Produce :) yourself and mix occasionally....
Mainly techno and drum and bass.......

Hi 

Munich/Milan
_________________
Release Dates:

Stoffo - Chorfun
Stoffo - Ieks
Stoffo - Aushäusig
Stoffo - Goin'
Wirkstoff - Ares (Original Mix) [08.03.2015]
Ephemerals - You Made Us Change (Wirkstoff Edit)
[14.01.2015]

Jack Walton - Show Me/Loyal (Wirkstoff Edit) [24.01.2015]

Florence And The Machine - What The Water Gave Me (Wirkstoff and Ella Edit) [11.01.2015]

Wirkstoff & FG - Trip To Brucklyn (Mixtape) [09.09.2014]

Coldplay - Magic (Wirkstoff Bootleg) [24.08.2014]

Baby Bash x WKND Suga Suga (Wirkstoff Bootleg) [15.05.2014]

Alex Adair - Make Me Feel Better (Wirkstoff Bootleg) [13.04.2014]

Moby - Why Does My Heart Feel So Bad (Wirkstoff Bootleg) [xx.04.2014]

Wirkstoff feat. Pierre Mottron - Comfortable [xx.03.2014]

Aaron Smith - Dancin (KRONO Remix) | Wirkstoff Edit [16.01.2014]

Star Wars | Cantina Band (Wirkstoff Remix) [06.01.2014]

Wirkstoff - Aim [19.11.2013]

Wirkstoff - Improvising [20.10.2013]

Wirkstoff - No Two Hours [19.10.2013]

Greyhat - Missed [01.10.2013]

Wirkstoff - Steadiness [25.07.2013]

Wirkstoff - Voices [09.06.2013]

Wirkstoff - Electro House Preview Mix [15.09.2012]
Wirkstoff - Electro Lounge Preview Mix [15.09.2012]
Wirkstoff - Chillstep Preview Mix [15.09.2012]

Wirkstoff - Deepest [xx.04.2012]
Wirkstoff - Bleak [xx.04.2012]
Wirkstoff - Genius [xx.03.2012]
Wirkstoff - Vicious [xx.03.2012]
Wirkstoff - Autumn Symphony [xx.03.2012]

_________________

Alle Rechte vorbehalten
All rights reserved

With themes of family, resilience, and unity woven into their music, The Green has cultivated a devoted global fanbase. Classics like "All I Need," "Love I," and "Wake Up" continue to resonate with long-time listeners, while collaborations with artists such as J Boog on tracks like "Feelings," "Never Give Up," and "Fire up Di Roses" draw in new audiences. Their recent single,Day by Day, featuring fellow Hawaii artist Kolohe Kai, celebrates the Aloha spirit and furthers their mission of spreading positivity.  

Currently, The Green is taking a step back from touring to focus on two meaningful ventures: their brick-and-mortar establishment, The Green General, and their nonprofit organization, Ka Ma’o. Located on the beautiful island of Kaua’i, The Green General offers ono shaved ice, local snacks, and exclusive merchandise, serving as the only physical location for fans to purchase The Green’s merch. Ka Ma’o, a lifelong dream come true for the band, is dedicated to giving back by mentoring aspiring musicians and sharing the lessons they’ve learned on their journey.  

The Green continues to inspire, connecting fans worldwide to the essence of Hawaiian reggae and the enduring spirit of Aloha.

Mo’s Ferry Prod. officially exists since mid 2001. But that's not the real beginning of it all. This was more like in the early 90s when todays label owners Niklas Worgt and Jan Langhammer ran into each other in school. Anyway, the release date of the first and real "mfp" vinyl is a perfect joint starting point.
The music of Mo's Ferry Prod. can be perfectly described by the words of a well-respected colleague: "This music offers a way out of the one-way street regarding the groan of minimal techno. Mo's Ferry releases are uncomfortable, dodgy, angular, groany and self-containt - to this day. No going back to the big ingredient range of the last 15 years of techno and house, no electro thingumbob, and of course no whatsoever clash" (Mathias Schaffhaeuser / Beam). Well, here's nothing much to add, apart from... By now, the label has its standing and the release policy still follows the more inconvienient way. It's not acceptable constantly exhausting the standards and hypes. What about distinction and variety? For other musical playgrounds the Mo's Ferry sublabels fenou and RRYGULAR were created in 2005. And that's it... that's the way how to search and find their standing in the world of the electronic music biz.

(Mo's Ferry Productions 2015)

An emblematic artist of the Palestinian underground scene, SAMA’ is one of the first DJs and electronic music producers to emerge from the region. Her sound, an original punchy kind of techno, is dry and musical all at once and has quickly made its way across Europe and beyond.
 
SAMA, meaning ‘sky’ in Arabic, started mixing in 2006 in parties around Ramallah, Palestine. Several years later she started producing her own music and expanding her interest in synthesis in 2010, with a focus on techno, house, and other deeper sub-genres of electronic music.
 
The artist graduated from the United Kingdom with a BSc in Audio Engineering and Music Production, then moved to Cairo where she worked as a sound designer for film, became a music producer and then instructor. SAMA’ now runs her own Audio Engineering & Sound Design company working across films and documentaries in the Middle East. In 2017, she was selected as a Laureate by the French Institute, and during that time attended a residency at the International City of Arts in Paris. SAMA’ also runs a publishing company called Awyav, representing independent artists from the Arab world.
 
In late 2018, SAMA’s Boiler Room performance and the associated documentary about the scene in Palestine went viral and more and more people are seeing that music has no boundaries. SAMA’ was recently listed in SheSaid.So’s Alternative Power 100 List, and plays a high-profile set at Ibiza’s World Heritage Site of Dalt Vila for the International Music Summit in late May. She is currently working on a studio album.

Dj Producer @Remonstrate Records
TUS - The Unknown Soldier

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

Manuela Riedmann is following