Vielzudumm

Manudigital Meets Pupajim- Mr Trader

Strictly reggae music, cannot refuse it! Recorded an hour of tunes, some new and old acquisitions, strictly vinyl!
1.Life is a moment in space - Wayne Smith - Golden Gems 
2.Falling Star - JonnyGo Figure - Bent Back Records 
3.Sweet Sensimilia - Barrington Levy - O.B.F. - Dubquake - Thompson Sound 
4.School them - MIdnight Riders mmets Naram Rythm Section - Red Robin 
5.Back Off - Johhny Osbourne - Jah Guidance 
6. Reggae gone international - Sister Carol - Jah Life - DKR 
7. Call of the rastaman - Carlton Livingston - Jah Life - DKR 
8. Cool down rude - Johnny Osbourne - Rockers
9.Rock them one by one - Eccleton Jarrett - Jammys 
10.We rule the dancehall - Chuck Turner - Jammys 
11.Love affair - Conroy Smith - Jammys 
12.Don't take your gun to town - Al Campbell - Jammys 
13.Posse form a line - Midnight Riders - Channel One 
14.No more walls - Dennis Brown - Two Friends Records 
15.Build some bridges instead - Shabba Ranks - Two Friends Records 
16.Confusion - Horace Andy - Midnight Hawk 
17.Certain kinda rythem - Frankie Paul - Redman International 
18. Lust for money - Dennis Brown - Music Works 
19.Push push - Lloyd & Devon - Studio One

Run Tune #1

ST005 – VARDI – QUERO VER EP
 
For the 5th EP on Samedia Trax, Glasgow based producer VARDI drops 3 heavy soundsystem ready Latin bass cuts recording during a recent trip to Mexico. 
 
Title track Quero Ver (“I want to see”) is a deep melancholic cut featuring the vocals of Pahua, one half of famed duo Sotomayor, recorded at her home studio in Mexico City. Her bittersweet vocals ride over a fresh bass-heavy amapiano-inspired rhythm with beguiling and totally original results.
 
Tracks 2 and 3 feature MC El Kilo whom VARDI met in a hostel in Guadalajara, Mexico’s second largest city. This is the first time his voice has been heard outside of Mexico. Guadalajara Cumbia take the traditional cumbia groove and marries it with a tough dancehall flavour for ready for El Kilo’s raw vocals. Connecta continues in this vein to give us two bona fide club ready bangers.
 
VARDI is a half Chilean, half Scottish DJ Producer based in Glasgow. His sound is a blend of Latin club, Afro, Global bass & Dancehall. His productions seek to push the boundaries of genres and make connections between cultures. In 2022/23 he’s focussed on working with leading Salsa musicians, Scottish and South American based vocalists to create some exciting new combinations. VARDI’s other alias is Zazim which focusses on the integration of Scottish traditional and dance music. He’s been busy in Glasgow for a number of years throwing club nights, free parties and sharing music on his homebuilt soundsystem.

VARDI - Quero Ver Feat. Pahua

Playlist: 1-The Soul Lads With Tommy McCook & The Supersonics - I'm Yours Forever 1968 Treasure Isle 
2-Sound Dimension - Baby Face 1969 Studio One 
3-Tyrone Evans - This World Was Mine 1969 Treasure Isle Original de Marvin gaye 
4-Alton Ellis–	I Don't Want To Be Right 1972 Studio One original de Luther Ingram 
5-Claudette Mclean - Give Love Another  Try 1972 Studio One 
6-The Chosen Few - Don't Break Your Promise 1973 Studio One original par The Delfonics Studio One Soul  
7-Little Roy – Jim Jones 1976 Teem Label 
8-Sugar Minott - Love Gonna Pack Up 1977 Studio One
9-Enos McLeod -  Jericho  1977 Oakley Hi-Fi repress Orbit 2022
10-Ras Elroy Bailey - Stop The Killing 1977 MSR UK
11-Freddie Mckay - Lonely Man + Version 1979 Niagara
12-Ranking Dread – Lots Of Loving 1980 Freedom Sounds Sitting and watching riddim Dennis Brown
13-Billy Joe Morgan - Stop Them 1980 JoMor Music House  Repress Fish Tea 2017
14-Reggae George – ?Three Wicked Men 1981 King Kush
15-Junior Reid - Jail House 1982 Fatman
16-Hugh Mundell - Tell I A Lie 1982 Zion High Records
17-Phillip Fraser - This World 1982 D-Roy
18-Latty Guzang - Reggae Riddim 1985 Klass 1 International Repress Roots Vibration 2022
19-Telford Nelson – Rough Road 1990 Soney Fudgie Repress 2016
20-Garnet Silk – Harder 1993 Taxi
21-Richie Spice – Loner 1997 King of Kings Persistence riddim 
22-Tinga Stewart – Talk is cheap 2001 Charm Pure Lovers Volume 14 Mean Girl Aka I Need A Roof Riddim
23-Frankie Paul - Somebody Loves You Back 1990s  Stone Love Movement sur le riddim du Walk Away from love 
Tribute to Terry Hall Chanteur  du groupe The Specials décédé le 18 décembre 2022  à l’âge de 63 ans. The Specials ont été les fers du lance du revival ska en 1979 en Angleterre.
24 à 29 A Message to You Rudy / Too Much Too Young/ Ghost Town / It Doesn't Make It Alright/ Do nothing 
30-Eek A Mouse & Dougie Conscious - Down In The Ghetto + Ghetto Dub 2022 Alligator Dubs
31-Reality Souljahs – Please Jah, Help Me 2020 Jah Warrior Records

Nouvelles productions Livity Records big up Ras Karma
32-Sydney Salmon & the Imperial Majestic band -  Never been colonized 2023 Livity Records
33-Sydney Salmon & the Imperial Majestic band -  The Ultimate challenge 2023 Livity Records 
34-King Stanley – Roots and culture  + Roots and dub 2023 Livity Records Mixed by Petah Sunday
35-Manwel T - Livity Horns 2023 Livity Records
36-Tena Stelin - The Journey 2021 Agobun
37-Jah Warrior – The Greatest Sound 2022 Storming Dub Records 
38-Tena Irie – Cultural dances +  Massilia Hifi– Cultural Dub 2022 Musical Riot
39-Alligator Dubs –	Final Battle 2022 Alligator Rec.
40-Alligator Dubs –	Final Dub 2022 Alligator Rec.
41-Alligator Dubs –	Battlefield Dub 2022 Alligator Rec.

Crucial Reggae Time #256 01012023 Daddy Lucos Selections 2h30

From the Tassili Dreams instrumental album

arranged and produced by BeatG
mastered by Adriatic

BeatG - A Nuestros Predecesores

Saint Feat. MDP - Dance With Me (ExtremeElectro Remix)

No Fake Shit

JERRY HARRIS - ROCK THIS TOWN 7" (MOTIVE RECORDS)
MO-001
PREVIOUSLY UNRELEASED EARLY '80S TUNE RECORDED @ WACKIE'S BY JERRY HARRIS. OUT NOW ON JERRY'S OWN MOTIVE RECORDS LABEL, DISTRIBUTED BY DKR/BOND EXPORT.

JERRY HARRIS - ROCK THIS TOWN VERSION 7" (MOTIVE)

Lucus Mashups Edts presents : Wedding Dub Mashups Session

1 – Heavenly Vampire in the Year 44
2 – Unknown psalm frosts producer 
3 – I Jump for Flota in dub
4 – Iration rumble alarm unit


English story (french below) : 

I was meant to mix for a family wedding. So, I planned to mix some dub from my father’s roots collection. He died some years ago and I thought it could be a joyfyl wink to reunit us. But a drunken guy came and cut the music after just a few minutes. He thus put the « Madison » because they wanted « shitty music » to dance on, as he told me. Tired and upset, I went to sleep in the car, because my tent-mate snored too loudly. 
Rather than recording a mix which was not to be played, I selected four parts of what I prepared to do four mashups, so this moment could become something else to be shared with people I love. For each mashup, two of the four tracks come from my father’s collection, the other two are representative of my own influences. 

The mashups are made of bare loops extracted from each track as samples and then played with 4 decks alternatively. 


Français : 

Je devais mixer pour un mariage en famille. Du coup, j’avais prévu de mixer un peu de dub issu de la collection roots de mon père. Il est mort il y a quelques années, et j’ai pensé que ce serait un clin d’oeil joyeux pour nous réunir. Mais après seulement quelqes minutes, un gars bien allumé est venu couper le son directement. Il a mis le « Madison » car ils voulaient écouter ce qu’il a lui-même nommé « de la bonne grosse musique de merde » (sic) pour danser. Fatigué et un peu vexé, je suis parti me coucher dans la voiture, car mon compagnon de tente ronflait. 
Plutôt que d’enregistrer un mix qui ne devait pas être joué, j’ai choisi quatre parties dans ce que j’avais préparé que j’aimais bien, pour en faire quatre mashups, pour faire de ce moment quelque chose d’autre que je pourrais partager avec celleux que j’aime. La moitié de chaque mashup est composée de morceaux dub issus de la collection de mon père – l’autre moitié est issue de mes dernières influences. 

Les mashups sont purement constitués de boucles extraites de chaque morceau, comme des samples, qui sont ensuite jouées à quatre pistes alternativement. 


Credits for orignal tracks to :
1 : Filmmaker – Vampire Tactics
Warrior Dub (aka Zulu Warriors) – Dub in the Year 2000
Dub Works Studio – Heavenly Dub 1
Mister Sticktalk – Witta 44

2 : Johnny Clarke – Unknown Dub 2
Slikback – FROST
Prince Jamo – Psalm Dub
DJ Producer – CBR 1000RR

3 : Latty Guzang – Latty in Dub
KIRRIL x EIGEN RISICO – I
Inl KAMOZE – Jump for Jah Dub
Funeral – Flota

4 : Sound Iration in Dub – C.T.U.F.B.
Skin Teeth – Tummy Rumble
King Earthquake – Dub Alarm Part 2
XHL UNIT – Wsh Metadrol

Recorded in Paris
Played Wordwide


Artwork by Cruelle & me

1 - Heavenly Vampire in the Year 44

“UNIVERSOS OSCILANTES” ... an experimental tribute to Aimé Painé.

Too much to say. We could elaborate on themes like colonization, identity and culture; on territorial and political vindication, sung as a form of insurrection in the younger generations of the Mapuche people. On the “Sons of Lautaro” who migrated to the city, working in construction sites and as servants of the white people. But, not being myself part of the Mapuche culture, I would only be able to talk almost exclusively from the outside, from a “half race”, that uncomfortable position in the middle, undefined, where many of us mestizos are found; that, nevertheless, was noticeable enough so that they asked us about it; profound enough to fell a cold shriek in our own flesh.

That is why I would not want this tribute to be merely aesthetic, a soft and nice gesture for an obliging audience. It is a spiritual homage, but not tepid. It is experimental, yes, due to the passage of that sacred song through the body, but it is not an intellectual one, and in no way one made by a scholar. It is a sonic re-reading of Aimé Painé: an orphan who was raised by winkas; a teenager raised in Catholicism, who had her first experiences as a singer in the liturgical chorus of her school; a young woman who, in search of her identity, returns to the indigenous community, where she stays and becomes part of the Mapuche culture: she learns the Taiel from the voice of the grandmothers, and sings it; a woman who, after taking those songs to several stages, accompanied only by her kultrun, dies young, without having ever recorded an album. A woman whose voice survived only in the home-made recordings made by those who were closest to her, who stored them carefully, only to have, years later, apocryphal audios going around in the Internet, falsely attributed to her.

And this is a re-reading, as well, made from my own culture: the culture “in the middle”, that unconformable, undefined place that, nevertheless, when traversed, evokes –with the strength of the Taiel– a song of rebellion and pride, where we can also hear the ashes of this dying regime. “Universos Oscilantes” is an experimental homage to Aimé Painé (1943-1987), a Mapuche singer whose interpretations, the Taiel –sacred songs– were compiled in the album “De lo profundo de la madre Tierra” (From the depths of Mother Earth) by Don Juan Namuncurá.

To create this record I conducted an investigation that took me far from the movies that have portrayed Aimé’s life, and into the importance of her singing and the profound meaning that the sound has for the Mapuche people; from the communities in the mountains to the “colonies”, the settlements in the Patagonia closest to the ocean, where the prejudice against the indigenous people is present to this day.

I found the history of the rivers, the trees, the animals and the mountains, that precede human language. In the Taiel, the sacred song, you can sing like the Luan – the dear–, the Huala –the duck– or maybe the Ngürü –the fox–, and every song has in it a bit of the spirit of each animal, and some of what the people want to remember and honor. In the Taiel there are rumours of life and an inner song that is one of a free man. Because the Mapuche believe that the life of each person is a path to find your own Taiel. That is how I learned the one singing it in a circle is not the best singer, but he who has the appropriate spirit to make the soul of the whole community go forward.

In this album is found the result of this search. Together with female artists who I invited to be part of these reinterpretations, we went in a journey back and forth from our culture to the sonic heritage of a brave people, with the conviction that there, in the culture of sound, dwell as well the imagination, the strength, and the dignity to not be defeated."

- Paula Zustovich (Minicomponente) 

@minicomponente

[JGT107] “Universos Oscilantes”

"Luan Taiel II (ft. Juli Papi)" - Minicomponente


Lucus
some moods, one name, zero identity
club projects / expient projects, read full descriptions under each ones for more details 🔥


e-mail me at contact@lucus.club for collab propositions <3

Co-founder of Cent lendemains.

If you want something from my bandcamp collection (lucus_____), send a message, and i'll send it to you (sometimes with delay) ❤️‍🔥

1 - Heavenly Vampire in the Year 44

LUCUS

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