Welcome to the first volume of Sharing Plates—a new club-focused mix series from myself.

For the inaugural mix, I’ve recreated my set from last October’s day-to-night edition of Bleached Club at The Glove That Fits. I played downstairs from 7 til 8 PM with a loose brief of “hard and fast”. I immediately knew I wanted to move from 150 through 174 BPM—initially resetting the dance floor before steadily climbing up to modern 2-step drum & bass. Big tempo jumps are a tricky thing to balance without sacrificing flow, but I was feeling insanely inspired to try after a mad experience at Bang Face the weekend before.

Though I’d spun on radio and in record stores a couple of times, this was the first time I’d ever played in a club. Years before I even knew what DJs actually did, I’d always fantasised about playing to a proper dance floor. This was a real bucket list moment. 

In classic me fashion, I prepared by spending too many hours feverishly mixing at home with a rotating carousel of potential tracks, slowly arriving at a folder of music I felt confident in. Even if I don’t end up playing exactly the same tunes in exactly the same order as I do at home, something about knowing my exits allays the shaky pre-show jitters. 

For whatever reason that day, everything just sort of clicked. I got over my nerves really fast and locked in. It was the most fun I’d ever had playing and, bizarrely, as a fervent bedroom DJ, it was to a room full of people. 

Stupidly, I decided not to record the set that night. At the time, it was just another thing to worry about. Since then, though, I’ve found myself returning to that night with fondness. I decided to go back through my Rekordbox history and recreate the set I played that night, mixing as close to how the show actually flowed as possible.

Shouts out Karpo, FETCH* and the rest of the Bleached Club crew for inviting me to play. Having my debut club set be at such a wicked party will be a memory I’ll treasure forever.

Track list:  
Skee Mask — Cerroverb {Ilian Tape}
Untold — Test Signal {Hessle Audio}
Air Max ’97 — Ice Bridge {Timedance}
???
PARA — Infinite Jank Zone {Incurzion Audio}
Samurai Breaks — Oshee {Worst Behaviour Recs}
Fonzo — Ring Ring ft. Capo Lee {ec2a}
MJK & Impey — High Konga {Obligated Records}
Ziyiz — Asemia {early reflex}
Sinistarr — Turn Up (w/ Hyroglifics) {Hooversound Recordings}
Addison Groove — 160 Cowbells {Worst Behaviour Recs}
Chunky Strapz X Slinki — Watch My Feet {Self-Released}
Jensen Interceptor — Break Fluid {International Chrome}
Nectax — Twin Turbo {play:musik}
Nectax — Voychek {Over/Shadow}
Samurai Breaks & Napes — Frog Mob {Time Is Now}
Koherent — Bleep Test {Overview}
PARA — VVITCH {Incurzion Audio}
Kasra & Gardna — Spaceman (QZB Remix) {Critical Music}
Skeptical — Frozen {Commercial Suicide Records}
Digital & Spirit — Phantom Force (Fracture’s Astrophonica Edit) {Phantom Audio}

***Recorded on a pair of CDJ2000-Nexus 1’s and my trusty Xone:92 at home in South London.***

Sharing Plates Vol.1

Elpac at Outra Cena, This Side, 21/02/25

JAY DUNCAN + AL WOOTTON 18.3.25

Polyrhythmic finks, broken beats and atmospheric textures - based out of Graz, Austria, Toupaz has been quietly carving out his own lane in the leftfield techno & bass music world. Distinct, detailed and fundamentally genre-fluid, his oddball productions cross a range of stylistic influences and tempos, purpose built for the explorative DJ. If you’ve kept your ear to the ground these past few years you might have come across his outstanding transmissions as Awo Ojiji. The magic in his sound lies in the way he manipulates drums, using non-standard palettes of percussion and making them move in mind-bending ways. The wild rhythmic shenanigans are matched by a virtuoso approach to synthesis and sound design which ducks, dives and darts around the many-limbed beats. It’s not a simple case of shock and awe though — Toupaz understands how to maintain subtlety and intrigue even in the most complex, fizzing peaks of his tracks. In short: playful tracks with physical impact.

Follow artist - https://soundcloud.com/toupaz

332⚡️Toupaz

A few weeks back an email landed in our inbox signposting music from a mysterious artist operating under the guise of Cleyra. We were kindly tipped off by the team at Timedance who usually know a thing or two about cutting edge electronica but even by their standards this one was far out.

However, we say that in the very best way.

Cleyra is an artist who likes to keep themselves private. The music does the talking and offers a brief insight into their psyche but that’s about it.

This mix is a tour de force demonstrating the potential future of dance and electronic music, a hectic maze of sounds which challenge and entice at both the same time.

Cleyra: The 'Shine A Light On' Mix

In a flurry of angular beats and space age synth licks, Livity Sound welcomes Willis Anne to the fold under the guise of a new alias, Foreigner. Operating within the thriving scene around his current base Naarm, Anne brings a live, jammed-out focus to machine-rooted electronic performance that translates into his productions. All four tracks on this new EP crackle with improvised energy, whether it manifests in the dramatic synth shapes on 'Last Peoples' or tangled up in the beat exploration on 'Visible'. At its core, the EP makes its mark thanks to the clarity of Anne's ideas as he swerves the temptation to over-work the sound, ringing true with the immediate, spacious approach of Livity Sound's many-side catalogue.  

Buy / Stream

FOREIGNER - Désintégration

Guest mix by @emily_jeanne (Antwerp) - from min 60 onwards

Track list soon on my Instagram or comment for id's!

Listen to the show:
Thursdays // four-weekly on Sub.FM // 5pm-7pm (CET)(Live)
Fridays // bi-weekly on Radio Helsinki // 22h-24h (CET)(rerun)
Thursdays // bi-weekly on Radio Helsinki // 13h-15h (CET)(rerun)

Send promos & dubs: dubs(at)sunpeople.at
Download the show via: archive.sub.fm/?s=Sun+People&submit=

Emily Jeanne // Sun People - 29/05/25 - SUB FM

Shallow, Light & Safe EP

Safe

Origin

Luces en la ciudad

W&P: Nathan Voyame
Master: Baptiste Schaller
Artwork: Nathan Voyame

New trance album for the launch of Logs Records
Produced in July 2025, dancing on a chair

Artists references for this album: 
nthng, UTE.rec, Superna Quaerite & DINA

Riverbed

Alasala

Record Label. UK Techno. Sound System Frequencies. Body Music.

Est. 2011, Bristol, UK