No shame. Slow, steady, tender cavernous ascending louder accusatory blusterous, light grace, kind, disappearing warm, observing.

Yiu built me up then brought me right back down again. Great work

In 2019 the Luke Howard Trio was commissioned by Back To Back Theatre to compose music for The Shadow Whose Prey The Hunter Becomes, a play exploring the intersection of disability activism and artificial intelligence. This is the music we wrote.

The Shadow

Infinite Horizon (Piano) - by Eric Heitmann and @artifex_composer [Relaxing Cinematic Piano Music]

"Across the boundless stretch of the infinite horizon,
The final heart mourns a connection long gone.
But though galaxies vanish and time moves beyond,
Our echo persists, humanity’s enduring song."

"Infinite Horizon" is a sweeping composition about humanity's enduring hope amidst the unsettling vastness of the universe. 

Listen to my music here:
https://linktr.ee/ericheitmann

Infinite Horizon (Piano) (Eric Heitmann and Artifex)

203 Years taken from the album 'The Sleeper Awakes' released on the 4th May 2015 through Village Green.

The track features a 19th Century 'Dulcitone' - A piano-like instrument using tuning forks instead of strings.  Limited numbers of them were made in Glasgow in the late 1800's.

Available on LP / CD / DL here - https://benchatwin.bandcamp.com/album/the-sleeper-awakes

203 Years

Emilie Levienaise-Farrouch is an award-winning French pianist/ composer currently living in London. Spanning film score, bespoke composition and sound design, her work is connected by both its high quality and evocative, meticulous craft - a common sensibility of elegant, instinctual composition. Signed by FatCat’s post-classical imprint 130701 following receipt of a stunning demo in 2014, Levienaise-Farrouch’s first album, ‘Like Water Through the Sand’ is set for a November 2015 release, and – alongside Dmitry Evgrafov’s debut for the imprint - marks an invigorating injection of fresh blood for 130701, introducing a striking new voice to the genre.

Like Water Through The Sand

Emilie Levienaise-Farrouch

Preorder

Emilie Levienaise-Farrouch - 'Scale Of Volatility'

first excerpt from upcoming 'elephant' by Dag Rosenqvist.

Cello by Aaron Martin
Saxophone by Lisen Rylander Löve
Mastered by Taylor Deupree

order here - https://dronarivm.bandcamp.com/album/elephant

Buy CD

Dag Rosenqvist - Come Silence (from 'elephant' CD)

My father died on 16 March 2011.  His body had battled emphysema for years.  After complications caused by a bout of pneumonia he finally succumbed.  In the aftermath of these events I turned to my piano for solace and escape.  The resulting record attempts to address the emotions experienced during the 7 days between his death and funeral.  In collaboration with Ed Hamilton, who brilliantly tapped in to my experience and emotion, and with contributions from Christoph Berg, this record is about, and in memory of, my father. - Euan

............

Glacis is Euan Alexander Millar-McMeeken with Ed Hamilton

All pieces written and performed by Euan Alexander Millar-McMeeken and Ed Hamilton

Violins on tracks 1, 5 & 7 performed and arranged by Christoph Berg

Violins on track 6 performed by Christoph Berg, arranged by Ed Hamilton

Piano recordings by Ana Roman and Alex Galler at the University of Edinburgh

Produced and mixed by Ed Hamilton

Mastered by James Plotkin

Art by Todd Umhoefer
www.oldearthcontact.bandcamp.com

Writing by Ali Millar 
www.readthesupplement.com

Released through Fluid Audio (May 2016)
www.fluidaudio.bigcartel.com

............

Thanks, and thanks, and ever thanks
 
In memory of Euan's father, Sandy McMeeken 6 November 1937- 16 March 2011

............



Glacis - From One Room To Another (So You Leave Me Now)

Fund/preorder here: https://www.indiegogo.com/projects/alex-kozobolis-weightless#/

Weightless is an EP of intricate original piano compositions by UK artist Alex Kozobolis. With a series of solo releases over the past few years and collaborations with artists such as Lee Chapman, Harry Edwards, and Anna Rose Carter, Weightless represents Alex's unique approach to composition and melody. 

His touch on the piano is light and fluid; moving between dense sustained runs, which evaporate as soon as they are heard, to spaciously plotted notes. Weightless is the sound of weight itself lifting, of the earthly effect of gravity removed and allowing the listener to be suspended within mid-air, uninterrupted by pressures and restrains of the physical world. Coursing with energy, and running to take flight.

Each of the four tracks have been remixed by Siavash Amini, Tom Adams, Trnspt and Hedia, with very different, but cohesive results, expanding the tone of the EP into new areas.  

Weightless will be available on limited clear vinyl, digipack CD and digital editions.

Tracklist 

Side A
1. Unravel
2. Closure
3. And Find Yourself
4. Weightless

Side B
1. Weightless (Tom Adams Remix)
2. And Find Yourself (Siavash Amini Remix)
3. Closure (Hedia Remix)
4. Unravel (Transept Remix)

Closure by Alex Kozobolis

original music: luca longobardi
piano, loop, synth: luca Longobardi

link for the album: http://luca-longobardi.bandcamp.com/album/apparatus

Opalina

From the album: Panoptique Electrical - Disappearing Music For Face

Physical copies and digital downloads available here:
https://soundinsilencerecords.bandcamp.com

Sound In Silence is happy to announce the return of Jason Sweeney and his Panoptique Electrical project, presenting his new album Disappearing Music For Face.

This is his second release on the label after last year’s, already sold out, debut album of Great Panoptique Winter, his collaboration project with Richard Adams of Hood and The Declining Winter.

Panoptique Electrical is both an experimental studio project by Jason Sweeney, based in Adelaide, Australia, and instrumentalist collaboration with electronic and classical musicians Zoë Barry, Jed Palmer, Tristan Louth-Robins, Cailan Burns, Noah Symons and Richard Adams and visual artist Steve Phillips.
While in the last decade Jason Sweeney has made Panoptique Electrical his central focus, for about twenty years he has been composing and recording either solo, under the alias of Other People’s Children and Simpático, or with friends in various musical projects like Pretty Boy Crossover, Sweet William, School of Two, Luxury Gap, Par Avion, Madeline’s Wreath, God Burning System, Great Panoptique Winter and Mist & Sea. For almost a decade he has also been composing sound and music scores for live theatre, dance, film/video and installation projects.

Disappearing Music For Face is another outstanding release from Panoptique Electrical that generates many emotional reactions. It’s a collection of eleven brilliant compositions of gentle piano with small touches of minimalist electronic beats, echoing keys and soft swells of heavily reverbed drones. The beauty of this album will truly captivate the audience of both ambient pioneers like Brian Eno and Harold Budd and artists like A Winged Victory For The Sullen, Labradford and mid period Hood recordings.

This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm pale brown cardboard envelope with the front cover image printed on a polaroid style photo paper and two inserts with the tracklist and the credits printed on a 190 gsm reddish-brown cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

Panoptique Electrical - In A Forest Forlorn

Olafur Arnalds and Nils Frahm - Live in Berlin - 2011

Shame/Shame

In 2019 the Luke Howard Trio was commissioned by Back To Back Theatre to compose music for The Shadow Whose Prey The Hunter Becomes, a play exploring the intersection of disability activism and artificial intelligence.

OK, I Will

Rauelsson - Fluvial

Luke is a composer and pianist from Melbourne, Australia. His inaugural solo album, ‘Sun, Cloud’, was nominated for the 2013 Australian Music Prize. His latest solo album, ‘All of Us’, drops March 11 2022.

“Absolutely heavenly... I can hotly recommend.” – Mary Anne Hobbs, BBC Radio 6

“Totally sublime.” – Headphone Commute

“Two & One again stands out among the year’s modern composition releases.” – A Closer Listen

Australia/NZ bookings / roob@lukehoward.com
EU/UK bookings / kai.lehmann@cabinartists.com
Licensing / kathy@secretlygroup.com
All other enquiries / hello@lukehoward.com

🇦🇺🇪🇸

Shame/Shame

lukehoward

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