Bouchichi

Qasidah

qasidas

Super Playlist

qasaids

Mawlid at Ta'leef Collective with Muaz an Nass 1

أسماء الله الحسنى - للحبيب عمر بن حفيظ

bushra lana with ya kawkaba l-asri, inlam tashhad and waLlahi bu suhba - Manaqib Nashids

قصيدة بردة البصيري

Salawat Badar | الصلوات البدرية

Recorded in Cambridge on Friday the 7th of March, 2014

Consider expressing your enjoyment of this qasida by donating to the Cambridge Mosque Project: http://www.justgiving.com/muslimacademic/donate

Na't al-Baratina

A medley of nashids sung by Manaqib Nashids, at a Badriya event hosted by City of Knowledge and supported by Path to Salvation.

Manaqib Nashids - GKS Badriya Nashids - 15 - 07 - 2014

Manaqib Nashids choral group recite the nashids, Ya Habib al-Quloob and Ya Badra Timmi, live.

Ya Habib Al - Quloob And Ya Badra Timmi (Manaqib Nashids)

Excerpts of three traditional nashids sung together (live) as a set. A free mp3 download sung by Manaqib Nashids.

Salli Ya Salam Medley

Salli ya Salam with Bashiru ahla l - ma'ani and Inna ma l - kawn (Manaqib Nashids)

A medley of three Nahawandi nashids:
1. Talama ashku gharami
2. Safatin nadhra
3. Inn jabartum kasra qalbi
Manaqib Nashids 2014

Talama Ashku Gharami With Safatin Nadhra And Inn Jabartum Kasra Qalbi (Manaqib Nashids 2014)

Qasida Muhammadiya, East African style.  This is not my recording - I haven't recorded it, nor do I claim ownership.  I found this file in an old folder that I was cleaning out on a very old hard drive.

I don't know who the group is, or exactly where this is being performed.  All I know, is that *THIS* is what a mawlid should sound like.

Qasida Muhammadiya - East African Style

The Fuqara of Sidi Hamza  sining the Burda in London Masjid with Shaykh BaBikr and many other Shuyukh London 2011

Dhikr/Hadra Qasa'id -every Saturday 8pm - Come Visit us see address
Qadiri Budshishi Zawiya, Birmingham - UK  
1 Jenkins St, Small Heath, Birmingham  B10 0QH
0753-5654-125   or email islam2jannat@yahoo.co.uk

Mawlid-london-main

Hada recorded at Working Masjid in Surrey 2011  - The Fuqara from Paris were also there too

Dhikr/Hadra Qasa'id -every Saturday 8pm - Come Visit us see address
Qadiri Budshishi Zawiya, Birmingham - UK  
1 Jenkins St, Small Heath, Birmingham  B10 0QH
0753-5654-125   or email islam2jannat@yahoo.co.uk

Woking Hadra 4

Sidi Jamal the Son of Sidi Hamza Qadiri Budshishi and the Fuqara recording in Paris-

Zawiya, Birmingham 
every Saturday 8pm - Come Visit us see address
1 Jenkins St, Small Heath, Birmingham  B10 0QH
0753-5654-125


Sidi Jamal Budshishi Qasa id-Shorthen

Qasaid-Hadra-National-22Oct2011

Ya Hanana ظهر الدين المؤيد بظهور الهادي أحمد، طالما 

Chicago Mawlid Committee
Ibrahim and Mouaz Al Nass
إبراهيم ومعاذ النص

ظهر الدين المؤيد بظهور الهادي أحمد 
يا هنانا بمحمد ذلك الفضل من الله

يا هنانا يا هنانا يا هنانا يا هنانا

خص بالسبع المثاني وحوى لطف المعاني
ماله في الخلق ثاني وعليه أنزل الله

من مكة لما ظهر لأجله انشق القمر 
وافتخرت آل مضر به على كل الأنام

أطيب العالم خلقا وأجل الناس خلقا
ذكره شرقا وغربا سائر والحمد لله

صلو على خير الأنام المصطفى البدر التمام
صلو عليه وسلمو يشفع لنا يوم الزحام

---------------------------------------------------

طالما أشكو غرامي يا نور الوجود 
وأنادي يا تهامي يا معدن الجود

ظهر الدين المؤيد بظهور الهادي أحمد، طالما أشكو غرامي

The Qasida Muhammadiya is a poetic ode dedicated to Prophet Muhammad (peace be upon him). It is a classical form of devotional poetry in Arabic, praising the Prophet’s virtues, character, and significance in the Islamic tradition. The qasida (an Arabic term for a formal, structured poem) has been a powerful tool for expressing love, veneration, and spiritual longing for the Prophet.

 Core Themes of Qasida Muhammadiya

1. Praise of the Prophet (Madh-e-Rasool):  
   The poem glorifies the Prophet Muhammad as the greatest of all creation, a source of mercy, and the epitome of perfection. It often highlights his qualities, such as compassion, wisdom, and leadership.

2. Intercession (Shafa’a):  
   Many lines in the qasida appeal for the Prophet’s intercession on the Day of Judgment, reflecting the belief in his role as an intercessor for humanity.

3. Expression of Love and Devotion:  
   The poem is filled with deep expressions of love and longing for the Prophet. The poet often describes the spiritual connection and yearning to be near him, spiritually and physically.

4. Divine Light (Nur-e-Muhammadi):  
   Some versions emphasize the concept of Nur-e-Muhammadi (the light of Muhammad), presenting the Prophet as a pre-existent and eternal light created by Allah before the rest of creation.

5. Miracles and Superiority:  
   The qasida often recounts the miracles (mu'jizat) of the Prophet and his superiority over other prophets and creation.

 Famous Examples

While there is no single, universally recognized Qasida Muhammadiya, various poets have written poems that fall under this category. Among the most celebrated examples is Qasida al-Burda ("The Poem of the Mantle") by Imam Al-Busiri, which praises the Prophet extensively and is recited worldwide in Islamic gatherings.

 Purpose and Legacy

The Qasida Muhammadiya serves as a means of:  
1. Strengthening Faith: By recounting the Prophet’s attributes, it reinforces the believers' love and admiration for him.  
2. Spiritual Connection: Reciting or listening to the qasida is believed to bring blessings, peace, and a sense of nearness to the Prophet.  
3. Cultural Identity: These poems are often integral to Islamic devotional practices and are recited in gatherings, particularly during celebrations like Mawlid (the Prophet's birthday).

In summary, the Qasida Muhammadiya is a heartfelt and reverent expression of love for the Prophet Muhammad, intertwining theology, devotion, and poetry to inspire and elevate the faith of believers.

Qamarun & Muhammadiya at a Mawlid in Birmingham 2015

A remix of one of the tracks from the album 'From God's Beauty', sung by Manaqib Nashids.

Manaqib - Muhammad the Greatest (English and Arabic)

National Majlis Kly

Rabbi Inni - Author - Habib `Ali al-Habshi

Ya Latif Dhikr | يا لطيف - O Gentle / Subtle