this one is on the experimental side of the technelligence spectrum and its atmosphere suits the halloween season

artwork by kaffee und brombeeren (instagram)

a warning (for those who chose to hear it)

Num Caste

Washed By The Sun

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, synth sax, synth bass, composition, and arrangement 

Llanpsych-- @llanpsych -- Tez – guitar

TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel


This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, and bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout. 
  Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
  This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it. 
  If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support

Sly Willy Blues-Eclectic Collective

SenSen - Tenderness Abroad

https://youtu.be/wvMD9587s4s
https://youtu.be/iHR8uxA8ca0
https://youtu.be/RfDW6gBNKio
https://youtu.be/VqeM4c5J-sM
https://youtu.be/Ar_WZpFHarE
https://youtu.be/6h5wzCHo5Fg
https://youtu.be/7FKyCmQCLRg
https://youtu.be/g2S3iy1Sl_s
https://youtu.be/YLitHbsWbZw
https://youtu.be/xNMUBlri2po
https://youtu.be/jUeRLJLEd-U
https://youtu.be/ztJ0JuIi3SQ
https://youtu.be/eXz5eetYJQs
https://youtu.be/zOzROvDqXgk

https://youtu.be/UFhS1NAvym8
https://youtu.be/_5JO5ONTwTw
https://youtu.be/F2HsaptJfys
https://youtu.be/zSbpmWqu6dI
https://youtu.be/u9xgeBzPaWI
https://youtu.be/S0DdaVdbYFg
https://youtu.be/3O6_iNZXrw4
https://youtu.be/nG_hcOMjG0k
https://youtu.be/AnvHUfbz2nw
https://youtu.be/7lJn0_6_VbM

MMXXIVIIIXVILCKBLTRT

music and lyrics by
Marco Lucchi : vocals and programming

with
Lorena Fontana : vocals
Cristina Blarzino : harp
Geoff Warren : alto sax

*

l'amour vient et va
il vient et va
regarde les amants
regarde moi

*

tu mi hai parlato ancora
mi hai detto del tuo amore
parlandomi

*

"In 1986 - after two years of militancy in a couple of Renaissance and Baroque music ensembles - I started composing music again and around 1988 - together with a group of friends and colleagues - I recorded a part of it. In 2008 I released that bounch of tracks on the American label Webbed Hand Records. Some of these pieces had already set out on the way, others had remained - as they say - in the drawer. However, they show the initial phase of a musical research that is still in progress, despite having crossed new roads and traveled new paths, meeting new travel companions. I hope you will find it interesting."

*

19 agosto 2024

[1988] seconda Canzone d'Amore

Recorded, mixed & mastered 31 Mar 2018, 12 Jul 2008, 10 Oct 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

©2024 Jim Lemanowicz

Process notes -
I started in Reason, using a xylophone sound and two arpeggiated synths. I did two different versions. I brought the entirety of the second longer version plus some of the first into Ableton Live 12.1. Here, I added some alto sax from 2018 and a bit of a manipulated guitar recording from 2008.

Tools used - 
Reason, NN-XT, Europa, Ableton Live, Granulator III, alto sax, Cort Zenox, native Live & Reason effects, iZotope Nectar & Ozone. 

Artwork/Photography -
Manhattan, NYC, NY 21 Oct 2020

---

This original version of “Mister, Have You Seen My Dog?” was submitted as part of Disquiet Junto Project 0667: Neighbor of the Beast. The Assignment: What’s it sound like when the devil lives across the street?

More on the Disquiet Junto at: disquiet.com/junto/

More on the 667th weekly Disquiet Junto project, Neighbor of the Beast — The Assignment: What’s it sound like when the devil lives across the street? — at https://disquiet.com/0667/

Mister, Have You Seen My Dog?  (disquiet0667)

This episode features music made by Naviar's community inspired by Takahama Kyoshi’s poem “The huge setting sun - / little remains of / its power”.

Tracklist:

Voidborn Horde - The Remains
Paul Beaudoin - Huge Setting Sun
Jimmy Lem - I Have Many Potatoes But No Closets
tetkik ve tedavi - Little Remains
Mr_Lamppost - Setting Sun
Gianantonio Patella - Eugen's eighth stunt


Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/


Naviar Broadcast #330 – The huge setting sun – Wednesday 31st July 2024

regret at the mountain

Until the flowers die

"I'm a mellow artist, aging 68. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases

https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

[1988] seconda Canzone d'Amore

Marco Lucchi

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