Outward I Look (To The Sea)

Outward I Look (To the Sea)[demo]

A composition I'm extremely fond of, feauting one of my most dearest themes which I simply had to repeat it in the Coda.
As a musical piece it is straightforward, and unassuming in its texture and scope, but I believe it has a certain fable-like, enchanting feeling, thus the poem title, although structurally it is very close to a sonata. 
I've explored others mode a bit ( I've modulated to F Lydian briefly), which is something I'll likely do in the future.

Poem for Piano, F Minor

90's Inspire rock and roll direct from Metro Detroit.

Dive on in, who said life was always colorfast.
Cut and run you've been out done by another broke iconoclast........
Broken down iconoclast.

And if you decide it's worth the strain of one my try, then wash away the dirty days, I'll be standing by.
One more plan that we design falls apart one more time, so find a way to better days.......I'll be standing by.

Try holding something new that's running out of time.
Another fear, one more lie, another rock we just can't hide behind.

And if you decide it's worth the strain of one my try, then wash away the dirty days, I'll be standing by.
One more plan that we design falls apart one more time, so find a way to better days.......I'll be standing by.

Cause we walk away from better days. We're holding up, because we're standing by.

Standing By

Stand By

"FourThirtySeven" from Siegfried Jünger's album "A World That Turns Away" is cinematic background music. With a blend of piano and synth, it creates a mesmerizing atmosphere. The track's ethereal textures and rhythmic patterns guide listeners through mysterious landscapes, evoking introspection and exploration. Perfect for cinematic storytelling, it captures the beauty of introspective moments with its emotive depth.

FourThirtySeven - Siegfried Jünger - Cinematic Background Music

Songwriters: Nino Rota / Lawrence Kusik / Edward Snyder
l© Sony/atv Harmony

A time for us some day there'll be
When chains are torn by courage born of a love that's free
A time when dreams so long denied
Can flourish as we unveil the love we now must hide

A time for us at last to see
A life worthwhile for you and me

And with our love through tears and thorns
We will endure as we pass surely through every storm
A time for us, some day there'll be a new world
A world of shining hope for you and me

A time for us at last to see
A life worthwhile for you and me

And with our love through tears and thorns
We will endure as we pass surely through every storm
A time for us, some day there'll be a new world
A world of shining hope for you and me


Live: A Time For Us (Love Theme From Romeo And Juliet)

Sally Won't You Come - Combstead & Robert Grigg

Fear for disconnection. We stare in so much light today that we go blind.
I keep my connections to victims of the times. We see us in the video calls on Zoom or FaceTime,

Information overload. Disconnected from the world or from bodyparts. Psychriatic diseases by multi channeling. But AI will heal us.

Pot Barley

Fear For Disconnection

Fear For Disconnection - Pot Barley & In Rags

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

***
Title: Eldritch Symphony: Cursed Witching Trail
Music by Michael Herter
Genre: Game, Cinematic, Soundtrack
Video: 

"Eldritch Symphony: Cursed Witching Trail" is an evocative musical journey through the mystical realms of fantasy. 

Infused with the haunting echoes of female Mongolian throat singing, this track transports listeners to a world where ancient curses intertwine with the ethereal melodies of enchanted forests. As the rhythmic pulse of the music guides you along the treacherous paths of the witching trail, you can almost feel the whispers of unseen forces and the looming presence of otherworldly beings. With each note, the atmosphere thickens, drawing you deeper into a realm where magic and danger are intertwined, and where the hunt for elusive prey becomes an eerie dance between light and shadow. 

"Eldritch Symphony: Cursed Witching Trail" is not just a song; it's an enchanting invocation of the supernatural, inviting you to lose yourself in the dark beauty of a world where every step could lead to salvation or doom.

d-moll; 4/4; varies bpm

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EXPERIENCE | Ludovico Einaudi

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