Transmission

Ambient, chillwave, post-rock, dream-pop, IDM, and downtempo originals

Disco, funk, house, indie dance, trance, and chillout DJ sets


Interstellar Noise is the recording project of multi-instrumentalist Rob Campbell based out of Asheville, NC

Spotify: https://open.spotify.com/artist/3h9YFTlhixNcQHPWYrGXOT
Downloads: https://interstellarnoise.bandcamp.com
Instagram: https://www.instagram.com/interstellarnoise/
Booking/Inquiries: interstellarnoise96@gmail.com or contact on FB: https://www.facebook.com/robmcculleycampbell

All links: https://linktr.ee/interstellarnoise

Thanks for listening!

Dear Listener,
I use the name "Deft Soul", as it emphasizes my approach to producing music, and exploring new sounds. I believe that music has the power to stir the soul like nothing else can. Also, with the simplest sounds and harmonies one can convey elaborate and touching stories. In my opinion music doesn't need to be loud and abrasive, as even a skilfully created simple tune can move one emotionally. As an artist, I believe it's my responsibility to be creative and not follow, a set path!!

I am a huge follower of Daft Punk. I am also influenced by artists like- Justin Timberlake , Timbaland, Justice, Breakbot, Cassius.

The genres that I usually do produce in are Disco, House, Synthpop and Retro.

Hope you like the music!!!
Bonne Ecoute!!!

This project is dedicated to expressing my love for God and art through Music. I make tracks of all kinds, but tend to focus on chill, ambient vibes as well as emotionally energetic and intense musical pieces in the Electronic, EDM, and Synthwave genres.

"With Just A Whisper" Is a reference to the passage in the Bible where God speaks to Elijah in a still small voice. It's a great lesson to be learned about the gentleness and closeness of God towards His people. People tend to think God will show Himself in a mighty, powerful way, but this is not always the case. God is as strong as He is tender.

I am a developing musician willing to reach a professional level. I like almost all kinds of music but my favorite genres are Electronic, Synth pop, Techno, Dance, Rock, Ballads.

Soy músico en desarrollo dispuesto a llegar a nivel profesional. Me gusta casi todo tipo de música pero mis géneros preferidos son Electrónica, Synth pop, Techno, Dance, Rock, Baladas.

Puedes seguirme en:  (You can follow me on)

Katya has been singing since age 3 in performances with her father on guitar in Russia where she grew up. She joined the Moscow Children's Choir at age 6 where and developed the classical vocal style that she carries today. After moving to the US at age 10, she fell into experimental music scene in Sacramento and performed vocals in local experimental and funk bands including The Phuzz and The Dulangs. After putting aside music to build a successful career as a hair stylist, Katya returned to music writing and producing her own experimental electronic tracks. She currently produces and masters all of her tracks on her own.

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Transmission

Linear Converter