immersive and tranquil.  I like it very much.

Awesome production, nice raw analogue sound, lots of grit. Brings it all to life.

Marco Lucchi : harmonium
Paul Mimlitsch : bass clarinet
Wilhelm Matthies : strings and percussions

*

a rework from Wilhelm Matthies of a previous track by Marco Lucchi and Paul Mimlitsch

Marco Lucchi, Paul Mimlitsch & Wilhelm Matthies - Sakura at Sunrise

Priya

Andag

Marco Lucchi : harmonium, analog synth and tape

*

playing with
https://soundcloud.com/itwasthewires/2025-04-21-18_13_33-ios

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Remastered and reuploaded. From the 2017 EP, "The Mongol Princess"

The EP is now free/pay what you want on Bandcamp-
moodexhibit.bandcamp.com/album/the-mongol-princess

The Mongol Princess is a conceptual EP/soundtrack by Mood Exhibit. It tells a story of a young, beautiful, and kind princess that died tragically by disease at an early age. She spread love and hope throughout the land during the precious time she lived in her role. This audio tale of her life covers all emotions: joy, passion, pain, mourning, and remembrance.
This 4th release from Mood Exhibit is the most focused in theme and approach. No "electronic" sounds where used in this EP. All instruments including percussion within tracks were performed on keyboard using high quality sampled Asian sounds, with the accompaniment of traditional Mongol vocal recordings.

*this upload has the new image that differs from the original EP/track, and better represents how I interpret the Mongol Princess today

Mongol Princess EP

Mood Exhibit - Death of a Mongol Princess

Into the sharpened sky

Breath, voice, violin bow on electric guitar, electric piano, effect pedals, percussion, non synchronized loops, two tube amps. Field recording: Electromagnetic waves made audible with Soma Ether. Spoken words: "Ariel" (1962), last verses, read by Sylvia Plath. All sounds (except Plath's reading) mixing and production: Velvet Something Superdark.
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"And I 
Am the arrow,

The dew that flies
Suicidal, at one with the drive
Into the red

Eye, the cauldron of morning."
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Ariel

Telerodzinka

Lyrics: 
Wanting, Desire, and Drift
A drive that wears a thousand faces, hiding in a glance, a night, a glass.
Always searching, always on the edge, like a hand grasping without ever holding.
The skin absorbs. The body swallows. But never digests.
It is no longer a choice. It is a mechanism. Something moves beneath the skin, a shiver becoming structure, a memory turning to flesh.
We build walls around the unseen, we shape rules to mask instinct. And yet, the gears are already turning.
A form in the blind spot. A sentence spoken before being thought. An unfamiliar taste on the tongue, as if someone had decided before us.
Because thirst never disappears— it transforms. Into other gestures. Into other skins. Into other excesses.
We think we choose. We think we refuse. But it’s already done.

The Skin

My entry for the T0AD demoscene music competition.

Drifting Dimensions

To be free: to dance,
To contribute. Our birthright
"Comes out to show them"*

*Title of early recording by contemporary classical composer, Steve Reich

::

Original music & haiku poetry by Bob Weathers

Show Them

Dejavu (Original Track)

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

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Marco Lucchi

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