Record collector / DJ / Broadcaster / Producer / Brownswood Recordings boss / occasional remixer

D.A.V.E. The Drummer is a techno DJ and producer from the UK. He's been making electronic music since 1993 and has made dowzens of acid techno and hard techno recvords which are available on many well respected record labels.

He owns 3 record labels: 
Hydraulix Records, which concentrates on dark & hard techno.
Apex Recordings, for deeper techno & tech house
Mutate To Survive, for minimal, electro, weird tech beats.

Demos/Promos: label@hydraulix.co.uk
Linktree: https://linktr.ee/davethedrummer

Banco De Gaia has been performing and releasing for over 25 years now, along the way becoming one of the music industry’s most maverick innovators. His legacy is as glittering as it is diverse, ranging from Hollywood film sound credits to the critically acclaimed ‘Last Train to Lhasa’, first released in 1995 to a rapturous reception. His live act still packs out venues and festivals all over the world, with audio-visual performances renowned for their explosive, cutting edge quality: from sampling wizardry fused with haunting vocals and poignant acoustics to genre-hopping musical instrumentals, all accompanied by socially engaged visuals.

Behind Banco de Gaia is artist Toby Marks. Starting out as a drummer in a metal band, he began using sampling kit to cut his own tunes after falling in love with electronica during the 1980s acid house era. By the early 90s, after winning respect for a clutch of credits on the Ambient Dub compilations, he was signed to Planet Dog Records and released ‘Maya’, in 1994, and then ‘Last Train to Lhasa’, in 1995.

Both albums featured an artfully arranged cocktail of textured samples and live instrumentals lifted from across the world. Both went straight to No. 1 in the UK Independent Charts as well as sweeping through the international electronica scene, making him, along with the likes of The Orb, one of the early pioneers of ‘chill out’. Both ‘Last Train to Lhasa’ and ‘Heliopolis (Eudopolis Dog Mix)’ notably featured on Sasha & Digweed's classic ‘Northern Exposure’ mix CD among myriad other compilations. 

Since then, he's released a further 6 studio albums, 1 live album, 1 live DVD and 15 EP’s and also runs his own label, Disco Gecko Recordings. He went back to basics in 2014 with a sold-out 20th Anniversary CD-only (no streams or downloads available) release of ‘Maya’, followed by similar 20th Anniversary editions of ‘Last Train to Lhasa’ in 2015 and ‘Live at Glastonbury’ in 2016.

Pink Floyd and psychedelia remain a constant influence: Banco’s cover of Echoes in 2007 helped shape the ‘Memories, Dreams, Reflections’ collection in 2009 and Floyd’s legendary saxophonist Dick Parry was one of Marks’ special guest collaborators (alongside no-man’s Tim Bowness and Zero 7’s Sophie Barker) on his ‘The 9th of Nine Hearts’ album, which came out in October 2016.

“A continuation of the consistently high form Toby Marks has shown throughout a long and illustrious career” (Total Music Magazine), The Crack described ‘The 9th of Nine Hearts’ as full of “dubby loveliness that fuses psych, spiky rock, acid and ambient” while the Ambient Music Guide hailed it as “Banco's strongest album of new material in 15 years”.

Nicole Moudaber is a rockstar. One of the industry’s true trailblazers, few artists can lay claim to having had such an instrumental impact on the global electronic music scene. Her unparalleled production talent and intuitive ability to work a crowd has seen her captivate audiences worldwide, becoming one of the most sought-after DJs on the planet, yet to simply call Moudaber a DJ is to do a disservice to a woman that has dedicated her life to advancing underground culture and championing women worldwide.
Hailing from Nigeria and currently based in London, Nicole’s journey to becoming one of the most revered names in the dance music scene is as dynamic and boundary-defying as her music. From her beginnings as a promoter in Beirut’s underground club scene to becoming a globally adored DJ, Producer and label boss, Moudaber’s inimitable career is a testament to her relentless passion and uncompromising vision.
Whilst her rise to fame was anything but conventional, throughout every step of her career Nicole has been fearless in her desire to offer people the same chance of self-expression, freedom and solace that she was able to find through music. Today, the techno temptress is currently celebrating a decade of her InTheMood empire- which encompasses her label, award-winning weekly radio show, monthly Apple Music show and famed party concept. Her imprint, MOOD Records, has become synonymous with cutting-edge techno, showcasing superstar DJs whilst also providing a home for emerging talent to flourish, championing the next generation of artists and pushing the genre forward.
Drawing on the rich tapestry of cultural influences that shaped her early life, a deep-rooted passion for rhythm and melody, and an innate musicality Nicole's fearless approach to music production is reflected in her diverse discography, which boasts a myriad of chart-topping releases and genre-defying collaborations including Carl Cox, Chris Liebing, Jamie Jones, Ida Engberg, Skin, Moby and the London Community Gospel Choir. From dark and brooding anthems to euphoric dancefloor fillers, Moudaber’s sonic repertoire knows no bounds and her catalogue of tracks have become anthems for the techno faithful.
Nicole’s influence extends far beyond that of the DJ booth. A fervent advocate for gender equality and diversity within the electronic music community, she is not afraid of using her voice to amplify those that need it. Through her charity work, she continues to champion inclusivity and empowerment, inspiring aspiring artists from all walks of life, whilst also offering her support for crucial aid work and benefits for women around the world.
A true pioneer whose influence reverberates across continents, with every beat, Nicole reminds us of the power of music to unite, to inspire and to transcend. Welcome to the world of Nicole Moudaber – where the rhythm never stops, and the journey never ends.

[The Transformation of the Papillon: 
https://on.soundcloud.com/9TGGedVg6mvAUKQi8
:Houdini's-Enchantment. [Town-Called-Malice-Addiction]
https://on.soundcloud.com/puyPZTZsibjjvdDz7
:For-Est-Lost of the 432-Days.
https://soundcloud.com/captaintinrib/for-est-lost/s-Pu53g3Rfl3B

The notorious swashbucklin' GC's Pirate Radio Sonar from the Deepest Gusset in the world: The Mariana Trench - Home of Crazy Ivan. Delivering Sonar Pinging Arts from the Deep. 🌈🦄⚓️🧜‍♀️🔮🏴‍☠️☠️🌊👨‍✈️ W⚓️

Day squat mofo in the creation of the Hard NRG/ Hard Dance movement.
After 2001 - The Final Frontnose, we have returned 17 years later to continue Tinrib Digital and make music on earth again. New Tinribdigital website is here and now in WAV format. Captain T. x

We already pay to deliver music for the people though such nice people here, so we will show a choon or two just for you!
:STOP-PRESS: 
:Soundcloud-Public-Corporation of this Music-Service is with a violation of a one's-confidential-dominion and music with these free-music-gives of this One's-Kindness, Good with our Fellow-Man-Kind of a free-cost with this confidential-dominion-workman's-music-creations, gives of a foreign-public-domion's-Monetisation-performance-violation with a void-venue's-contract-and-term-claims of a fiction-grammar-construct, and of a  void-past-and-future-tense with the federal-contract-law-titles of these violation-breaches, ~Title-~42: ~SECTION-~1986: Knowledge-of-the-Contract and ~TITLE-~18: ~SECTION-~1001: Ficticious-Grammar with the PERFORMANCES-AND-KNOWLEDGE by the -Soundcloud-Public-Corporation-duty-[of]ficials, contract-creators, monetisation-document-creators. 
:Claim, Does-not-matter of this fact, void-consent is with this confidential-dominion: true-position, void-consent: knowledge/sensation by this claimant, author, steward, writ-commander/captain, Jonathan-Simon[: Bell]. ]

Queen Bee of @swarmsoundsystem 
Mookie has passionately dedicated more than 25 years to the Sydney electronic music scene.

Quickly moving from the dancefloor to behind the scenes, promoting and building SWARM and earlier events with partner Vic. After many years of working as the creative force behind SWARM and Trip2Space, Mookie finally took the plunge and jumped into the deep end – debuting on a 10K system alongside Ignition Technician in 2006.

Remaining true to the SWARM underground techno sound yet bringing a completely different flavour to the table. Her track selection is diverse, seeking the subtle intricacies for her aural journeys and forming a carefully selected balance of playing just what the crowd needs and surprising them with unexpected sounds.

Adept at combining and layering glitchy, loopy and twisted techno that tingles of nostalgia with a good dose of futurist funk. Drawing from her long history and love of electronic music from the late eighties and beyond. She is equally comfortable warming up a party or rocking out at the peak of the night. She has played alongside and warmed up for international artists such as Chris Liberator, Henry Cullen (D.A.V.E the Drummer), Inigo Kennedy, Space DJz, Ignition Technician, Speedy J Sterling Moss and Alex Bau.

American in Berlin! I've been a dj since 1997, playing across a wide range of dance music genres, as you can see from the variety of mixes. I love it all! 

Want recommendations? Drop me a DM and I'll hook you up. 

I sometimes play at Berlin clubs, but mostly I am a hardcore vinyl collector and bedroom mixer. Check out my blog at www.sonicrampage.org/blog

longwindedaddress is following