Out Now: 
https://orcd.co/CRM296
https://orcd.co/CRMLP051 (Album)

Tibi Dabo returns with ‘Overture’, a third tantalising single from his forthcoming Crosstown Rebels album, with remixes from Map.ache and Aline Umber.

The first two singles from the project, ‘Triple Frontier’ and ‘Licht’, have shown what Barcelona’s Tibi Dabo is all about - forward-thinking electronic music with original drums (a result of him having toured the globe with his band) and plenty of cosmic twists and character. A label favourite having dropped his ‘Isla’ EP on Crosstown Rebels back in 2022, ahead of his much-anticipated debut LP comes this third superb taster from it.

The superb ‘Overture’ is an eight-minute gem with super smooth percussion and elastic grooves, with wispy sci-fi chords and gentle synth modulations. It’s full of future feels and catchy drum funk that is sophisticated and smartly detailed with choppedup vocal fragments.

First to remix is Leipzig’s Map.ache, co-founder of Kann Records and member of the Giegling family. His take builds with fatter drums that are just as infectious, while rippling synth loops weave in and out as flashy basslines cut loose and balmy pads add extra cosmic absence to a hypnotic mix of the heady and the physical.

Aline Umber, a collaborative live project from French composers, producers and DJs Aline Brooklyn and Aman Umber, are second to remix. They run the Airfunk label and are no stranger to playing cult spots like Rex Club in Paris. Their ‘23% Eventide’ mix is a blissed-out and synth-laced trip with subtle, smeared chords and starry-eyed keys that have you gazing off into the distance as you get lost in the warm drums.

Tibi Dabo - Overture

It feels like only a moment ago that we welcomed Russian prodigy Andrey Pushkarev to the Circus Company fold with the Gingo Biloba 12”, and after that refined exercise in stripped down dancefloor aesthetics it’s gives us great pleasure to bring him back in for another three-pronged demonstration of his considerable studio talent. 

The core principles laid out in that first EP are back in abundance, with Pushkarev expanding on his love of dubbed-out dance music with a fresh batch of rhythms and pulses custom-made to ensnare the subconscious in that time-honoured tradition of meditative house and techno.


Andrey Pushkarev - First Snow

Free Download

Rossi - Freak In The Sheets (HUNNICUTT EDIT)(FREE DOWNLOAD)

Okysho - Tracks Elements

It's been 10 years since their last release on 20/20 Vision, but it is with great excitement that we welcome Spirit Catcher back to the label with their aptly named Blast From The Past EP! 

As one of the corner stones of 20/20, their early singles and album are legendary label artefacts and these guys were total pioneers of the cosmic, disco infused house sound which then became prominent in following years. 

Blast From The Past has been getting heavy rotation in Ralph Lawson's sets over the summer and so we're really glad to finally see it reach the light of day. This one is a trip into hyperspace with cosmic synth pulses leading the way before a killer bass line takes you track straight to planet Spirit Catcher! 

On the flip Closer takes the trip further with more expert bass hooks being joined by vox pads and otherwordly fx. The EP is finished off with Routing Madness, a homeage to the duos love for analogue studio gear which you can hear in the intricate synth patterns which pop and weave through the tracks duration. 

Blast From The Past is out 18th January. 


1. Blast From The Past 
2. Closer 
3. Routing Madness 


VIS283 - Spirit Catcher - Closer

Lucid Sounds, Vol. 49 (A Fine and Deep Sonic Flow of Club House, Electro, Minimal and Techno)

Moving Dub (Deep Spelle Remix)

Martyn Elden St(Sebo K Watergate Edit)

Martin Buttrich - Tripping In The 16th

Martin Buttrich - Back It Up

Martin Buttrich - Hoochie Mama

Buy on WTM

COCO CLASSICO

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.