Lower Synth Department - Conway (rehearsal take)

Please do not spam my account with reposts. A Part of @musicmondayweb @Webgurlmedia FOR DARKWAVE, WitchHouse, DRAG, SLOWED, THROWED, GOTH, GRAVER, POST PUNK, DANSE MACABRE, REMIXES, BEATS, MIXTAPES
 
✞✞✞ WITCHHOUSE 4 EVER✞✞✞

Lyrics:
CVL† SH‡† - ßƟD¥ ßΔGƵ
You’ll never understand until you’ve been there.
Been down so much, that all you can manage to do now is sit there.
Thinking back at all the choices that you made to get there.
Pumping a fist to the sky telling god “it ain’t fair.”
But yo, we ain’t there.
How could it be with all this devastation and desperation surrounding me.
So put me in the ground ‘cause this life has just been pounded out of me,
The only reason I ain’t sleeping now ‘cause I got mouths to feed.
Why can’t I catch a break?
Why can’t I step away and wake up one morning and think that things wont be a mess today.
I gotta break the cycle somehow,
Sick of this pain, I'm sick of living this way.
Okay, I’m done now.
Not having fun now, there’s just so many reasons.
Feel as if my soul’s a broken puzzle and I’m missing pieces.
It’s real easy for you to judge them when you see them,
But you’ll never truly understand unless you’ve ever been there.
A place where hope was thin in the air.
If things are gonna get better tell me a ‘when’ and a ‘where’.
Sitting and staring in the mirror, nobody’s there,
That I know, feeling so alone and I’m scared that nobody cares.
My nights consist of so many prayers.
I once had so many dreams, I once was going somewhere.
Try and following steps before you start to compare,
Me to you and you don’t know me, now you think that that’s fair?
I never thought my path would lead me to the point I’m at now.
But before they get up, some people gotta fall down.
Some fall harder than others, they thought they had it all down.
Me, I take these experience and jot them all down.
But how do you cope when you think that hope is nowhere around?
How do you know where to go if you haven’t been found?
Yo, I’m saying it’s draining living this pain that I’m in.
You’re quick to judge me but you haven’t been the places I’ve been, c’mon.
You’ll never understand until you’ve been there.
Been down so much, that all you can manage to do now is sit there.
Thinking back at all the choices that you made to get there.
Pumping a fist to the sky telling god “it ain’t fair.”
But yo, we ain’t there.
How could it be with all this devastation and desperation surrounding me.
So put me in the ground ‘cause this life has just been pounded out of me,
The only reason I ain’t sleeping now ‘cause I got mouths to feed.
Why can’t I catch a break?
Why can’t I step away and wake up one morning and think that things wont be a mess today.
I gotta break the cycle somehow,
Sick of this pain, I'm sick of living this way.
Okay, I’m done now.
Not having fun now, there’s just so many reasons.
Feel as if my soul’s a broken puzzle and I’m missing pieces.
It’s real easy for you to judge them when you see them,
But you’ll never truly understand unless you’ve ever been there.

One billion to the 1000th power light years away, exit Stargate, to the left✰

Music is the wormhole on my way home.

Bass-Colour by "Samonas", Dj "2CL", Crew-Member by "schwarts"

Sharlese is a Seattle DJ and KEXP host blending electro, EBM, Italo, and techno. She’s played at venues like Nowadays, Tresor West, and Panorama Bar and has appeared on podcasts like pi pi pi and The Brvtalist. With 17 years at KEXP, she produces The Afternoon Show and hosts Mechanical Breakdown. Sharlese also runs and curates Audiodrome and False Prophet and holds residencies at secondnature in Seattle and ROAM Recordings’ Problemes d'amour in SF.

KEXP Inquiries (Mechanical Breakdown & Expansions): sharlese@kexp.org
For North American, LATAM and EU Bookings please reach out to info@houseofillfame.agency

The music of the band is deeply influenced by and related to the experimental electronic music of the late 1970s and early 1980s, that was made in Sheffield by bands like The Future/The Human League, Vice Versa, Cabaret Voltaire, or by the formerly in Preston based musician Colin Potter and a few American avant-garde artists, pioneering in electronic music, like John Bender, etc.. Although the band is very careful in creating a minimal electronics sound, obviously appearing vintage in itself, it is produced in a hybrid way, by using analogous procedures and modern techniques of production as well. So in the end Lower Synth Department is concerned with post-minimal electronics so to speak.
 
The name of the band is related to at least three different references, which intercommunicate and therefore depict the sound of the band: first to the cold aesthetics of modernist, especially brutalist architecture, which conveyed and expressed a very dehumanized attitude to life from the 1950s till the 1960s, that still affected even the 1980s. Second, technically speaking, to the low frequency oscillator, which creates a rhythmic pulse or sweep and is often used to modulate synthesizers, delay lines and other audio equipment in order to create effects used in the production of electronic music, while the final reference derives from the band's name abbreviation.