Rouge Hole

symmetric vision - spherical and driving - a dark electronic song about letting go, losing and reinventing yourself, is the title track of the second single release from RINA PAVAR's upcoming album "six". The single comes with the B-SIDE "separate and bind".

credits:
written, performed, produced and mixed by RINA PAVAR
mastering by Frithjof Rödel – www.atomino-studio.de
artwork and cover by RINA PAVAR
photography by yulespictures
RINA PAVAR 2023

symmetric vision

Rina Pavar - symmetric vision [COLD TRANSMISSION MUSIC]

Available on Strict Tempo Volume One, Part 2 (Obsessions)
Order digital and CD now on https://stricttempo.bandcamp.com/album/strict-tempo-volume-one-part-2

Track buy link: https://stricttempo.bandcamp.com/track/i-wish-hexmaschine-sineater-remix

Release date: October 4, 2024

Track buy link:
https://stricttempo.bandcamp.com/track/i-wish-hexmaschine-sineater-remix

Never Wake Up (France)
Never Wake Up is a new side project of Justine, from NABTA, who sings; Ailhenn from Projet Marina plays guitar; and Nicolas Fournial of Prinzessin, on synths and drum machines. Never Wake Up is influenced by deathrock, '80s goth and also French cold wave. Xmal Deutschland, Christian Death and Sex Gang Children were in their minds while recording their debut EP.
https://www.facebook.com/neverwakeup.music

@hexmaschine is a veteran of the darkwave, goth/industrial and dark techno scenes. Having toured extensively in Europe, the Middle East and America, Hexmaschine's sound is extremely diverse and multifaceted. A classically trained musician and studio engineer, Hexmaschine blends industrial tribal beats and dark ritualistic atmospheres with exciting and innovative musical virtuosity.
https://linktr.ee/Hexmaschine
https://www.instagram.com/hexmaschine/
https://www.facebook.com/Hexmaschinelive

Title: I Wish... (Hexmaschine & Sineater Remix)
Main Artist: Never Wake Up
Remixer: Hexmaschine (Kevin Brown), Sineater (Sam Brouillette)
Lyricist: Justine Andersen
Songwriter: Nicolas Fournial
Mastering engineer: Rodney Orpheus
Executive producer: Vox Sinistra
Artwork: Andre Bagus Prasetyo (Deepless)

Never Wake Up - I Wish... (Hexmaschine & Sineater Remix)

New Compilation from Waves Radio Show  Brussels

www.mixcloud.com/VIBRATIONWAVES/

https://redmazerecords.bandcamp.com/album/my-precious-a-waves-radio-show-compilation-vol-5

all rights reserved

B1 No - Call (RMR 015)

ONLY IN YOUR ARMS - KOMPROMAT X IF LOOKS COULD KILL

http://mannequinrecords.bigcartel.com/product/mnq-088-plath-plath-12-alessandro-adriani-edit

MNQ 088 Plath - Plath 12'' (Alessandro Adriani Edit)

Originally self-released as a 7’’ in 1982, Plath release is definitely one of the obscure gems of the Italian underground.
Plath were a duo from Prato, formed in 1982 by Silvia Innocenti (voice, bass guitar) and Fabrizio Lucarini (synth, drum machine). Plath were influenced by Throbbing Gristle and early Cabaret Voltaire works, moving in between two essential thematic actions: first, the constant search of a sound which aims to reflect the current reality as they were interpretating it and, second, the constant exposure of their anarchist ideological thinking against the established political and social system.
While the A-Side includes the original single in full, with the classic ‘I Am Strange Now’, recently unearthed by Alessio Natalizia/Not Waving in his monumental ‘Mutazione’ compilation released by Strut Records in 2013, the B-side instead contains a killer percussive edit of Alessandro Adriani made for the most crazy mental dancefloors..

Tracklist

A1 - I Am Strange Now 
A2 - Proletarian Submission 2 (The Howl) 
A3 - Telik 12345 
B - Proletarian Submission 2 (Alessandro Adriani edit)

Mastering by Rude 66.
Graphic Design reworked by Alessandro Adriani on the original 7’’ graphics.

Limited edition of 300 copies, grey vinyl.

MNQ 088 Plath - Plath 12'' (Alessandro Adriani Edit)

Plath

Plath - Proletarian Submission 2 (Alessandro Adriani Remix)

All musical tracks coming from Dave Smith / Tom Oberheim OB6
Bye Bye Tom.. I'll miss your waveforms

BUY / SUPPORT US

Bye Bye Tom / OUT NOW!

Gen Defekt_Nachdruck

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/victrola-born-from-the-water-2xlp/
Victrola is the duo of Antonio "Eze" Cuscinà and Carlo Smeriglio from Messina, Italy. The band formed in 1979 but shortly thereafter relocated to Florence take part in a rich musical scene alongside Neon, Pankow, Alexander Robotnick, and Diaframma. Beginning as a 4-piece (two guitarists, bassist, drummer) they slimmed down to a synthesizer and guitar-based duo by 1982. Their sole release was the now classic ”Maritime Tatami"/"A Game Of Despair" EP from 1983, which we reissued in 2012. 

‘Born From The Water’ is a 12 song collection of unreleased demos recorded between 1983 and 1985. The band sent us over 100 cassettes, through which we dug to compile the first volume of their archival darkwave ballads. They used an array of Roland synthesizers (TR-606, TB-303, TR-909, Juno 6) plus a Korg Polysix, Yamaha DX7, Casio VL-Tone VL-1, DR-55 Dr. Rhythm, and Fender Stratocaster and Jazz Bass. Some of the songs would later appear on various compilations, but the versions presented here are unique. Victrola engulfs the listener with trance-inducing synth lines, oblique minor-key bass lines, angular guitar riffs, and melancholic vocals. The songs tell tales of youth, love, karma, and the decline of civilization in modern times. Each song has been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The records come housed in a jacket designed by Eloise Leigh, which uses motifs from the band’s sole release and includes an insert with liner notes and photos.

Born From The Water

Victrola - Tenderface

Lower Synth Department - Conway (rehearsal take)

The music of the band is deeply influenced by and related to the experimental electronic music of the late 1970s and early 1980s, that was made in Sheffield by bands like The Future/The Human League, Vice Versa, Cabaret Voltaire, or by the formerly in Preston based musician Colin Potter and a few American avant-garde artists, pioneering in electronic music, like John Bender, etc.. Although the band is very careful in creating a minimal electronics sound, obviously appearing vintage in itself, it is produced in a hybrid way, by using analogous procedures and modern techniques of production as well. So in the end Lower Synth Department is concerned with post-minimal electronics so to speak.
 
The name of the band is related to at least three different references, which intercommunicate and therefore depict the sound of the band: first to the cold aesthetics of modernist, especially brutalist architecture, which conveyed and expressed a very dehumanized attitude to life from the 1950s till the 1960s, that still affected even the 1980s. Second, technically speaking, to the low frequency oscillator, which creates a rhythmic pulse or sweep and is often used to modulate synthesizers, delay lines and other audio equipment in order to create effects used in the production of electronic music, while the final reference derives from the band's name abbreviation.