Outstanding track! It catches from the beginning! Fantastic vocals, brilliant arrangment and production! Bravo!

l'image me fait penser à "la forme de l'esprit est un papillon"

il y a plein de choses qui me rendent triste, fou, à lier. lie-moi à ton histoire, même de loin, je veux en être. Bises

Weekly Wave

90’s indie vibes for your listening pleasure — Manchester in the house

Can’t sleep ?

Long time no see. Since I decided to make a career move, things have been too  hectic(^_^;
Now that I settled down in new workplace, I began to record one-man band again!
I wrote this song for my own band, and played sometimes in venues.
I completed the song here for SC.
Bass solo is always challenging for me, but I enjoyed very much(^_^)

FUNK THE DEVIL

I had posted a year ago the row version of this track recorded back in 2015 (https://soundcloud.com/michele-ansani/bosque-redondo)
I thought that, after all these years, it was time to remake it, without altering the melody or the atmosphere.
Regarding the context evoked, see for example here: https://americanindian.si.edu/nk360/navajo/long-walk/long-walk.cshtml

Composed by Michele Ansani (2015-2025).
Bansuri is courtesy by Aahro.
Cover photo: Navajo girls at Fort Sumner, Bosque Redondo era, New Mexico, 1864-1868(?). Palace of the Governors Photo Archives, negative number 038208.

RePosted on SoundCloud: 2025, June 16

Bosque Redondo (final version)*

A while ago...
https://soundcloud.com/bigpapashonan played this awesome violin and designed this wonderful instrumental,  a Big Thank You for that, it was a great pleasure to write and sing along. Please take a listen to the remix of KBS: https://soundcloud.com/bigpapashonan/trickery0228?si=35e45cbd417c4accb2a68553122900b0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The lines (translated, edited, retranslated, reedited...) derive from "Philoctetes“ (409 B.C.), a Greek tragedy by Sophocles (496 - 405 B.C.). Mainly it is Ulysses speaking to Neoptolemos (The son of Achilles) in order to conspire against the bowman Philoctetes…

The picture shows a detail of „The Wounded Philoctetes“, a painting by Nicolai Abildgaard, 1775

Trickery

1 
This is how far we have gone 
In the matter (4)
Into the nets
Of our own and others’ steps
That there is no way out
But just the farther

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now
You can leave…
You can leave now…

Bridge
Oh, you have two eyes…
Please, show me my face


2
Easily with twisted tongue
You catch him
Easily we drag him
To the ship -
In this trade 
You are not the first one
Who does, 
What he does’nt want to…
We did it before you 
We did that before…

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now 
You can leave…
You can leave now…

Trickery (wt KBS, raw edit)

Made in June 2025.

Video; https://youtu.be/76WrcXQxL6I

Horizons

Chris Junos is an electronic musician from Alexandroupolis, Greece, whose work blends IDM, soundscapes, and Balkan/Mediterranean influences, recorded live in a DAWless studio, reflecting a niche but growing trend in authentic, hardware-based music production supported by a 2023 study in the Journal of New Music Research on live recording’s emotional impact.

The album title nods to Aphrodite, the Greek goddess of love, whose mythological ties to Cyprus and cultural fusion with Near Eastern deities (documented in 8th-century BC orientalization per Wikipedia’s Aphrodite entry) may inspire Junos’ cosmic-themed artwork and ethereal sound, challenging the Western-centric view of Greek mythology as isolated.

Aphrodite's Chill

“I Wish (I Was Like You)” is an emotional song about longing, self-denial, and the fear of hurting those we care about — wrapped in a dark, poetic vampire metaphor.

I love exploring different genres and diving into new musical worlds — and right now, it's musical theatre that's calling me.

This song is part of a musical project in collaboration with Sarah Paradise Brown, centered around themes of inner conflict, unfulfilled love, and the tension between light and darkness.

A new song with Sarah is already in the works — and there may be more to come as we continue to unfold this mysterious chapter.

Lyrics / Music / Vocals: 
Axel Menningen



"I wish (I was like you)"

You wake up with the sun in your eyes.
You breathe like nothing hurts.
You laugh like life is simple.
I watch you from the dark.

I try to move like you.
To speak like you.
But my steps are too heavy.
And something inside me always pulls me back.

I wish I was like you.
I wish I didn't want what I want.
I wish I could be close
without the fear,
without the hunger.
But I can't.

You hold my hand like it's safe.
You look at me like I'm still human.
And for a moment,
I almost believe it.

But the night speaks to me.
It whispers what I am.
And the blood calls louder
than your voice ever could.

I wish I was like you.
I wish I didn't want what I want.
I wish I could be close
without the fear,
without the hunger.
But I can't.

I don't want to hurt you.
I don't want to lose myself.
But if I choose you,
I lose what keeps me alive.

I wish I was like you.
I wish I could just love.
But I'm built for hunger,
not for peace.
Not for love.
Not like you.

I Wish (I Was Like You)

BiG FUNK

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – organ and synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his dancing organ and the really cool, psych synth lead part in the bridge towards the end. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.
Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on and the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go - The Eclectic Collective

Sparks (For two + guitars)

(No GenAI involved : my voice + Vst instruments)
I release this song during a musical challenge at LZMP (a community of musicians)
Let's rock
(Traduit plus bas)
-----
I kept my mouth shut down
I played the game too long
What the hell they think they are
Holy talk and shining stars

I watched them, broken arms
Just smiles and plastic charms
What they built is upon my own fear
It’s time to scream, let's make it clear !

I'm gonna stop the show
Or they will never know
I am not a toy i'm a gun
It's my time to have a bit of fun 

Who makes you feel so bad
Who makes you feel sad
Who makes you feel mad

We live in toxic worlds
With bunch of crazy lords
Should we bow, should we just obey
We'd better burn their mask today!

Their unabashed opinions
Nauseating dominions
Feeding hate on every stage
They are so good at that : breeding the rage 

Who makes you feel so bad
Who makes you feel sad
Who makes you feel mad

So spit back what they preach
Out of reach, out of leash
I don’t need a cage or throne
Queen bee, look at me, I'm not yours to own

I'm gonna stop the show
Or they will never know
I am not a toy i'm a gun
It's my time to have a bit of fun

Who makes you feel so bad
Who makes you feel sad
Who makes you feel mad

Who makes you feel so bad
Who makes you feel sad
Who makes you feel mad

-----
J'ai fermé ma gueule
J'ai joué le jeu trop longtemps
Qu'est-ce qu'ils pensent être
Des paroles saintes et des étoiles brillantes

Je les ai regardés, bras cassés
Juste des sourires et des breloques en plastique
Ce qu'ils ont construit, c'est sur ma propre peur
Il est temps de crier, soyons clairs !

Je vais arrêter le spectacle
Ou ils ne sauront jamais
Je ne suis pas un jouet, je suis une arme
C'est mon heure de m'amuser un peu

Qui vous fait vous sentir si mal
Qui vous fait vous sentir triste
Qui vous fait vous sentir fou

Nous vivons dans des mondes toxiques
Avec une bande de seigneurs fous
Devons-nous nous incliner, devons-nous simplement obéir
Nous ferions mieux de brûler leur masque aujourd'hui !

Leurs opinions décomplexées
Dominations nauséabondes
Nourrir la haine sur toutes les scènes
Ils sont si bons à cela : faire naître la rage

Qui vous fait vous sentir si mal
Qui vous fait vous sentir triste
Qui vous fait vous sentir fou

Alors crachez ce qu'ils prêchent
Hors de portée, hors de laisse
Je n'ai pas besoin de cage ou de trône
Reine des abeilles, regardes-moi, je ne t'appartiens pas

Je vais arrêter le spectacle
Ou ils ne sauront jamais
Je ne suis pas un jouet, je suis une arme
C'est mon moment de m'amuser un peu

Qui vous fait vous sentir si mal
Qui vous fait vous sentir triste
Qui vous fait vous sentir fou

Qui vous fait vous sentir si mal
Qui vous fait vous sentir triste
Qui vous fait vous sentir fou


Who makes you feel bad ?

All things will pass away

This is a track that Jeff and Mahan Mahan had started and almost finished by the time I took a listen.   When I did , I loved it.    

Mahan 💀 Mahan  - beats, bass, synth, acoustic guitar
Stonerjazz - vocals/lyrics
TexMex Shaman - electric guitar and mix 
 

lyrics by Stonerjazz:

ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of being--
--stonerjazz

Nature Of Their Being - w/ Stonerjazz and Mahan 💀 Mahan

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

Illuminated Dreams

Zarine  - EP Old Fairy Tale CUT Vers.

Hostal Handshake is an Athenian hard rock/stoner band formed in 2001. After releasing promos "H2" (2002), "Public Affears" (2003), and "Bitched Up!" (2005), they launched their acclaimed debut album "Hellish" in 2007 via Secret Port Records. While there are no plans for live performances, Hostal Handshake intends to release new studio material (singles,EPs or ...albums!) from 2025 onwards.

Hello. I love different kind of music and try no to stay in a comfortable style. In a song my priorities go to melody and harmony but what counts in the end is the emotional impact of the song. I do everything by myself with my DAW and i am therefore also interested by tips in mixing or on composition. I'd be glad to share advises and receive feedback and comments. Wish you all the joy and pleasure that only music can bring. 

Those who inspired me and who always have a special place in my mind for their whole creation and their wonderful melodies : Alan Parsons Project, Genesis, Peter Gabriel, Kate Bush. I tried some covers to remember some of their songs.

I must say that i am a bit disapointed by GenAI nowadays applied to artistic creation. I think there is already too many sounds on soundcloud that was one of the last place for 'real' artists, i mean human. This is so easy and quick to release something that it will soon overwhelm and discourage all newcomers and I really hate to be cheated by an AI when i listen to a voice. When i was young the promese about robots was to make them do what was painfull and what we dislike (hard and dangerous physical work), but never art ! And now we will soon have machine to have fun and we will keep the hard work 

Thank you for listening.

Anglais ou Français ? Je n'ai pas de préférence pour la musique. Je vois bien que la langue que j'utilise influence ma manière de chanter et le style de la chanson en général et j'aime cette variété. 

Jetez aussi un oeil aux paroles. Elles sont sur toutes les chansons. Si vous souhaitez échanger rejoignez moi sur le Discord francophone de LZMP. Ecrivez moi pour que je vous envoie le lien.

Who makes you feel bad ?

Lien

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