Welcome to The North Quarter, the home of Lenzman, Fox, Satl, Redeyes, Echo Brown,  FD, Steo, Note, Zero T, Channell, Abnormal Sleepz, Tokyo Prose.

For all label nights (excl. N.A.) contact:
Earth Agency
https://earth-agency.com
E-mail: danny@earth-agency.com 

For North American label nights contact:
Respect Artist Agency
http://www.respectartistagency.com
E-mail: rob@respectartistagency.com

For bookings, email me at: mjt.dnb@gmail.com
or link up through the other social networking 
platforms. Links below, peace.

Bookings: mark@esp-agency.com
Music: info@technimatic.com
Sign-up & More: https://linktr.ee/technimatic

Since joining forces in 2007, Peter Rogers and Andy Powell AKA Technimatic have become key players in the world of musical, emotive drum & bass. Their rich back catalogue covers the cream of d&b labels - Hospital, Ram, Shogun Audio and Spearhead to name a few - and in 2021 they established their own pioneering ‘Technimatic Music’ imprint. With 4 albums, countless EPs and remixes of the likes of Moby and LTJ Bukem, their music has taken them around the world, their in-demand DJ sets renowned for covering the whole spectrum and history of d&b.

Linktree - https://linktr.ee/paultandedwardoberon

Vandera is a scientist by day -developing new pharmacological compounds- and a music producer by night. His melodically rich sounds are easily administered intra-aurally at home, with certain wave forms specifically engineered to spark billions of neurons in clubs and festivals. Vandera's other, more laidback product line of chilled out sounds is designed for afterparties or autonomic use. Both varieties from Amsterdam’s psychonaut Vandera have been featured on BBC Radio1, UKF and Liquicity and are released on record labels such as Hospital, Good Looking and Liquicity. 

Of particular depth and fluidity are Vandera's key-matched mixes - hybrids  between music mixing and production - which have been nominated for awards and won him the Deep Heads mix competition.

Vandera's live DJ performances have reached clubs and festivals all over the world with regular appearances at LTJ Bukem's night at Fabric London since 2013.

For bookings, sending tunes, or anything slightly related, send a message through Soundcloud or email at vanderamusic@gmail.com
 
Disclaimer: With any of Vandera’s compounds, repeated administration has been shown to result in a heightened state of consciousness, uncontrolled nodding of the head and pleasurable psychological dependence.

DARKMTTR Records | Bookings: ESP Agency
T: +44 20 8740 0533 
http://esp-agency.co.uk/artist/spy

Moving to London from São Paulo eleven years ago, S.P.Y was quick to establish himself within the UK drum+bass scene. After six months of working with only basic equipment, S.P.Y’s natural talent for production saw his first ever release signed to Metalheadz in 2005, with a release on Hospital’s Medschool imprint soon following in 2006.  S.P.Y began collaborating with artists such as Marcus Intalex, Total Science, Kasra and DJ Marky. In 2009 S.P.Y released his first solo EP on Marcus Intalex’s label Soul:R and had releases on many other labels including Digital Soundboy and Innerground. 

The following years were immensely successful for S.P.Y, with Friction including five S.P.Y tracks on his MoS compilation and Andy C featuring four tracks on ‘Nightlife’. Proving his production quality and consistency in 2010 / 2011, S.P.Y delivered standout releases on Ram, Metalheadz, Critical, Shogun and Spearhead – Most notably the anthemic ‘By Your Side’. S.P.Y also took on high-profile remixes for the likes of Deadmau5, Claude von Stroke, LTJ Bukem, Chase & Status, Delilah and Zinc ft. Miss Dynamite, with S.P.Y’s own personal re-lick of Zero 7’s ‘In The Waiting Line’ becoming a signature in his live sets.

Signing to Hospital in 2012, his debut LP, ‘What The Future Holds’ was released to critical acclaim. The LP not only received significant support from fellow artists and topped online sales charts, but was also awarded the coveted ‘Best Album’ at the annual 2012 Drum & Bass Arena awards. S.P.Y backed up this release with a relentless tour schedule of Australia, the United States, Canada, Russia, Asia, New Zealand and Europe. 

S.P.Y’s skills behind the decks rival his studio talents and he delights fans with an educated blend of old school classics and fresh new beats. Always one to stay true to his roots, S.P.Y has a unique ability to bring his trademark underground sound to a worldwide audience. Alternating between beautiful, orchestral, musical sets and dark, rolling mixes, S.P.Y captures the emotions of the crowd. Whether he is playing at a high-profile festival or an intimate club show, S.P.Y always delivers.

In 2013 S.P.Y was again busy touring the world, playing at major festivals such as Tomorrowland, Global Gathering and Electric Daisy Carnival. He delivered successful remixes of James Zabiela’s ‘Perseverance’, Chris Malinchak’s ‘So Good To Me’ and Five Knives’s ‘All Fall Down’ on Red Bull Records. In addition to these achievements, S.P.Y was also selected to write, in collaboration with London Elektricity and Diane Charlemagne, the theme song for the 2014 Street Child World Cup. The track ‘I Am Somebody’ has helped to generate awareness and bring a new interest to Street Child World Cup, advocating for street children’s rights worldwide.

Moving into 2014 and S.P.Y is taking us ‘Back to Basics’ with his second LP. Released in two parts over the coming months, ‘Back to Basics’ draws inspiration from the deeper, darker sounds of drum+bass, and features collaborations with Total Science, Rene La Vice, and vocalists Diane Charlemagne, Grimm and DRS MC.

If any D+B artist can truly claim to be the “producers producer” then Carlos S.P.Y surely has a good case. If the comments on this album by his luminaries are anything to go by: "One of my fave producers" says DJ Hype, "Carlos back to his filthy best!" say Total Science, "There's only one S.P.Y” says Doc Scott.

... “Truly unique. Utah Jazz's burgeoning success is nothing short of remarkable. It's been two long years since the debut LP of the finest liquid funkster in the galaxy - and what a way to return...” (iDJ)

..."Could Utah Jazz be the most underrated D&B producer out there? This unbelievable album certainly suggests so..."(DJ Mag)

... “Experimental? Utah Jazz? Believe it – true to form, the world renowned party-rocking DJ is quite happy bucking all preconceptions as well as ignoring musical trends, and the results are his best work yet...” (iDJ)

... "ALBUM OF THE WEEK. More emotion than a Bollywood film... Vintage has been painstakingly crafted, oozing finesse and attention to detail..." (The Metro)

... “If the Drum & Bass scene’s upper reaches have a reputation for maintaining their rigid hierarchy with all the ruthless efficiency of a Stalinist accounting firm, then Utah Jazz is most certainly the kid who cracked the code...” (iDJ)

"X-amount of cast-iron jungle legends can’t be wrong – and they ain’t. When Utah Jazz waves his wand, D&B invariably swoons..." (iDJ Magazine)

 ..."With his sublime debut album 'It's a Jazz Thing' out now on Liquid V, it's time to flip the script, and remind the pretenders who's really boss...” (DJ Mag)

..."A remarkable composer... this is Drum & Bass royalty in the making..." (Knowledge)

...”After 10 years of producing, ‘It's A Jazz Thing' is well worth the wait, showcasing Wilson's knack of excavating big riffs and hooks from 70's soul and funk, and melding them together in an uplifting dance floor soup. 4 out of 5...” (Mixmag) 

..."A dive into the inviting blue skies of summer, 'It's a Jazz Thing' takes the liquid funk template and submerges it in black-golden layers of '70s symphonic soul, equal parts Curtis Mayfield, Isaac Hayes, High Contrast and Calibre..." (DJ Mag)

... “The most eagerly-anticipated debut album in years... Utah Jazz has got a rhythm, soul & vision all his own and the entire Drum & Bass world will soon be stepping to his beat...”  (K-Mag)

...” An original and unique listening experience. If you don’t know about Utah Jazz yet, what exactly is your excuse?!...” (ATM)


ATTN: I do not respond to messages on soundcloud.

Ever since climbing onto the soulful drum and bass vibe over 2 decades ago, Random Movement (Mike Richards) production skills and DJ technique have pushed him to the forefront of stateside drum & bass, drawing in an audience of both old and young listeners. With multiple yearly performances at major clubs and festivals covering 4 continents, his unique sound and unmistakable style continue to spread across the globe.

With the release of his album, singles, remixes, and many collaborations with Marky & S.P.Y, JayBee, Dave Owen, T.R.A.C, and Ben Soundscape, his tracks have turned many heads to his unique skillset in songwriting and production. Random Movement’s soulful, smooth, deep and jazzy vibes have landed releases on Hospital, Innerground, V, CIA, Integral, Fokuz, Good Looking, Creative Source, Intrigue and more.

Between tours, production, a weekly live radio show on Bassdrive.com, a monthly podcast, and most recently the start up of his label “Flight Pattern”, things are continuing to be very productive for this prolific producer. His uplifting style and great personality are not something to be missed on the decks.

More information:

www.randommovement.org (podcast)

Flight Pattern Records:

www.flightpatternrecords.com
www.instagram.com/flight_pattern_records
www.soundcloud.com/Flight-Pattern-Records
www.twitter.com/_FlightPattern_
www.facebook.com/flightpatternrecords


Check out Random Movement Radio on www.bassdrive.com every Wednesday 5-7p CST (23:00-01:00 GMT)

Mar-jin is following