Mark Irrlicht: Dharma

OUT 21/12/21 on SATURN (Ukhan Records): https://ukhanrecords.bandcamp.com/album/saturn

Yamaloka is thought of as a labyrinthine journey into the occult meanders of the subtle worlds which the soul enters after physical death. The repetition and the eternal return of the same refrain, althought with variations, exasperates the samsaric character of the perennial transmigration.

Yamaloka

The a side hymn from "Dyson Sector NGC 224" EP released on 12" vinyl on Hypnus Records, 2014.

Buy it here: 
https://hypnus.bandcamp.com/album/dyson-sector-ngc-224

Discogs:
http://www.discogs.com/Korridor-Dyson-Sector-NGC-224/release/5650737

Vacuum Decay

The b2 cut from from the "Sagas" ep released on Nordanvind Records. 12" black vinyl and with catalouge number Nord1, came out may 6, 2015.  --Spin the vinyl and the eyes blink! --

Discogs: http://www.discogs.com/Various-Sagas/release/7003138
Youtube: http://www.youtube.com/watch?v=iwItHIyO1rE

Somnolence

'Opia' from the Scandinavian Swords II LP compilation. Released on Northern Electronics

Buy: https://northernelectronics.bandcamp.com/album/scandinavian-swords-ii
Discogs: https://www.discogs.com/Northern-Electronics-Scandinavian-Swords-II/release/8901056
Youtube: https://www.youtube.com/watch?v=VJ-xJfqXPMs

Opia

X

Just pm me if you want to buy the track! Or send 7 euro to my paypal fabian.kempe@gmail.com with your email and i send you the track!

/Korridor

Korridor - The Drummer

Our third podcast comes from Milan based @Viels, whose musical path has already received attention from: Dynamic Reflection, Initial Berlin, Ascetic LTD, Materia, giving him the space to create his own imprint named End Of Perception.

FB: www.facebook.com/vielsvls
RA: www.residentadvisor.net/dj/viels-it

www.hapesira.space ■

Viels ■ HAPËSIRA Podcast III

Mark Irrlicht - Brotherhood

The Liberation Through Hearing During The Intermediate State (Standard Tibetan: bardo "liminality"; thodol as "liberation"), sometimes translated as Liberation Through Hearing or transliterated as Bardo Thodol, is a funerary text. It is often referred to in the West by the more casual title, Tibetan Book of the Dead, a name which draws a parallel with the ancient Egyptian Book of the Dead, another funerary text.
The Tibetan text describes, and is intended to guide one through, the experiences that the consciousness has after death, during the interval between death and the next rebirth. This interval is known in Tibetan as the bardo. The text also includes chapters on the signs of death, and rituals to undertake when death is closing in, or has taken place. It is the most internationally famous and widespread work of Tibetan Nyingma literature.

Mark Irrlicht - Tibetan Book of the Dead

In Greek mythology, Persephone, also called Kore, is the daughter of Zeus and the harvest-goddess Demeter, and queen of the underworld. Homer describes her as the formidable, venerable majestic queen of the shades, who carries into effect the curses of men upon the souls of the dead. Persephone was abducted by Hades, the god-king of the underworld. The myth of her abduction represents her function as the personification of vegetation which shoots forth in spring and withdraws into the earth after harvest; hence she is also associated with spring and with the seeds of the fruits of the fields. Similar myths appear in the Orient, in the cults of male gods like Attis, Adonis and Osiris, and in Minoan Crete.
Persephone as a vegetation goddess and her mother Demeter were the central figures of the Eleusinian mysteries that predated the Olympian pantheon, and promised to the initiated a more enjoyable prospect after death. The mystic Persephone is further said to have become by Zeus the mother of Dionysus, Iacchus, or Zagreus. The origins of her cult are uncertain, but it was based on very old agrarian cults of agricultural communities.
Persephone was commonly worshipped along with Demeter, and with the same mysteries. To her alone were dedicated the mysteries celebrated at Athens in the month of Anthesterion. In Classical Greek art, Persephone is invariably portrayed robed; often carrying a sheaf of grain. She may appear as a mystical divinity with a scepter and a little box, but she was mostly represented in the act of being carried off by Hades.
In Roman mythology, she is called Proserpina, and her mother Ceres.

Mark Irrlicht - Persephone

    1: In the beginning God created the heaven and the earth. 
2: And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. 
3: And God said, Let there be light: and there was light. 
4: And God saw the light, that it was good: and God divided the light from the darkness. 
5: And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day. 
6: And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters. 
7: And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so. 
8: And God called the firmament Heaven. And the evening and the morning were the second day. 
9: And God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear: and it was so. 
10: And God called the dry land Earth; and the gathering together of the waters called he Seas: and God saw that it was good. 
11: And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so. 
12: And the earth brought forth grass, and herb yielding seed after his kind, and the tree yielding fruit, whose seed was in itself, after his kind: and God saw that it was good. 
13: And the evening and the morning were the third day. 
14: And God said, Let there be lights in the firmament of the heaven to divide the day from the night; and let them be for signs, and for seasons, and for days, and years: 
15: And let them be for lights in the firmament of the heaven to give light upon the earth: and it was so. 
16: And God made two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also. 
17: And God set them in the firmament of the heaven to give light upon the earth, 
18: And to rule over the day and over the night, and to divide the light from the darkness: and God saw that it was good. 
19: And the evening and the morning were the fourth day. 
20: And God said, Let the waters bring forth abundantly the moving creature that hath life, and fowl that may fly above the earth in the open firmament of heaven. 
21: And God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every winged fowl after his kind: and God saw that it was good. 
22: And God blessed them, saying, Be fruitful, and multiply, and fill the waters in the seas, and let fowl multiply in the earth. 
23: And the evening and the morning were the fifth day. 
24: And God said, Let the earth bring forth the living creature after his kind, cattle, and creeping thing, and beast of the earth after his kind: and it was so. 
25: And God made the beast of the earth after his kind, and cattle after their kind, and every thing that creepeth upon the earth after his kind: and God saw that it was good. 
26: And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth. 
27: So God created man in his own image, in the image of God created he him; male and female created he them. 
28: And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth. 
29: And God said, Behold, I have given you every herb bearing seed, which is upon the face of all the earth, and every tree, in the which is the fruit of a tree yielding seed; to you it shall be for meat. 
30: And to every beast of the earth, and to every fowl of the air, and to every thing that creepeth upon the earth, wherein there is life, I have given every green herb for meat: and it was so. 
31: And God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day. 

Mark Irrlicht - Genesis

Recorded by @foreignmaterial for The Memoir, 2020
All tracks written and produced by @foreignmaterial
Artwork by Gabriella Holmström
Curated by @Hypnus Records

01. Foreign Material - Untitled Ambient
02. Foreign Material - The White Bleeding Spear (@NORITE)
03. Foreign Material - Untitled (Unreleased)
04. Foreign Material - Red Sky Spirits (Forthcoming @iorecs)
05. Foreign Material - An Infinity of Sand (@supercinema-records)
06. Foreign Material - The Carnelian Congregation (Unreleased)
07. Tin Man & Foreign Material - Vessel (Forthcoming @subosc-records)
08. Foreign Material - Triple Suns (Unreleased)
09. Foreign Material - Saturnian Lodge (Unreleased)
10. Foreign Material - In the Valley of Lost Dreams (Unreleased)
11. Foreign Material - Astraeos (@circularlimited)
12. Foreign Material - Of Flesh and Duty (@NORITE)
13. Foreign Material - The Coming of the Forgotten (@supercinema-records)
14. Tin Man & Foreign Material - Emerald (Forthcoming @subosc-records)
15. Foreign Material - Over the Mountains of Sorrow (Unreleased)
16. Foreign Material - Theia (@circularlimited)
17. Foreign Material - Behind Cyclopean Trees (@lowless-music)
18. Foreign Material - Hyperion (@circularlimited)
19. Foreign Material - From the Light (Unreleased)
20. Tin Man - Depthy Acid (Foreign Material Remix) (Global A @tinman)
21. Foreign Material - As They Follow (Unreleased)
22. Foreign Material - Into the Gleams of Forgetfulness (Forthcoming @on-board-music)
23. Foreign Material - The Pillars of a Nameless City (Unreleased)
24. Ambient Outro

Love and light

Support his label

Page 48: Foreign Material

Recorded by @dycide for The Memoir, 2020
All tracks written and produced by @dycide
Artwork by Gabriella Holmström
Curated by @Hypnus Records

01. Dycide - In Between Thoughts [unreleased]
02. Dycide - Adytum [unreleased]
03. Dycide - Initiation [@norite]
04. Dycide - Untitled [forthcoming 012] (@012twelve)
05. Dycide - Metastasis [unreleased]
06. Dycide - Fluctuation [Lowless] (@lowless-music)
07. Dycide - Inflation [Lowless] (@lowless-music)
08. Dycide - Inner Revelation [unreleased]
09. Dycide - Raijin [Lowless] (@lowless-music)
10. Dycide - Floating [Lowless] (@lowless-music)
11. Epsilon & Dycide - Habalmas [forthcoming IO] (@iorecs)
12. Dycide - Thales [IO] (@iorecs)
13. Dycide - Observance [unreleased]
14. Dycide - Between The Ocean [Dycide] (@dycide)

Love and light

Page 49: Dycide

My Vision is filled with german kosmische electronic wave, tibetan mysticism, american minimalism, gregorian liturgies, mongolian choirs, inner space exploration, sidereal space lulls, religions of ecstasy, shamanic rites, psylocibin trips, ancient mysteries, gnostic and theosophian doctrines, alchemy and mysticism, eternal return.

Mark Irrlicht - Tibetan Book of the Dead

𝐌. 𝐈𝐑𝐑𝐋𝐈𝐂𝐇𝐓

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