Mgmt & Inquiries: management@djshadow.com

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 

Have fun, spread the love :)

Please check out and support these like-minded individuals
@the-roadblock
@ethereal94
@kolanut 
@drumtrip 
@repertoiresound
@sonarsghost
@dj-madbeats
@dareerickson
@danielnorman
@vykhod_sily
@sonicrampage
@rough-culture
@wiseguisedjs
@distantworldtransmissions
@code618
@user-381614661 (trackfx)
@user-626612322 (Made in Chedzoy)
@mafsone
@mihailpetrovski
@cash_bailey
@sinewavebass
@10inchpress
@user-118560124-972751930 (hardscore)

Head agancy (Worldwide)
Dusted Decks
office@flicflacmusic.com

North-Amrica (CA,US,ME)
Jake Truen
Jake@Jarjourco.com

Switzerland (CH)
Houseartists
daniel@houseartists.ch

+++FlicFlac+++
Pop-like Deep House beats mixed with a tropical touch – that’s FlicFlac!
Like no other DJs, Max and Kevin, two lads from Vienna, mix together catchy themes with danceable rhythms.
Milky Chance, Vance Joy, Bedouin Soundclash - FlicFlac have been invited to give these and uncountable other pieces more their own unique style. With over 160,000 followers, FlicFlac made a name for themselves as producers. Moreover, they landed 1st of the Soundcloud Deep House Charts. And, their DJ sets are very popular, indeed, too. Alongside current hits, they celebrate their very own special tunes together with that electrified audience that love their pieces. Not only have they scored high at the big festivals such
Ever After CA, SonneMondSterne, Germany, Touch The Air, Switzerland,
Amsterdam Live On Stage, Netherlands, or Reperkusound, France. They also have enthused the critical crowds at the club scene worldwide.
On their DJ tour, these two young Austrians performed at a large number of renowned clubs in Germany, Brazil, Thailand, Canada, France, Malta and others. After taking a short break from studio work they will be back in summer 2016 with new stuff. So, don’t miss their new tracks performed in their proven style.

www.acidjazz.co.uk

Formed back in the heady days of 1987 at the start of the ‘acieed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talkin' Loud…

Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.





By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world. The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.





By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.





In 1994, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties. Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.

Jumping forward to 2014 and we find the label firmly ensconced in their office at the top of Brick Lane and after celebrating their 25th Anniversary the label is as vibrant and vital as ever. The current roster includes the critically acclaimed, prog folk fusions of Matt Berry, new indie hopefuls Dexters, the soul meet the Streets stylings of New Street Adventure and ex Bluetones lead singer Mark Morriss, whilst the highly acclaimed Rare Mod series has discovered and released previously unknown works by everyone from The Riot Squad featuring David Bowie to the Small Faces Steve Marriott.

In short after over a quarter of a century Acid Jazz remains one of the UK’s most important independent labels.


Put a group together which became Jurassic 5.  Co-creator of Brainfreeze with DJ Shadow, and original member of Ozomatli.  Here is the home of   my audio archive. Follow me and take a journey through my personal music collection.

Hi, my name is Danny and I like (making) beats. 


Listen on Spotify: http://bit.ly/2ru2ucB
Subscribe on Youtube: http://bit.ly/deebertube
Like me on Facebook: http://bit.ly/2rFKArt

Contact me at dvdh000@gmail.com

Released music with:
- Chillhop Music
- Café del Mar
- NOH Life!
- Cult Classic Records
- Dusted Wax Kingdom
- Urban Undergrounds
- S!X Music
- Aviary Bridge Records
- Hip Dozer
- Komorebi Records
- Birdhouse
- Dust Collectors
- Pueblo Vista
- Spiderweb Radio
- Phonophanatic
- Soundsphere
- Martian Bass Records
- Offsuit Recordings
- Run On Recordings
- Babes in the Woods

Releases:
Natural Selection EP (NOH Life 2021)
Gemini LP (Aviary Bridge 2021)
Word on da Street EP (Urban Undergrounds 2021)
Endless Rain EP (Urban Undergrounds 2021)
Trouble in Paradise EP (The Outlaw Ocean 2020)
Transit EP (Urban Undergrounds 2019)
Louis EP (Martian Bass Records 2019)
DBCOOLJ EP (Martian Bass Records 2019)
Flowers EP (Dust Collectors 2019)
Jazzclub Atmosphere (Komorebi Records 2018)
Hidden Colours EP (Komorebi Records 2017)
ETOAS (Cult Classic Records 2017)
Slowmocean EP (Chillhop Records, 2016)
WNDW RMX EP (Martian Bass Records, 2015)
A Day in a City (Dusted Wax Kingdom, 2015)
WNDW (Martian Bass Records, 2014)
Evening Island EP (Offsuit Recordings, 2014)
Thru Nature (Dusted Wax Kingdom, 2013)
Daydream EP (Dusted Wax Kingdom, 2012)
Airtime EP (ft. Banda) (2012)
Anton vs. deeB Tape (2012)

Features on compilations:
Chillhop Fall Essentials (2021)
Lo-Fi Chill (Balagan Music 2021)
Migration (Birdhouse 2020)
VA Rhuba (Diffract 2020)
The Jazz Hop Conspiracy Vol. 3 (S!X Music 2020)
Aviary Bridge Summer Days (2020)
*SNDSPHR​/​MXTP 3 (2020)
One Month Study Project Vol. 2 (Urban Undergrounds  2020)
Moody Mondays (Urban Undergrounds 2019)
Equinox (2019)
Pueblo Vista Summer Nights (2019)
One Month Study Project (2019)
Spiderweb Radio (2018)
Soundsphere Vol. 9 (2018)
Dust Collectors Fall Compilation (2018)
Chillhop Spring Essentials (2018)
Hip Dozer Vol. 2 (2017)
Chillhop Summer Essentials (2017)
Chillhop Winter Essentials (2016)
Chillhop Fall Essentials (2016)
Chillhop Appetizers (2015)
The Find Mag Jazzvolution (2015)

Our debut album #Malingerer is now available for preorder: smarturl.it/Malingerer


Management: Gordon Charlton - gordon@biglifemanagement.com
Tim Parry - tim@biglifemanagement.com
Booking: Steve Ferguson  sferguson@apa-agency.com
Label: info@brightantenna.com
PR (US): Alexandra Baker - alexandra@highrisepr.com
PR (UK): Caroline Beashel - caroline@yesplease.fm

Marc Hynes is following