Recording Story and Equipment

At the core of the album "Tulpa" lies not just a meticulously crafted sonic tapestry, but also a vibrant story of spontaneous creation and collaborative exploration. Born from jam sessions that spark with improvisation and creativity, each track emerges as a unique expression of the moment—a testament to the raw energy and synergy of live performance.

In the heart of these jam sessions, the Make Noise DPO Dual Synth takes center stage, its oscillators pulsating with life as they morph and evolve with each twist and turn of the knobs. Alongside it, the Wogglebug adds a touch of whimsical chaos, injecting bursts of randomness and unpredictability into the mix, while the LXD Low Pass Gate and Maths module lend their precision and modulation to shape the evolving soundscape.

As the jam unfolds, each element of the modular setup intertwines in a dance of improvisation and experimentation. Glitchy textures merge with pulsating rhythms, laser-like kicks punctuate the air, and lead and bass synths soar to new heights of sonic exploration. Multi-tracked recordings capture these moments in time, preserving the spontaneity and energy of the live performance.


And guiding it all is the Korg SQ-1 sequencer, synchronizing the modular setup with the digital realm and serving as a conduit for transferring MIDI scores from the DAW. With each synchronized clock pulse, the boundaries between analog warmth and digital precision blur, creating a seamless fusion of the two worlds.


In this sonic journey, the boundaries between chaos and order are blurred, as glitchy textures merge with pulsating rhythms to create a kaleidoscope of sound that transcends traditional conventions. Through the synergy of modular synthesis, FM modulation, and precise sequencing, "Tulpa" becomes more than just an album—it becomes a living, breathing testament to the boundless creativity of the human spirit, captured in the spontaneous magic of a jam session.

Setup i used is listed below;

Make Noise Modules;
-Dpo Dual synth,  
-LXD low pass gate, 
-Maths multifuncional module, 
-Wogglebug chaos generator or randomiser, 
-Echophone delay, 
-Erbe-Verb reverb, 
-Rosie mixer output, 
-Phonogene but never used during these recordings.

Hexinverter Modules;
-Mutant Bass Drum: 808 style bass drum used on 1 track called; “windigo”
-Mutant Clap: used on all tracks as a handclap sound, at the track “windigo” and “Dune” used to create noise type sounds…

Tulpa

Ircenrraat

Space Nomad

Windigo

Dune

Piblokto

Rebellion

Katshituashku

Amikuk

Alien World

"End Times" is an avant-garde electronic work, an experimental journey through the sonic landscapes of apocalyptic themes, and a deeply personal tribute to beloved family members and friends who have departed. Crafted meticulously using cutting-edge synth programming, the entire album is designed with the singular synth, "Vital," providing a cohesive and distinctive sonic signature.

The album unfolds as a sonic odyssey, delving into the emotive depths of the end times, capturing the essence of existential reflection and loss. The haunting electronic textures and atmospheric soundscapes serve as a backdrop for the overarching narrative, guiding the listener through an introspective exploration of the inevitable.

Within this electronic tapestry, one song “Almighty” stands out with the ethereal resonance of "Cardinal Synth," introducing a unique sonic palette that adds depth and dimension to the overall experience. Additionally, certain tracks feature the evocative tones of Ableton Live's stock synth, "Operator," providing a dynamic contrast that enriches the sonic diversity of the album.

What makes "End Times" truly distinctive is that every sound within it is a creation of the artist's own sound packs. The result is a deeply personal and unique auditory experience, where each synth wave and electronic pulse is an expression of the artist's creative vision and emotional journey.
As the album progresses, it seamlessly weaves through various electronic textures, creating a captivating atmosphere that mirrors the complexity of emotions associated with loss. "End Times" invites listeners to explore the depths of their own reflections on mortality, love, and the enduring impact of those who have left an indelible mark on our lives.
In crafting this experimental electronic work, the artist has not only pushed the boundaries of sonic exploration but also created a sonic memorial, a tribute to the memories of those cherished individuals who live on in the echoes of each electronic note and pulsating rhythm. "End Times" is more than an album; it's a testament to the power of art to transform personal grief into a shared, immersive, and cathartic experience.


Here are the free "Vital Synth" presets that I designed and utilized throughout this album—over 500 sounds distributed across four distinct soundbanks:

https://drive.google.com/file/d/1u6AkM6mrVqshsTjzQEmRsjpdoviOKZmf/view

https://drive.google.com/file/d/1aCVQuxKsJQexsANd6wf2oddyyqF_e6u2/view

https://drive.google.com/file/d/1NuxzK3Ey5D-BhCw7Ot3JuvPDHezszd0x/view

https://drive.google.com/file/d/1LOF1JkJPiJheNd1SVv3cxXt69meszovE/view

Katshituashku

Lucy Blake - Experimental

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