Weirdly good .. love the abstract-like experimentation .. cathartic

Yet another wonderful collab. Lovely piece!

Experimental, some would say self-indulgent. 😀

#Electronic 
#Experimental 

Cover Art: "Gloria Swanson, New York", 1924 - Edward Steichen 

Copyright Chemisis/Zad Flappentash 
Samples used under licence. 



"Interject" - Chemisis

7 songs in 7 days, one EP total creativity.
Songs from 2010, remastered never earlier released.

Toast To Our Learnings

Hel will keep what she has a bit longer, I'm afraid

Deth ov Baldr

Deth Ov Baldr

For a broken relationship, some slowly sinking ship or what we hope will only be a deadly, deathly blip.

Full video here: https://www.youtube.com/watch?v=XdMOlBXfZhk

As Slow As You Go

From the Bandcamp release (Crackle)(Sniff)(Hiss):
https://martinhoogeboom.bandcamp.com/album/crackle-sniff-hiss

Experimental guitar quintet with Martin Hoogeboom,
Ansound http://soundcloud.com/ansound-655183295
Ulrich Langenbach http://www.ulrich-langenbach.de/
Paul Mimlitsch http://soundcloud.com/r369improv
Wodwo http://rayrobinson.bandcamp.com/

Mixed by Martin Hoogeboom
Mastered by Marlon Wolterink (White Noise Studio, Winterswijk)
Artwork by Irena Zablotska (http://www.zablotska.com/)

A Martin Hoogeboom Project (DS1248/2020)

(Crackle)(Sniff)(Hiss)

SNIFF (Ansound, Hoogeboom, Langenbach, Mimlitsch, Wodwo)

From the Bandcamp release “Hydra” https://martinhoogeboom.bandcamp.com/album/hydra
Martin Hoogeboom: gui-tronics.
Mastered by Rupert Clervaux
Gui-tronic improvisations inspired by sculptures of Germaine Richier. Part of The Dissonant Road, ongoing series of live and studio gui-tronics improvisations.

Sound contributions:
Leni Hoogeboom: horns
Juan A. Miñana Osca: electronics
Theo Calis: electronics

La Mante

Marco Lucchi : piano, organ and fx
Fernando Pessoa : words and eyes
Pete Swinton : treatments, fx + mixing
https://soundcloud.com/marcolucchi/piano-patterns-no-6?fbclid=IwAR21nZbl8oi4Qpz3M_n0DLvDp4BAaPNjLjibTTKGZR3oCoV3837X8LhxZzc

Marco Lucchi, Fernando Pessoa, Pete Swinton - Piano Patterns No. 6

Its the carnival of the crazies
And all unfolding in different phases
That sounds like an incite to riot
The facts are simple so don't deny it

CHORUS
The worlds gone crazy or is it just me?
I get the salty taste of victory
Are so many people too blind to see?
A somewhat salty taste of victory
I'll put a gun up to your head in a minute
Lets put a torch to the lot and just bin it
Shouting and screaming and making a racket
Lead me out the house in my straight jacket

The saltiness makes me more thirsty
I'm shaking each branch of the money tree
Spend a lot achieve a little
Leave the infrastructure brittle

CHORUS

The Salty Taste Of Victory

First version of "First": https://soundcloud.com/myrhyum/first-myrcury-feat-lijel?in=myrhyum/sets/enigma-curry-myrh

This song was inspired by Enigma Curry's composition & a conversation between Lijel & Myrh regarding an upcoming interview for Via De Acceso Radio show @https://soundcloud.com/viadeacceso

Original composition by https://soundcloud.com/enigmacurry
Metamorphic Test Enigmacurry – Metamorphic-test
Lyric, voice, bell-y-noise, cover design https://soundcloud.com/myrhyum
Voice https://soundcloud.com/lijel https://soundcloud.com/lijelcollaborations
Drums & bass https://soundcloud.com/ssomma

Cover photo is a still shot of Lijel's Butoh dance performance
lijel.com/
Background layer is an fx'd excerpt of a fractal art by Enigma Curry
Reconstructed by https://soundcloud.com/ois-agver

FIRST
__________
oh, I say...
you're number one

from nothing
something

don't let them tell you -
you're number one

don't let them tell you -
you're number one

first
first
from nothing
first
something

oh don't let them tell you!
Your number One! First.

First

[PREMIERE] "First" by Myrcury & LIJEL (Çois Agver Remix)

Marco Lucchi : piano

14 dicembre 2020

***

Ah a frescura na face de não cumprir um dever!
Faltar é positivamente estar no campo!
Que refúgio o não se poder ter confiança em nós!
Respiro melhor agora que passaram as horas dos encontros.
Faltei a todos, com uma deliberação do desleixo,
Fiquei esperando a vontade de ir para lá, que eu saberia que não vinha.
Sou livre, contra a sociedade organizada e vestida.
Estou nu, e mergulho na água da minha imaginação.
É tarde para eu estar em qualquer dos dois pontos onde estaria à mesma hora,
Deliberadamente à mesma hora...
Está bem, ficarei aqui sonhando versos e sorrindo em itálico.
É tão engraçada esta parte assistente da vida!
Até não consigo acender o cigarro seguinte... Se é um gesto,
Fique com os outros, que me esperam, no desencontro que é a vida.

Fernando Pessoa

****

my contribution to the current Disquiet Junto project
https://disquiet.com/2020/12/10/disquiet-junto-project-0467-toolbox-show-tell/

ancora una volta il 'compositional challenge' del progetto #Disquiet di questa settimana è molto interessante .. se ho capito bene si tratta di 'mostrare' e/o 'raccontare' una pratica musicale venuta significativamente a galla durante questo periodo così particolare .. "Share a tip for making music that you learned during the pandemic" .. be', per quanto mi riguarda, io ho 'scoperto' una specie di 'guida assistita' nel suonare le tastiere .. ho sempre amato i 'patterns' ripetitivi, su tutti quelli 'really terrific' di Terry Riley .. non essendo però in possesso di tale tecnica esecutiva e compositiva, mi sono spesso 'accontentato' di arpeggi, ostinati o strutture sostanzialmente semplici, a cui ho cercato di dare una qualche pregnanza, o quantomeno una 'voce' personale, ma che con l'andare del tempo sembravano mostrare i loro limiti .. le tastiere di ultima generazione mi sono venute decisamente incontro nel tentativo di superare questa 'impasse', possedendo numerose varianti di arpeggi o 'patterns' .. in questi mesi, quindi, mi sono fatto 'guidare' da queste apparecchiature digitali, come se pilotassi un'automobile dotata di assistenza elettronica .. non ho, credo, esagerato nel loro uso, non mi sono fatto prendere la mano - è il caso di dirlo - e il risultato non è particolarmente distante da una cosa che con un po' di impegno probabilmente sarei riuscito a fare anche senza l'assistente digitale, ma essendo veramente poco dotato di pazienza e disciplina, ho potuto realizzare abbastanza in fretta cose nuove e diverse da quelle che ero solito fare - che è sempre cosa buona e giusta, no? -  senza contare che mi pare proprio di avere imparato roba nuova, non lontana da quella a me già nota, ma comunque nuova ..

piano patterns n°16 [disquiet0467]

Dutch sound artist with long standing interests in transcending conventional instrument approaches and the use of non-instrumental organic and homemade sounds. If you would like to stay informed about new releases please subscribe to the Martin Hoogeboom newsletter mailing list on my website
www.martinhoogeboom.com

If you have questions regarding my work or you want to collaborate on future projects, please use the following email-address: m.hoogeboom@wxs.nl.

SNIFF (Ansound, Hoogeboom, Langenbach, Mimlitsch, Wodwo)

Martin Hoogeboom

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