The Egyptian Mysteries of Osiris and Isis By Rudolf Steiner



Source: Youtube - Rudolph Steiner Press Audio

The Egyptian Mysteries of Osiris and Isis By Rudolf Steiner

The soundscapes are incredibly lush and beautiful in Mexico's Yucatan peninsula. The dry forests on the border with Guatemala are home to immense biodiversity. Longer version at: https://youtu.be/G9f-ZkW86BM

Nature and wildlife sounds recorded in Mexico

I had the privilege to remix this beautiful song with Pedro Vadhar from Mexico on the Vocals. Thank you brother 🙏

🔥Native Shamanic Vocals with Tribal Drums, Shakers and Didgeridoo 🔥

Cielo Y Tierra - Navajo (Sunra Project Remix)

A jpurney, a show of strength and taste by newcomer Quixosis. 
Andean vibe, deep and delightful on the ears.

Quixosis - Cuchara de Palo

For more information on the Well of Light Global Community, Programs, Radio shows and Services go to www.welloflight.com 
To access other great interviews and offerings go to: www.patreon.com/conversations Your donations are gratefully received and make it all possible!

Jonathan Horan is Gabrielle Roth's son and closest collaborator. He is the Executive Director of her international institute, 5Rhythms Global as well as the Director of The Moving Center School NYC. Jonathan has been immersed in the 5Rhythms practice throughout his life and continues to be a key catalyst in its evolution. He is a member of the core teaching faculty of both training and advanced work and teaches workshops of all levels around the world. He has taught at Vassar College and currently teaches for a variety of institutes such as Esalen, Omega, Kripalu and Naropa Institute and Blue Spirit in Costa Rica. His weekly NYC High Vibrations class has been featured in New York Magazine, Breathe, and the Daily News, and was chosen as the hottest movement class in New York by the Village Voice.

Jonathan Horan: 5Rhythms of Gabrielle Roth

A soundbit from my recent travel to northwest Greece. After the evening rainshower the sky cleared up and I got some hope for a recording session at the Vikos gorge. I had abandoned my original plan to descend in the gorge and spend couple of days there, as the rain kept on and the danger of slippery paths and falling rocks outweighed the chance of successful recording. Not to mention the fact that rain itself ruins it.
I set up my tent on the hillside at the edge of canyon, in hope of getting the reverbs of owl calls. Here you can hear the mellow chorus of crickets, some distant hoots of Tawny Owls and also the purring of Green Toads (Bufo viridis) which carried surprisingly well over the distance.
I must say that Vikos is not the best place for recording evening ambiences - the density of airtraffic is intolerable. This is the longest bit without plane noise I got from this evening and night. But I am still happy with that :)
At the edge of Vikos gorge near Monodendri in Greece. 
10. May 2018, 21:26.
2xMKH8020 (in DIY SASS), Zoom F8.

The track is also featured on this album: https://estlander.bandcamp.com/album/pindus-soundscapes

Album in Spotify

Nightfall at the Vikos gorge

You can learn to play this piece. FREE scores and parts, among other materials, are available online: kronosquartet.org/fifty-for-the-future

Composed by Mark Applebaum
© 2018 Inner Sunset Publishing
℗ 2019 Kronos Performing Arts Association
Commissioned for Fifty for the Future: The Kronos Learning Repertoire

Produced by Kronos Quartet and Reshena Liao
Recorded August 2019 at 25th Street Recording, Oakland, CA
Engineered by Zach Miley
Assistant engineer: Gabriel Shepard
Mixed by Zach Miley and David Harrington at Decibelle Recording, San Francisco, CA

Mark Applebaum - Flashlight

Comparison of nature soundscape microphone arrays by Andrew Skeoch and Doug Quin. 

4 microphone rigs were set up side by side, all axis aligned: MS (DQ), SASS (AS), Soundfield SP200 Ambisonic (DQ) and Iso-binaural (AS). 

All recording onto Sound Devices 7 series recorders at 24bit, DQ at 48kHz, AS at 44.1kHz. DQ's raw levels were quite low. The MS rig was close to the ground (see pic)

MS: Sennheiser MKH 30 + MKH 40 in Røde blimp
SASS: pair Sennheiser MKH 20s in Crown SASS head
Ambisonic: Soundfield SP200 Ambisonic, upright in Røde blimp
Iso-Binaural: Pair Sennheiser MKH 8020s, ~20cm apart, oriented 180º with convex baffles 

Location: Wet sclerophyll forest in small gully, Lower Gellibrand River, Otway Ranges, Vic. 18th February, approx 7am (post dawn chorus)

The ambisonic microphone can be rendered into almost any configuration, using Harpex proprietary software. DQ created several different renders as examples of what it can do. Screen shots of the software settings for reference. The MS rig has been decoded to stereo wide. 

In preparing edits,  DQ's files were down-sampled to 44.1 and everything to 16bit. Levels are subjective; all files have been normalised referencing the noise floor. This means some of the ‘noisier’ mics have been attenuated slightly to balance, thus reducing peak birdsong levels.

Nature Soundscape Microphone Comparison

Ambi XY 180

Track 3 | 120 min | 46 bpm

Hey everyone here is a new track for you! Hope you enjoy it!

The last year has already produced not only an immense amount of [great] music, resulting from isolation, introspection, and experimentation that comes with plenty of time but also a few fantastic collaborations that had an opportunity to flourish as the artists adapted to the new way of working. I think it's no secret that the world post the COVID lockdown is never going to be the same. The ability to work from home has given rise to new remote opportunities while shrinking the geographical barrier to nearly zero. For many ventures, there is no need for local presence, and as a result, access to resources beyond the usual barriers has opened. In this context, Christopher Royal King (a member of a very famous and nearly legendary post-rock band This Will Destroy You) and Nico Rosenberg found themselves collaborating remotely on música para nuevos tiempos, which in itself translates to "music for new times".

Música para nuevos tiempos

Healing

TRACK PREMIERE : Christopher Royal King & Nico Rosenberg - Healing

Listening Earth offers an evocative range of natural listening experiences -  soundscapes recorded in wild locations around the world. 

Established 25 years ago by nature field recordist Andrew Skeoch and photographer Sarah Koschak, it is their passion to share the beautiful, unique and often fragile soundscapes of our living planet. 

"We hope listening will remind you of life in balance, and transport you to wild and often remote places."

Ambi XY 180

Listening Earth

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Sutapa Mazumdar

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