Single out of "Satyr Supervisor" Ep

Out on NICE PEOPLE DANCING RECORDS

Composed/Produced/Mixed by KŌMA
Master by OTON
Artwork by Camille Giunti
Distribution by Underscoop & Inch by Inch

Pilot Cash Test

In the frosty embrace of Berlin's winter, French Berlin DJ and Refuge Worldwide radio host, ophélie, unfurls their debut release on hundert records. We are happy to present “Electric Blue Gecko” as the single from the record. 



Following their inaugural release on the leftfield club music label "Early Reflex," they carefully craft mesmerizing, yet meditative bass music tracks. Ophélie presents her own version of the sonic vision that they explore in their monthly radio show "Therapy Dog". Influences of drum and bass meet the minimalist razor-sharp yet spacious sounds.

   

The artwork was created by Sena Oh who developed the visual style in close collaboration with ophélie. The digital fauna is presented visually through the unmistakable artistic style of the Korean Berlin artist. Whether you're tuned in with headphones or absorbed through pulsating subs of the club, get ready for an experience that transcends the dance floor.

Pipa Pipa

Electric Blue Gecko

Bandcamp

Ophélie - Electric Blue Gecko

@count2count

MR002 sent in direct from Brno covers a sub-scape of sounds reflecting a current shift in the scene. Count’s sophomore EP showcases a versatile and refined style both in idea and application. Brno’s newest emergence has already had a hand in much that the scene has to offer. Between being a resident/booker at filtr and a regular host on Infame Radio, many have heard count playing at other venues such as Vitamin, Fraktal, and Ankali.

Taking form over a range of bpms, three original tracks accompanied by two remixes come together to shape this tightly knit project. The first track on the EP aptly named “WORK” is an enigmatic drum puzzler highlighted by the familiar voice of Missy Elliot. The track also comes as break-y dance floor heater when remixed by Brazilian -> Berlin based producer/DJ alys(alys)alys. Moving forward to “SPLIT”, a slow stepping wub of a track that is sure to take even the most menacing systems to the red. Stocked with its fair share of change ups, the track also gets tuned to run quick in a remix by Australian producer Lithe. The remix features a rendition of the track reminiscent of a calmer time, although still with its full share of sub attacks. The EP closes with the more introverted rhythm of “STICK N POKE”. This final track finds its niche within the opening or closing of a set when atmosphere is at a premium.

www.instagram.com/_countt/

www.instagram.com/markhamroadrec/

WORK [MR002]

BANDCAMP

COUNT - STICK N POKE

Amsterdam-based DJ, producer and biologist Teqmun is next up on Nerve Collect with Worms Still Have To Eat The Dirt, a six-track EP of blistering fusion sounds that come with remixes from Ma Sha and TSVI.

Tijmen Blokzijl's work is an involving eco-system of electronic collisions - IDM, breakbeat techno and bass are in constant mutation as he layers in deft melodies, cooks up punchy rhythms and screws about with synths. He has done so on the likes of Sann Odea, Traumgarten, Flippen Disks and on self-released EPs that have all constantly pushed at the fringes of sound design. Now he brings all that together again across four electrifying tracks for Gamma Intel and Identified Patient's Nerve Collect.

This EP finds Teqmun departing from the cute and colourful elements of previous releases and becoming inspired by the harsher phenomena in nature, such as a high speed escape of hopping desert rodents called Jerboa, deadly sea slugs and fluffy Echinopsis cactus. I am often inspired by nature and its images and quickly get real sounds or feelings of atmosphere in my head when I see images of natural processes. In this case, it’s grimmer natural processes that inspired me which is why these tracks are much wilder than previous releases, therefore they fit in perfectly with Nerve Collect.

'Hand Full of Fluff' kicks off with a playful rhythm and churning bass that is brought to life with prickly percussion. Shards of melody and scattered hits are fired like ray guns across the track. The EP title track is an impossibly kinetic rhythm with fizzing textures and thudding kick patterns that sound like techno made purely by malfunctioning AI. That same sense of futurism pervades ‘A Jerboa's Escape' which has tightly coiled and broken-up drum patterns looping below eerie, unsettling pads that glow brightly in the percussive chaos. 'Corn Has Ears' is another physical club rhythm made from millions of tiny fragments that all coalesce around a harrowing bassline and 'Slug No Escargot' brings dystopian raps to static-laced bass and harder drum patterns. Last of all is the bouncy and buoyant 'Optimistic' with its post-trap vocals and thrilling club rhythms.

First to remix is New York innovator Ma Sha. She flips 'Slug No Escargot' into a percussive workout with writhing bass and cyborg vocal shards that soundtrack an intergalactic meltdown. Next comes London-based Italian TSVI. His take on 'Optimistic Fly' is big, elastic techno with decaying synth leads and zippy pads pulling you in several directions at once.

Teqmun's Worms Still Have To Eat The Dirt EP manages to sound completely out of this world while also connecting on a deeply emotional level.

All tracks mixed and arranged by Teqmun
Artwork by Nina van der Berg
Mastering by Maspaventi Studio

NC005 // Teqmun - Worms Still Have To Eat The Dirt

@cab_asa makes his debut on Control Freak with 4 tracks of stripped back, percussive dance music, plus a remix from NYC/Kindergarten’s @aye5ha.

Belgian producer Cabasa has carved a distinctive niche in the fertile Brussels club scene with his sleek & minimalistic productions, which reimagine UK soundsystem culture through a fresh, contemporary lens.

'Bird Tool' traverses a range of genre and BPM ranges in typical CF fashion, from the 140-influenced stylings of ‘Volume 3’, to the mutant halftime rhythms of title track ‘Bird Tool’ and ‘End Credits’ - exploring a tempo range that’s become a popular fixture of UK club music in recent years. Rounding off the release, Ayesha delivers a slick ‘Drums You Can Touch’ dub of 'Bird Tool', fresh off the back of her critically acclaimed LP ‘Rhythm Is Memory’.

For Fans Of: Peverelist, Toma Kami, Ehua

Cabasa - Bird Tool

Alohn - Horloge Du 3eme Age (Soa420 Remix)

Ahead of Woozy's compilation which includes tracks by Ila Brugal and Jossy Mitsu, we premiere Dilate by No Sir. A delectable dance floor driven track by the New York based dj/producer, setting the tone for the 9-track v/a due for release October 3.

Read interview here: https://www.asifnoway.com/interview-no-sir

WZY4.5 Compilation

Premiere: No Sir - Dilate (Woozy)

Yas Reven takes charge of the next release on Nerve Collect with her Sudden Mist EP. It features five tracks of avant-garde club music and comes with a 3Phaz remix.

Italian-born innovator Yas Reven is based in Milan and has a love of architecture that inspires how she structures her sophisticated sounds. As a dynamic DJ, she traverses a full spectrum from techno and bass music to breakbeat and has recently put out her first productions on Bristol-based label Hardline. After that EP turned plenty of heads, she now backs it up with more thrilling and hard-to-define club cuts.

The EP opens up with 'Sudden Mist', Reven's knack for expert percussive designs shines through as tin pot hits, splintered wood and metal throngs all pepper a loopy techno rhythm. It's intense yet serene, physical yet meditative. 'Etoy' keeps the pressure on with more intriguing sound designs, thumping bass and lurching techno loops that never stop evolving and keep you utterly locked in. 'Mad Drop' is a futuristic blend of whirring loops and twanging synth sounds over hammering broken beats that lead to dance floor takeoff.

'Trapped' is another collision of unusual percussion layered over tightly stacked beats with a ritualistic and tribal edge...  more
credits
releases November 29, 2024

All tracks written and arranged by Yas Reven
Mixed by Mattia Scarano Montanaro
Artwork by Nina van den Berg
Mastering by Maspaventi Studio

NC008 // Yas Reven - Sudden Mist EP

A evolving bass with synth and ambient vocals.

Ethereal

Vorynthok

sampled from "this old tune -Hugo Kant". part. 2 of this session 

18 Aug 2025

code purple pt.2

Markham Road Records is an electronic music label exploring both the established and experimental sides of percussive music.
Based out of @infameradio / @vitaminxxx
Structured by @westdaledan