Live in October 2023 at the VIII Festival de Jóvenes Guitarristas José Luis Rodrigo in Madrid. 
Audio by RCSMM sound design students.

for Stella - Cornelius Cardew (live) [version 2]

##many types of guitar sounds and performances##

A guitarist who favors music from the 20th and 21st centuries, but doesn't neglect other repertoire. He graduated from the University of Minho and the Royal Conservatory of Music in Madrid. 
On this platform he posts some of his edited and live performances.

Violinist, pianist, chamber and orchestral musician, devoted to composing neo-classical music. 

I want to weave a gentle, emotional orchestral language, that speaks about live and touches the heart. I try to capture these ephemeral, timeless, and moving moments, transcribing them with devotion to sound and recording them in the sound studio.

The music creations are a testament to the value of retreat,
where silence gives birth to the most profound expressions, contrapuncting the noise of our world.

Thanks for your kind listening and commenting !
Helmut / HELMUTunes

#Instrumental   #Piano   #Indie 
#AltRock   #Folk & Singer-Songwriter .   Welcome!
Please check our playlists.
We are very open to collabs.
Do you really like our music? If so, you can tip: https://ko-fi.com/the_moonflights

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



Roger Redgate is a composer, conductor and improviser. He graduated at the Royal College of Music, where he won prizes for composition, violin performance, harmony and counterpoint, studying composition with Edwin Roxburgh and electronic music with Lawrence Casserley. A DAAD scholarship enabled him to study with Brian Ferneyhough and Klaus Huber in Freiburg. From 1989 to 1992 he was Northern Arts Composer Fellow, he has lectured at Durham and Newcastle Universities. He was invited as guest composer and conductor at the Darmstädter Ferienkurse für Neue Musik in 1984, 1986, 1988, 1990, 1992 and 1994 where he received the Kranichsteiner Musikpreis for composition. He is conductor and artistic director of Ensemble Exposé, with whom he has performed at many European festivals and on BBC Radio 3 and recently released a CD of music by Brian Ferneyhough.  He has worked in the fields of jazz, improvised music, film and television (including programmes for the BBC and Channel 4), and performance art. His compositions have been performed extensively throughout Europe, Australia and the USA and he has received commissions from the BBC, the French Ministry of Culture, the Darmstädter Ferienkurse für Neue Musik, The Huddersfield Festival, the Venice Biennale and Ensemble 21 New York. He has published articles on music and culture, the music of Brian Ferneyhough and Michael Finnissy, including a chapter in the book Uncommon Ground: The Music of Michael Finnissy.  He is professor of Composition at Goldsmiths, University of London.
CD recordings of his works are available on the Coviello, Oboe Classics, NMC, Metier and Edition Zeitklang labels and further recordings are in preparation due for release on the Metier and NMC labels. His compositions are published by Editions Henry Lemoine, Paris, United Music Publishing, London and the Associated Board of the Royal Schools of Music.

Selected Compositions:
United Music Publishers, London
String Quartet no 4
Sgrafitto (solo flute)
Runa (19 division solo trumpet)
Black Icons (solo cello and ensemble).
ST-X-t (string quartet and turntables).
Tehom (bass clt, tbn, vc)
Concerto for Improvising Soloist and Two Ensembles
TAG (soprano sax and guitar)
String Quartet No 3
monk (solo piano)
Labyrinths (prepared piano and harpsichord/clavichord)
Koan (prepared piano, toy piano and music box)
Residua  (solo harpsichord)
Disjecta (solo 10 string guitar)	
Quintet for Oboe and Strings
mirlitonnades (soprano and piano)
ruins true refuge (solo double bass)
Atemkristall (amplified quarter-tone flute)
		
Editions Henry Lemoine, Paris:

Pierrot on the Stage of Desire  (small ensemble)
Vers-Glas  (14 amplified voices): 
Celan Songs (soprano and small ensemble)
Graffiti (soprano saxophone)
Feu la Cendre (solo cello)
Beuys (solo piano)
+R (solo clarinet)
Inventio (soprano sax/ensemble): 	
Pas au-dela (solo piano)
Eperons (oboe and percussion)
Eidos (solo piano)
String Quartet No 2 
…of torn Pathways (violin/ 2 percussionist)
Eos (clarinet and piano)
String Quartet No 1 
Ausgangspunkte  (solo oboe)
Genoi Hoios Essi  (solo piano)

The Associated Board of the Royal Schools of Music.
trace- arc écart (solo piano)

Quote :

...They taught us that art is about expressing yourself—that you have to have something to say. That's not true—you don't have to say anything at all...

John Cage


TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  
founded    by Max Elzholz
https://www.youtube.com/@trampelfad

Experimental-Improvisation-Sonification-Data Bending-Alchemy-Probability-Computer-Stochastic-Science-Abstract-Generative-Granular -Unpredictability -Aleatoric-Music -Avoid AI

PVAB (Peter Victor Alexander Boonstra) is an electronic music composer for film and animation, with a focus on immersive, emotionally rich scores that blend modern electronic textures with cinematic storytelling. In addition to his work as a composer, PVAB also offers full Dolby Atmos mixing capabilities, bringing a cutting-edge spatial audio dimension to his projects.

Specializing in hybrid electronic soundtracks, PVAB crafts music that moves beyond stereo into fully immersive environments—enhancing depth, directionality, and emotional impact. His Dolby Atmos mixes allow directors and animators to deliver their stories in true three-dimensional sound, whether for cinema, streaming platforms, or VR/AR experiences.

Working from a state-of-the-art Atmos- studio, PVAB not only composes original music but also mixes complete spatial soundtracks tailored to each visual narrative. His experience spans short films, animated series, and independent features, with a particular sensitivity to how sound supports and elevates storytelling in animation and experimental formats.

With a collaborative and detail-oriented approach, PVAB helps filmmakers push creative boundaries—combining electronic composition, spatial sound design, and Dolby Atmos mixing to create immersive audiovisual experiences that resonate deeply with audiences.

.... Just a musician !
In this time interested in electronic devices.
Always going forward and always guitar in my production

David Ryan is a visual artist, musician and writer who is actively involved in contemporary music. Publications include ‘We Have Eyes as Well as Ears: Experimental Music and the Visual Arts’ in The Ashgate Research Companion to Experimental Music, (Ashgate, 2009); ‘Changing the System: Indeterminacy and Politics in the 1970s’ in Christian Wolff: Changing the System, (Ashgate, 2010), and forthcoming, ‘Drawing Towards Sound: Notations, Diagrams, Drawings’ in A Companion to Contemporary Drawing Wiley-Blackwell, 2020. He has also exhibited widely with exhibitions and screenings at the Whitechapel Gallery, Flowers East London, Flowers West, California USA, Konzerthaus, Berlin; Recent exhibitions include Crossing Abstraction at Kunstlerhaus Bethianen, Berlin (2009), and the Kunsthaus and Forum Konkrete Kunst, Erfurt, Germany (2012), he curated At the Point of Gesture (2013) at the Lion and Lamb Gallery and Wimbledon Space (2015); He was included in After Image (Emerson Gallery, Berlin 2013), June Mostra, British School at Rome and Spazi Aperti, Accademia di Romana, Roma (2016). He has broadcast for Danish Radio, BBC Radio 3 (Stockhausen with Apartment House), Resonance FM and Radiophrenia at CCA Glasgow (2016).  Screenings have taken place at Moscow Tchaikovsky Conservatoire; Issue Project Space, New York; Fondazione Isabella Scelsi, Rome (2010); Darmstadt Ferienkurse for Neue Musik (2011); V22 Space, London (2012); Logos, Ghent; Qo2 in Brussels, Belgium (2012); Institute of Contemporary Art (2015), London; a screening and performance at the Teatro Arsenale, as part of the Venice Biennale (2015), AngelicA, Bologna (2016), and the British School at Rome (2017). He is performing as a trio with Beatrice Miniaci, Flutes, and Gabriele Pagliano, Bass, the Opera Aperta project, and  - when he can - the London Improviser's Orchestra.

My new 🎹  🎺 piece is called..“Smokey Hornz”
                         

All music posted on this channel created & composed & played & arranged & produced in house by myself (Luke)

I’m a 🎶 writer / composer / musician / producer always creating & producing new Piano 🎹 arrangements / scores / themes / compositions / tracks from scratch ..
 
all my work is Original.. 
one of a kind …
played with old school instruments including my 100yr old upright piano & Yamaha keyboards 🎹 my old school skins 🥁 and trumpet 🎺 etc…
 
👉🏻NO Artificial Intelligence  aka A.i. 👈🏻

I don’t do Covers 
I’m to busy to Collaborate at this foreseeable time..

so stay tuned & check back weekly / monthly..

In between creating major  Piano & Symphonic music,
I like to wind down by creating quick “fun music” using “Found Sound “ & samples & loops & libraries along with a few bars from my piano / keyboard or synthesiz..
 (they are usually of a “ Trap “ genre) 

Use your headphones 🎧 to really experience my music layering to its fullest... 

Lastly..thank you for being a loyal fan supporting all my “experiments” and successes..

Luke 😊   Attention:👉🏻  Name change coming soon..
               from 👉🏻  Beats by Luke 
                    to 👉🏻  Luke H.  S c h ü ß m a n n

Recorded / mixed / Mastered by Luke 
a 🥶“Frosty - Nutz Production”🥶 🇨🇦 🇺🇸

for Stella - Cornelius Cardew (live) [version 2]

Luís Miguel Leite