makayanna

Loser Shit_live

Taken from MA'AM (@anna-makay) new EP Ignora, out November 26, 2021, via ZABRA (@zabrarecords)

Read: https://bit.ly/3x8vn0J
Pre-order: https://bit.ly/3HyxuQ4

There is an immersion in an intimate universe of a liturgy where a language isn't understood in its total form, but we allow ourselves to experience it in order to feel, to be guided. This EP sprouts a language that comes from an inverse sense - it invades our interior and flourishes between our skin and organs. There is a sense of unease, the boundary between dark and light is very thin, making us wonder if the definition of barrier or limit really exists or it isn't all a single liquid that extends since our birth to our death, a thread that wraps us around our body, whispers, screams, moans and touches us, passively stirring the blood, making it warm. Ignora by MA'AM is the 16º release of ZABRA. With this release we extend ourselves to a deeper universe of the voices and the meaning of the word in order to challenge the language and its deconstruction process.

Released by ZABRA

Premiere: MA'AM - Matilda [ZABRA]

MA'AM - Ignora
https://zabrarecords.bandcamp.com/album/ignora

MA'AM (Anna Makay, Budapest, Hungary) is a vocalist, songwriter and an electronics producer. Her pieces focus on ancient languages ​​in the digital environment. She works in the area of ​​vocal improvisation, sound poetry, abstract electronics, avant-garde, noise and experimental.

From Budapest, Anna Makay, guide us to an intimate immersion within a universe with liturgical and ancestral codes, where a language isn't understood in its total form, but it opens the door to an experience and emotional charge. This EP sprouts a language that comes from the opposite direction - it invades our interior and blooms between our skin and organs creating a strange sensation. The boundary between dark and light is very thin, making us wonder whether or not the definition of a barrier or boundary really exists is a single liquid that extends from our birth to our death, a thread that wraps around of our body, whispering, screaming and moaning, with a soulful touch passively stirring the blood - disassociating the ontological understanding between light and its absence.


This EP sprouts a language that comes from the opposite direction - it invades our interior and blooms between our skin and organs creating a strange sensation. The boundary between dark and...  more
credits
released November 24, 2021

Written by Anna Makay.
Master by Roland Nagy (Fausto Mercier).
Featured Áron Bujdosó.
Artwork by João Pedro Fonseca.


all rights reserved

Matilda

Ma’iwa - KIME (2022)

Ma’iwa is a collaboration between two Hungarian electronic musicians MA’AM & AIWA. After ‘Goldfishing’, their new album ‘KIME’s tracks  are pieces of sounds from a strange improvisation session with folk-like singing from different times, and rhythmic drones and utopian ambient.
The result is conceptual brainstorming of two experimenting minds in spoken word, dream noise, and various electronic genres – with many synthesizers.

https://linktr.ee/maiwamaiwa

Catto Went For A Walk

TL Premiere #1240 (2023.05.10) : Mayberian Sanskülotts - Akarat (MA'AM Remix) [Dalmata Daniel]

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For this 105th Premiere of 2023, we have the "MA'AM Remix" of the track by the Budapest-based band "Mayberian Sanskülotts" (@mayberian) titled ‘Akarat’ from their forthoming compilation "Akarat Remixes" on the Budapest-based record label : Dalmata Daniel.

▶︎ The compilation will be available from May 12, 2023 on digital on Bandcamp : https://dalmatadaniel.bandcamp.com/album/akarat-remixes

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Release Info :

Mayberian Sanskülotts - Akarat Remixes [Dalmata Daniel // DDC06]

Snippets : soundcloud.com/dalmata-daniel/ddc06-mayberian-sanskulotts-akarat-snippets

Dalmata Daniel's 6th compilation is a salute to 'Akarat', a song by the Budapest-based band, Mayberian Sanskülotts. We heard this track for the first time when they released it on the Rakéta Demo (2013) compilation – a few years later they made a re-recording and put it on their Adlait (2016) studio album.
To celebrate the track's 10-year anniversary, we are happy to present the remixes and interpretations of ’Akarat’ by 10 international and local artists, all related to the Dalmata Daniel family in one way or another.

Tracklist :
01. Akarat (Antoni Maiovvi (@antonmaiof) Remix)
02. Akarat (Betonkust (@betonkust) Remix)
03. Akarat (David Harleydson (@davidharleydson) Remix)
04. Akarat (Hysteric (@hysteric) Edit)
05. Akarat (Jeremiah Soft (@jeremiahsoft) Remix)
06. Akarat (LAU (@laumusikk) Remix)
07. Akarat (MA'AM (@anna-makay) Remix)
08. Akarat (Normal Tamas (@normaltamas) Remix)
09. Akarat (Victor Spector Remix)
10. Akarat (York The Thom Remix)

releases May 12, 2023

DDC06

Akarat Remixes Compilation at Mayberian Sanskülotts: www.mayberian.bandcamp.com

Mastered by A.P (GS Mastering & Post)
www.ghostsounds.net

Art Director / Artwork by Daniel Jani (Studio Jetski)
www.instagram.com/studiojetski

Concept/Curated by Max Sinclair (Executive-Producer)

© 2023 Dalmata Daniel
www.dalmatadaniel.com

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Follow Mayberian Sanskülotts :
Bandcamp : www.mayberian.bandcamp.com
Facebook : www.facebook.com/mayberian
Instagram : www.instagram.com/mayberiansanskulotts
SoundCloud : @mayberian

Follow MA'AM :
Facebook : www.facebook.com/maamurmur
SoundCloud : www.soundcloud.com/anna-makay
Instagram : www.instagram.com/maam_makayanna

Follow Dalmata Daniel :
Bandcamp : www.dalmatadaniel.bandcamp.com
Facebook : www.facebook.com/DalmataDanielLabel
Instagram : www.instagram.com/dalmatadanielrecords
SoundCloud : www.soundcloud.com/dalmata-daniel
RA : www.ra.co/labels/14591

Akarat Remixes

Akarat (MA'AM Remix)

Pre-order

TL PREMIERE : Mayberian Sanskülotts - Akarat (MA'AM Remix) [Dalmata Daniel]

NTS resident ZULI surveys the history and development of Egyptian rap - in this episode, selecting tracks from its nascent era in the late '90s, up to it's recent mainstream upsurge, featuring ABYUSIF, DAMA, EL 3EZBA, NUUB, 
DARBAKA BAND and more.
https://www.nts.live/shows/rapmania/episodes/rapmania-16th-september-2023

RAPMANIA: Egyptian Rap 1998 - 2017 w/ ZULI 160923

Recorded a non club mix for one of the closest people to me, the one and only Postdrone.

NTS Radio - FAK AGZA2 W/ ASHRAR

PALESTINE FOREVER 
Radio AlHara broadcast, Nov. 30, 2023

Accompanying original graphics is by the wonderful Valantina Gonzo.

This radio broadcast includes sounds from protests around the world to support Palestinian freedom that have taken place over the last month. Also this broadcast includes interviews with artists focused on Palestine, including Palestinian artists in the diaspora and other awesome cultural workers. Finally you will hear the voices of people around the world who have recorded voice notes specifically for this Radio AlHara broadcast and also those recorded to be played at one of the solidarity protests in London through an awesome project called Street Soundsystem. Finally there are also some tracks included in this broadcast that artists have intentionally shared for transmission specifically on Radio AlHara and are happy to share their work in this context of a solidarity radio broadcast with Palestine. Thank you for listening to this four hour mix, below is the track listing! –– Stefan Christoff

https://docs.google.com/document/d/1ajyHnqKKg_qJkVAxhp14vHlmktAEGFQb1im-KueUw6A/edit?usp=sharing

01. Badawi - Final Warning (from The Best Of Badawi Vol.1)
02. Le Berger - The Momentary Masters of a Fraction of a Dot (from dat pale blue dot tho IV)
03. Sounds from Brussels Palestine solidarity protest recorded by Stefan Christoff
04. Excentrik - Dark Talents (A Poem) (English)
05. Brodie Conley, a solidarity message from a cultural worker in Ottawa (English)
06. Recordings by Cara Levine of the Jewish Voice for Peace solidarity action with Gaza at the Statue of Liberty in New York
07. Recordings and interviews from New York City protest to support Palestine by musician Jessie Stein of the The Luyas (English and Arabic)
08. A recording by Katie Halper from Jewish Voice for Peace action at Statue of Liberty
09. A message from artist Naima Shalhoub (English)
10. A solidarity message from Syhem Tabet (Arabic)
11. Street Soundsystem recordings from broadcast at London solidarity rallies for Palestine (English and Arabic)
12. Jesica Sarraf - Gringa Chaqueña
13. Fuzz Lewis Soundsystem - techno sequencer
14. dragonchild x Sunken Cages - The Source
15. Sarathy Korwar - Utopia is a colonial project (Radio Edit)
16. Sarjon - ليس لكم ارض الا احتلال
17. Sarjon - At the court of dishonest justice, في محكمة العدل الكذابي
18. Byjayr - embodi
19. Byjayr interviewed by Stefan Christoff
20. Checkpoint 303 interviewed by Stefan Christoff
21. Checkpoint 303 - Illegal Gathering
22. SAWT project, Kamel Badarneh interviewed by Stefan Christoff
23. Tigris Bridge in DIYARBAKIR recorded by SAWT
24. NIEMAND IS ILLEGAAL BENEFIT 5th edition (04.06.2022) with SAWT - Vaartkapoen - Brussels (excerpt) listen to full set here.
25. Nithin Shamsudhin - Mixtape for Palestine

PALESTINE FOREVER for Radio AlHara

🛒: https://amphibianrecords.bandcamp.com/album/transmission-for-palestine

Instagram: 
https://www.instagram.com/post_drone/
https://www.instagram.com/otteswed/
https://www.instagram.com/amphibian_rec/

Soundcloud: 
Postdrone: https://on.soundcloud.com/36ybq
Otteswed: https://on.soundcloud.com/UXEJB

For months we have been witnessing genocide and violence against Palestinians in Gaza and the West Bank. Our community is based on values of solidarity and empathy and we cannot and won’t stay silent. Thus we are releasing under the ‘Transmission for Palestine’ project, native to our home club - Ankali. Our effort is to raise awareness of the struggle and suffering of the Palestinian people. We believe in anti-colonialism and freedom of the Global South from Western imperialism.
Free Palestine 🇵🇸

All proceedings from this album will be donated to the Palestine Children's Relief Fund and Middle East Children's Alliance.

www.pcrf.net
www.mecaforpeace.org

IMPORTANT!
If you donate - not 100% of your donation will proceed to the PCRF because PayPal and Bandcamp take a decent amount of the earnings.
credits
released January 13, 2024

Artwork by Omar El-Sadek

Mastered by Ladislav Sterba

Amphibian Records 2024

Support

Postdrone & Otteswed - Bir Ad-Dir

@SaintAbdullah & @Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.

In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.

The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…

Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.

The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

—Rayya Badran

All proceeds UNRWA

Produced by Saint Abdullah & Eomac Featured Artists: Cinna Peyghamy, Aria Rostami, Abdel Ja7eem Hafeth Mastered by Rashad Becker Art by Ian Bruner

DBL24DL

Light meteors crashing around you will not confuse you

Saint Abdullah & Eomac - The people who initiate a new world

Grain Flux 3ak

AH YA ALBY

Dropped through @yukuwax

THROUGH
https://yukumusic.bandcamp.com/track/eb3ed-3ani

Eb3ed 3ani

Firing upon the engine. It is the commission of a just crime in favor of human skills. It is a revolutionary declaration of the act of walking. The oil stains the killer's arms and puts the car in a state of complete halt, forcing the passengers to walk. The engine is a signal of escape, and restraining the runaway means temporarily binding it. The spark plugs perform a crucial function, generating a spark to ignite the fuel-air mixture inside the combustion chamber. The heart of humanity is the spark plug inside the engine, it must be removed so it can stand still again. Carl Gari & Abdullah Miniawy step out of the way after spilling the engine oil.

 Qef ق​ِ​ف is the second track of the album "Shoot The Engine" releasing on the 9th of May on Amphibian Records.

Amphibian Records is teaming up with Carl Gari & Abdullah Miniawy to bring the first full album into the label's catalog.

Shoot The Engine

Buy on Bandcamp

PREMIERE: Carl Gari & Abdullah Miniawy - Qef ق​ِ​ف

Taken from @saintabdullah & @eomac new album Light meteors crashing around you will not confuse you, out April 4, 2024, via @drownedbylocals.

Pre-order: https://bitly.ws/3gRRt
Read: https://bitly.ws/3gWcv

Saint Abdullah & Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.

In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.

The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…

Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.

The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

Artwork by Ian Bruner

Mastered by Rashad Becker

Released by Drowned By Locals

Premiere: Saint Abdullah & Eomac - Overexposure will kill a pornstar [Drowned By Locals]

Andremodor Modaleda is a character, a planet or expression. I can hide in it and with it within my own safe zone, where bad news and problems cannot reach me. A.M. isolates me from the outside world, she helps me to carry on representing the good side in everyday life and in art alike. I wish to resolve, play, fight and interpret. 

We carry a lot of frustration. Political pressure, hatred, wars, being concerned for our human rights, losing our freedom of speech, social inequality, climate change, isolation, personal struggles and so on. I feel unsafe more and more frequently and that I am incredibly sorrowful. I wanted to highlight an initiative that bothered me and create an album about, but I found the topic too vast and the problem seed to be too complex so I could not find a focused enough concept. Therefore I choose frustration and blowing off the steam as a topic. 

This material serves to aid me release anxiety, anger and fear. During making music I can fulfil play-like mechanisms. What I mean as playing, is when I am gaming, holding workshops for kids or when I am just running around in the garden like a fool. 

While my previous release (EGMÁ) was about purgation in the digital space, the Andremodor Modaleda is (about) isolation and recharging. Playing swings me over difficulties, and I hope my music will serve the same purpose for others. 

master: Nagy Roland
art director: Lukácsi Liza
graphic design: Mohácsi Luca
stylist: Dobra Anett

I Need You Dungeon Master

معازف | مجلة الموسيقى الأولى والأخيرة من نوعها في العالم

Premiere: MA'AM - Matilda [ZABRA]

Ma3azef

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