Product Demos

2 Barton BMC018 Analog Drum modules as kick drums.  First 10 seconds  is single drum then second BMC018 comes into mix.  Mix levels are slightly adjusted during demo.

Best listened to with a subwoofer.  HEADPHONES NOT RECOMMENDED

Barton BMC018 Kick Demo

Drip sound created by Lower West Side Studio's M401 Multimode Filter Resonator

- M401 is triggered (ping'd) by M712 Sequencer Sidecar's OR output.
- M401 1V/Oct coming from M710 Sequencer's CV output
- M401 CV Freq swept by Oakley Dual LFO triangle wave (slightly sawtooth'd)

Background sound created by Hexinverter Jupiter Storm through CGS77 Serge 73 VCF.

For more information visit http://lowerwestsidestudio.com

M401 Multimode Filter Resonator -Drip

Short demonstration of the M401 Multimode Filter Resonator and the CGS57P BI-N-TIC VCF Pro .

00:05 - Frequency on M401 being turned up
00:26ish - Wiggling M401 Resonance and Final Q
00:38 - Wiggling CGS57P Bandwidth, Damping and Feedback Level

For more information visit lowerwestsidestudio.com

M401 Multimode Filter Resonator - https://richsstudioproject.wpcomstaging.com/product/m401/
CGS57P BI-N-TIC VCF Pro - https://richsstudioproject.wpcomstaging.com/product/cgs57pro/

M401 MFR and CGS57P BI-N-TIC

Back beat created with Duo-Bop drum module and M401 Multimode Filter Resonator.

Poppy snare sound is pink noise from Q110 Noise module into M401.  The output of EG triggering the beat is attenuated and fed back to the CV Q input of the M401.

Filter settings are as pictured

No other effects are used to obtain that hollow, reverb-like effect..

M401 Pop Snare

Pinging M401 Multimode / Resonant VCF, CGS512 Serge VCFQ and CGS577 Serge '73 VCF filters with an M710 Sequencer.

After about 30 seconds in walks a Blofeld and then Phatt Bastard.  A droning Prophet '08 rides through the middle. 

In the end there's only pinging...

Bing - Bong, Ping - Pong

Very basic test of a Moogah (Jeff Farr) SEM VCF.  This Oberheim work-alike is an excellent add-in for any MU format Modular Synthesizer.

The test was done using a Synthesizers.com Q106 VCO.  The Square Wave output was used, set at 16' and tuned to C2.  The Pulse Width knob was set to 5.

There are 4 samples in this file;  Low Pass, Band Pass, High Pass and Variable.  These are each of the outputs on the VCF.  The Resonance knob was set to the 3:00 position.  In terms of zero to ten (the panel has no numeric labeling) Frequency was swept from position 5 to 10 to 0 and back to 5.  For the Variable Output Control I started with the 12:00 position then repeated the tests at the 3:00 and 9:00 positions.

Module is available at: https://richsstudioproject.wpcomstaging.com/product/moogah-sem-voltage-controlled-filter/

Moogah SEM VCF

Demonstration of Lower West Side Studio's Oakley Discrete Ladder Filter.  This demo features 2 patches each featuring its own DLF

- Patch 1: MFOS VCO + Oakley VCO through DLF.  Modulated with Oakley VRG and wiggled live.

- Patch 2: Hexinverter Jupiter Storm through MFOS 8 Stage Phase Shifter through DLF through Q115 Reverb.  Modulated with 3 Hexinverter SympleSEQs and wiggled live

Both tracks ended were processed through a Yusynth VC Panning mixer and gently panned with a CGS114 DUSG.

Oakley Discrete Ladder Filter demonstration

Lower West Side Studio is a Canadian manufacturer of of MU format synthesizer modules.

Visit http://lowerwestsidestudio.com for more info...