Pig & Dan vs Mark Reeve - Profound (Original mix)

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Hold onto your bass bins because Deliver (Extended Mix) by David Novacek and Andrea Gulisano is about to blow the doors off your local warehouse. This track is a chunky, energy-fueled slice of house magic that's got more bump than a taxi on cobbles. And we're lovin' it.

David Novacek, the Czech maestro, has been a mainstay in the scene for over a decade, bridging house and tech house with an irresistible Latin flavor. He's rocked decks from the Hard Rock Hotel to Café Mambo, and landed heavy hitters on Spinnin, Armada, and Toolroom. Joining him is Andrea Gulisano from Sicily, whose beats have rumbled their way through Stealth Records and HoTL Records, catching the ear of Leandro Da Silva and making waves on M2o Radio. These two are no strangers to the scene, and together, they've crafted a house anthem that twists the crowd into knots.

"Deliver" is all about that punchy disco bassline, creating a groove so tight it could double as your second skin. Sharp synth work, tasteful FX, and a standout vocal recalling classic house anthems make this track pure dynamite. Picture this: a sweaty basement party or a Croatia boat rave as the sun sets, with this tune rattling the warehouse walls. Yeah, it's that good.

Out on House Heads, this collab is pure dynamite. So don't sleep on it. Grab your copy of Deliver by David Novacek & Andrea Gulisano now, or stream it wherever you get your groove on. If you love your house music funky and your basslines sleazy, this one’s for you.

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David Novacek & Andrea Gulisano - Deliver [House Heads]

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

‘Bang The Box (Slam remix)’ retains the all-conquering vocal of the original, but plunges the track down into propulsive depths with more aggressive percussion and atmospheric synth stabs. 

Richie Hawtin provided the following comment on the remix: “Released in the early 90s, the original Jack Master EP was a pseudo-name that I used to record fun classic Chicago inspired tracks that were made for my DJ sets.  Slam’s new updated take on the original, uses the original voice sample (that’s actually mine) and reworks the track into a full throttle stomping jack track perfect for todays dance floors!”

Soma Track Series Vol 3 (Soma467d)
JACK MASTER – Bang The Box (Slam Remix)
Published by UTK Prod Inc. (SOCAN)
p+c 2016 Soma Recordings Ltd
A Richie Hawtin production

More exclusive music

Premiere: Jack Master 'Bang The Box' (Slam Remix)

Read More on THUMP: http://thump.vice.com/en_ca/article/tiga-louder-than-a-bomb-dense-and-pika-remix-listen

@tiga
@denseandpika

Tiga - Louder Than a Bomb (Dense & Pika Remix)

Alan Fitzpatrick’s We Are The Brave brand has well and truly landed. Their debut sold-out club shows, held over one weekend at the end of March were preceded by three barmy house parties live broadcast from the homes of fans, and a host of well received singles have now come and gone, setting the tone for followers to expect the unexpected from the label with their self styled motto of We Do What We Want. 

It is then with a nonchalant shrug of the shoulders and poker face glare that We Are The Brave dish out their latest offering, ‘You Got Me’. As Fitzpatrick goes on to explain:

“Brave will always be the most natural home for my music, whether it be a familiar style to listeners or not. The whole point is that we are building an excitement around the music being released by not following a particular pattern or pandering to expectation. Hopefully I’ve made the point over the first three releases that We Are The Brave is about going with a flow and not letting preconceptions limit your experience, so its about time we released a good old Fitzpatrick rave banger, init!” 

Even the most fleeting of listens to the intro of thumping kick drums, precision crafted percussion and thunderous claps will give a strong clue that Fitzpatrick is back at the controls this time out. By the time the cut is in full throttle just after the two-minute mark then you can sense the knowing looks starting to shoot about the room as the familiar feeling grows. Luckily for anyone still unsure, all doubt is cast off at the half way point when the rave pads and breakbeats rip on from nowhere followed in hot pursuit by the "classic" Emmanuel Top "Play It Loud" you got me burning up vocal.

Some more recent converts to Alan Fitzpatrick may not be fully aware of the depth of his catalogues, never mind the 20+ years discography that Slam have behind them or indeed the history of remix collaboration between the two that goes back to 2010. However, despite the heavy dosing of hoovers and horns on their You Got Me rework, this Slam Track Series remix is all about the here and now as Glasgow’s techno kings turn in another example of the fine form they find themselves on right now.

You Got Me

BUY LINK

Alan Fitzpatrick - You Got Me

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Buy On Beatport

[SUARA312] 2pole - Alone feat. Ursula Rucker (Original Mix) Snippet

After making his debut on the very first Prospekt EP two short years ago, we are proud to have Gary Burrows as part of the Respekt family, and to welcome him back for his fourth outing on the label.
'Something You Need' is classic Burrows, with a rave-inspired riff and bassline married to a classic vocal snippet and pummelling drums. Hungarian duo Steam Shape take on the mantle of remixing the beast, and do so with acidic aplomb.
Track two is another vocal led cut in the form of 'Keep On'. Slightly (but only slightly!) more laid back than the A-side, this one brings in lush pads to add another layer to the formula. The second remix comes courtesy of Luca De-Santo, who whizzes up the parts with some nasty saw riffs and sharp percussion.

Buy Now

Gary Burrows - Something U Need (Original Mix)

Patrick Mason and Rekids boss Matt Edwards return for their second appearance as SRVD with two cuts entitled ‘RAW FILES’.

Not confined to a single art form, Patrick Mason is a young creative at the forefront of Berlin’s art, fashion, dance music and LGBT scene; an influential club kid who developed a friendship with Matt Edwards after a chance meeting in Panorama Bar, resulting in numerous studio sessions and improvised live sets. Joining forces in 2018, the pair adopted their SRVD moniker – an alias inspired by New York’s vogue scene – before dropping their debut release on Rekids, playing at various clubs (notably Panorama Bar), not to mention an unforgettable performance at Boiler Room x Pornceptual.

‘The Yard Man’ presents rattling drums, piercing vocal chants and a tormenting melody that SRVD has been destroying dancefloors with over the last year. On the flip, ‘Brotha’ presents a compelling groove as a shuffling rhythm joins abrasive synths and Mason’s penetrating voice.

SRVD - The Yard Man

Dj | Producer | Remixer 

Booking:
Worldwide: contact@stephenmacias.com
GAS: suratt@kingsize-music.com
Management:
management@mark-reeve.com


Labels:
Drumcode, Afterlife, Cocoon Recordings, Second State, Soma, Intec, SubVision



Anyone serious about their techno will certainly have come across the name Mark Reeve. Moving to Germany from England 15 years ago in search of an inspirational scene that embraced his tough uncompromising sound. First discovered by Sven Väth Mark has since gone on to establish a reputation totally respected by his peers through groundbreaking productions on iconic labels such as Afterlife, Drumcode, Cocoon, Soma and many more. Fully established on the scene Mark has helped push electronic music forwards as a solo artist, while working with true heavyweights like Tale of Us, Adam Beyer and Pig&Dan 

Equally at home behind the decks and a mixer live as he is in the studio, Mark’s DJ sets have been been receiving fantastic feedback, with his talent and artistic vision taking listeners on a thrilling journey full of hard driving beats and intense melodies at dance floors around the globe such as Awakenings Gashouder, Space Ibiza, Fabrik Madrid or Rex Club. As an essential step in his evolution, Mark was to set up a record label in the form of the excellent SubVision. 

SubVision acts as a platform not only for Mark but for all kinds of true talent to keep pushing their underground sound onto dance floors worldwide. SubVision has been quietly growing and maturing in approach the encompasses Mark’s values as a DJ and Producer, offering a forward thinking selection of all new cutting edge music with a focus on breaking new artists alongside established names at the top of their game.

Mark is one of those people that wears his heart on his sleeve. A true craftsman you can feel that rawness and emotion in his music which is filled with a vision, true passion and intentional excitement.