I’ve been away from repost for a while and nice to hear you guys are still at it.  This is the best “shit show” I’ve heard in a long time!  Live that guitar tone and overall layering of the tracks.  It gives it a lot of depth.

guitar tone on point!!! this is fantastic 😊

My kind of shit show! All the stuff I like from all the times I like. It never ends if you keep it moving. Great work!

There are people in the world
They live in reserves and they are fighting again
We don't know the pain
They still have a dream
They are people to kill

No one remembers that this is their land
No one remembers...Indians

There are people in the world
They live in reserves and they are fighting again
We don't know the pain
They still have a dream
They are people to kill

No one remembers that this is their land
No one remembers ...Indians

They're living
They're hunting
For freedom they're fighting
So this is ...stolen land
This was the fate of the Indians

No one remembers that this is their land
No one remembers ...Indians

They're living
They're hunting
For freedom they're fighting
So this is...stolen land
This was the fate of the...
They're living
They're hunting
For freedom they're fighting
So this is...stolen land
This was the land of the Indians

Light Years Away

Stolen Land

Stolen Land - Light Years Away (2021)

Our Only Planet

Guitar based ballad/slow song. It's instrumental and I wrote and recorded it back in 2020.

Summer Song

Mark C., Mark B., and Jim R. sharing a musical story.  Interpret this one as you will.

The Fall of An Empire

Brain Waves - Combstead / Robert Grigg

The Way it Goes.

Shit Show - Robert Grigg & Combstead

"Shadows of Fury" represents another evolution in my AI-powered instrumental journey, featuring an unexpected but powerful combination - electric guitar and 6-string electric violin working together to create something truly cinematic. Rather than competing against each other, these instruments form a dramatic alliance where each brings its own strengths to build an emotional arc over nearly five minutes.

The track unfolds like a film score, with the guitar providing the structural foundation and rhythmic power while the violin serves as the emotional voice soaring above. From the atmospheric intro where clean guitar arpeggios set the mood and the violin enters with haunting sustained notes, the piece builds through distinct phases - sometimes the guitar dominates with palm-muted chugging and aggressive riffs, other times the violin takes center stage with tremolo runs, glissandi, and those screaming high notes that cut through the mix like a metal vocalist.
What makes this track special is how the instruments complement rather than compete. The guitar grounds everything with power chords and rhythmic drive, while the 6-string electric violin explores the full emotional spectrum - from lyrical melodic passages to frantic rapid-fire bowing that matches the guitar's intensity. The violin's extended range allows it to harmonize with the guitar in the lower registers while still reaching those soaring heights that define the track's most dramatic moments.

The climactic sections showcase both instruments at peak intensity, creating massive walls of sound where the violin's sustained vibrato rides over the guitar's relentless assault. By the outro, the violin carries the final emotional weight with haunting sustains while the guitar resolves to clean tones, ending the journey where it began - in atmospheric shadows.

Working with AI to orchestrate this blend was incredible because I could layer these contrasting textures exactly as I heard them - the percussive attack of the guitar balanced by the violin's expressive sustain, creating something that feels both heavy and cinematic. "Shadows of Fury" proves that metal instrumentals can be about emotional storytelling, not just technical showmanship.

Shadows of Fury - Instrumental

(An edit and sequencing adjustment) Brand new album expanding from the Two New Rockers ep including Heaviness with brand new songs also including two rockers from the vaults, a rip roaring version of Break Loose (2003) recorded on four track cassette and Chisel (2007) also recorded on four track cassette tape.

Powerful/heavy and rip roaring from start to finish, crank it up, mixed and mastered by me EH!

Stay tuned for much more to come, music, collaborations, remixing/mastering/articles/new CD's etc. also a vocal version of The Unit Working featuring Ms. Tanya Venom from Stormstress!

SoundCloud:   / user-708584802  

1. Guitaring: 00:00
2. Break Loose (2003 cassette recording): 04:54
3. That's Right To: 08:44
4. Sounds Good: 10:25
5. Chisel (2007 cassette recording): 12:10
6. Re-Calculate: 15:09
7. Powerful: 17:16
8. Heaviness: 23:16

Guitaring

Ivo Ivić Keyboard-Bass 
Melita Ivković -7string guitar 
Predrag Ćosić-Acoustic guitar 
Mihaeil Parushev -Drums.

Ljubavni Pijev

I Swear

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
getting by with some help from my friends.
some call me Brother, Mark, Big Moochies, Big Daddy, Fat Rat..... all love.

Shit Show - Robert Grigg & Combstead

Combstead

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