed, NC-17, and Nymfo to name a few, his tunes as both Damien and Theatrix have been slaying dance floors and assassinating stereos around the world.  

He also enjoys long walks on the beach, romantic dinners, and taking the piss out of people who need to have the piss taken out of them. 

AIM - damiendnb
For booking inquiries, please contact:
wil@lethaltalent.com

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