Miserable, quiet

Meager and quiet, miserable stable, 
Full of heavenly glory. 
Here lies the sleeping little Lord Jesus
In the streaming rays before us. 

Up above Him angels were hovering,
Bent down they are kneeling,
Their hair of gold, and wings of white,
Beneath the painted rainbow. 

Here come the crowds of poor men,
Glad to behold the Lord,
Feeling inspired, sorely startled,
Did they fall on their knees.

◉ Follow Magdalena Meisel:
@magdalenameisel
@https://www.youtube.com/watch?v=E0JmLeTuSVw

Mizerna, cicha

Vocal : Magdalena Meisel
Piano MyVersion : Przemysław Zalewski

Mizerna cicha | Miserable quiet

Motherhood is a Gift
Every Child is a Miracle

All that is good is all that improves

"You have turned my mourning into dancing."-Psalm 30:11

"Jesus spoke to the people once more and said, “I am the light of the world. If you follow me, you won’t have to walk in darkness, because you will have the light that leads to life.”- John 8:12 (NLT)

"Your character goes with you no matter the external environment you find yourself in. It can produce peace that is untouchable by your surroundings, and meaning that endures no matter the actions of those around you."-Robert Smith ("The Glory of God is Intelligence")

"Do the best you can until you know better.  Then when you know better, do better."-Maya Angelou

As of 1.9.2023 this is now the official project page of Encounter 743.

This is a genre called Fanta Rock. I love '70s West Coast American music. It's the music that inspires me. I also like Ennio Morricone's style. Then I mix it all up. I play electric, classical, acoustic, and 12-chord guitar. I also play bass.
YouTube Channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

ROCK is still AROUND.  Love old cars and vintage drum kits and cymbals.  Classic guitars electric and acoustic or acoustic/electric like a FENDER(r).  Do enjoy, and hit the LIKE button and subscribe to ....Oh shit.  I don't have a channel.  Well, just listen. Thnx

Magdalena Meisel is a singer from Katowice, Poland. 

Magdalena took part in the Polish entertainment show, „Bitwa na Głosy”, where she performed along with the winning group led by the lead vocalist of the band FEEL. During the series, she brilliantly sang “Time To Say Goodby”, and she gained the judge’s recognition for giving a memorable performance of Bajm’s “Biała armia” in the final show. 

Magdalena exhibited her talent in the Polish talent show, “Szansa na sukces”, as well as the second edition of the music competition show, X-Factor. She also appeared in the 3rd edition of “The Voice of Poland”, where she sang with the group of other contestants coached by Marek Piekarczyk, the lead vocalist of the rock band TSA. Magda performed three songs winning the battle and the knockout stages of the competition and advanced to the live playoff along with the other three finalists, selected by Marek Piekarczyk.

She continues to perform as a solo singer partaking in a variety of music events. She hosts live concerts as well as business parties and events. 

Magdalena graduated from the Karol Szymanowski Academy of Music in Katowice with Master’s Degree in Violin Performance, and she is a member of the Częstochowa Philharmonic Orchestra. She also teaches violin and she conducts educational activities.

For the refreshment of the soul and the glory of God........My name is Alejandro González M. Born November 28   1970.  I am a  Self taught composer  from Xalapa, Veracruz, México,  and my   orquestra project   "Sabine Alexander".   
Welcome to a journey of the most uplifting sad music. 







sabinealexander64@gmail.com

https://www.instagram.com/sabinealexanderofficial/

https://twitter.com/SabineAlex64?t=eNzfKWNWaxZZ2d79miCmFQ&s=09

https://www.facebook.com/sabinealexander.gm                                                           https://show4me.com/sabine-alexander.               https://distrokid.com/sellouts

https://www.paypal.me/sabinealexander37

https://sabinealexander.bandcamp.com/follow_me

https://mpago.la/2pmSD1S

Composer self taught
I play guitar for my pleasure. And it's a great pleasure.
Of course, I compose with my guitars

My You Tube Channel : https://www.youtube.com/@odcomposer6825

Thank you for your support.
Visit my website.

Welcome : Karl Heinz - Heimgartner

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.