Two for a perfect pair! Nice piece (still to be published?)

The double trill at the beginning of your piece is so attractive!💓I've never thought of this idea!

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Forgotten Realms

method: layering; akai miniak, boss vo-1,  ehx grand canyon and walrus audio ages
narration: things do change, don't they .... aiming for that 'eno feel', I allowed too much dirt in - and liked it ;-)  
image: my photo based on a mask, gimped

poem / copyright jo richter:

he holds out a hand
watches the light change

a voice clings to him
as he walks past the building

THIS IS THE DAY
THE FUTURE WILL VANISH

trajectory minds
a dime a dozen

unidentified objects
of thought and delusion

THIS IS THE DAY
ELECTROMAGNETIC

all over the suburbs
giant birds roosting

spreading their wings
across minute houses

THIS IS THE DAY
THAT LASTS FOREVER

he feels vibration
life under his feet

atmospheric dilations
sentinence seeds

THIS THE DAY
EVERYTHING FLOATS

EVERYTHING FLOATS

the day everything

K G G - Digital Worlds (Complete)

Electroaoustic music 2023

The composition consists exclusively of edited and unedited vocal samples, which the mezzo-soprano Jannie Pranger provided to me.

Legoo Hangigomaasse

Space Chase

Inter canem et lupum –Berceuse– (2022) for tenor recorder and shakuhachi 
09/11/2022, The Museum of Kyoto Annex Hall (Kyoto, Japan)
 Performed by Kiichi SUGANUMA (T-Rec.) & Mamino YORITA (Shaku.) 
masahiroaogaki.com/inter-canem-et-lupum/

犬と狼の間に –子守歌– (2022) テナーリコーダーと尺八のための
 2022年11月9日、京都文化博物館別館ホール
 テナーリコーダー：菅沼起一
 尺八：寄田真見乃
 masahiroaogaki.com/inter-canem-et-lupum/

***

数年来、子守歌というジャンル、及びそれらが脈々と受け継がれてきた口頭伝承という形態における情報の「曖昧さ」と「精確さ」の共存に興味を持っています。今作は現代におけるこのジャンルに再びアプローチしようと試みたものです。所謂スコアはなく互いのパート譜のみが存在し、3種類のリズム、4種類のテンポ、42種類のネウマなどのパラメータ間でゆりかごのように絶えず揺れ動きながら「旋律」を紡ぎ続けるリコーダーと、「伴奏」に徹し全く独立した時間を淡々と切り取り続ける尺八が重ね合わされた音楽を目指しています。 タイトルの《犬と狼の間に》は「黄昏時」を意味し、「犬と狼の見分けがつかなくなるほどの暗さ」に由来します。2世紀のヘブライ語のテキストに端を発し、今日でもフランスなどで用いられている非常に古い表現ですが、今作では特定の時間帯や動物の音楽的描写を意図した訳ではありません。見た目や音域の類似性を持ちながらもその素材や歴史、内在する時間構造において決定的な違いを持つ2本の管楽器それぞれのイディオムやアイデンティティが、そして人の数だけ異なる個々の時間感覚や身体性が常に共存し、時には思い掛けず同調しうることで、不確定・不安定な全体像の輪郭が剥き出しになるのではないかと考え、その曖昧さにおいて今作と共鳴するものを感じたためタイトルに採り上げました。

***

Picture © Kiichi SUGANUMA

Inter canem et lupum –Berceuse– (2022) for tenor recorder and shakuhachi

お聴きくださり、ありがとうございます。
トランスは難しいので、１年に１回は作らないと出来なくなります。今年は夏が忙しかったので、今の時期になってしまいました。去年よりはミックスが上達したのと思いますが、自分の納得のいくサウンドではないので、これからも研究していきたいです。

★使用機材
Drums：CT-310/HT-3500/FANTOM-6/DDD-5/DR-110
Synth：FANTOM-6/JP-8000/Virus TI/HT-3500
Effect：Lexicon MX-200/Plugins Effect
Vox：FL Studio Slicex&Pitcher

Wishing your special happiness...

Kleines absurdes Hörstück, Dezember 2023

Kleines absurdes Hörstück

Gatling

This week's podcast features music made by Naviar's community inspired by
Takahama Kyoshi’s poem “A distant mountain / Seen in the sunlight: / A desolate field”

Tracklist:

Adrian Lane - Seen In The Sunlight
Stan Magendanz - A distant mountain
LazenbeeIndustries - desolate field
mikey_a - Distant Mountain Seen
noble-earths – Distance
Night Note - A Distant Mountain

https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain/ 

Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Alessio Soggetti
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #309 – A distant mountain – Wednesday 6th March 2024

Masahiro Aogaki (b.1991) is a Japanese composer based in Paris. He studied composition at Tokyo University of the Arts, where he received his Master’s degree in 2017 in the class of Ichiro Nodaira, and at the Paris Conservatory (CNSMDP) with Stefano Gervasoni, Luis Naón, Yan Maresz, Grégoire Lorieux, Yann Geslin and Oriol Saladrigues, where he received his Master’s degree with the top of the class unanimously by the jury in 2022.
In his recent compositional process, he is interested both in redefining instrumental, vocal or textual identities and in recontextualising pre-existing musical languages. In addition, the poems of the Romanian surrealist poet Ghérasim Luca and the phenomenon of “stuttering”, which is one of the features of Luca’s works, have inspired some of his musical works.
His works have been performed by various ensembles, such as: Orchestre de Picardie, Orchestre de Caen, Geidai Philharmonic Orchestra, Ensemble Intercontemporain, Ensemble Court-Circuit, Ensemble Muromachi, Ensemble Next, Collettivo_21, and Duo Jeux d’Anches, among others.
He participated in various master classes and received teachings from Tristan Murail, Allain Gaussin, Philippe Manoury, Jean-Luc Hervé, Marco Momi, Jaime Reis, Joji Yuasa, Hiroyuki Ito et Misato Mochizuki.
He has received scholarships from the Meiji Yasuda Cultural Fondation, the Nomura Fondation, the Overseas Study Program for Upcoming Artists provided by the Agency for Cultural Affairs of Japan, the Kakehashi Fondation and the Centre International Nadia et Lili Boulanger.
In 2022-23, he participate in the Cursus Program on Composition and Computer music at IRCAM where he studies mainly with Pierre Jodlowski and Simone Conforti. The first portrait concert with his solo and duo works took place in Paris in July 2023. In 2023-25, he is a composer in residence at the Conservatory “Claude Debussy” in the 17th arrondissement of Paris, in partnership with the Ensemble Court-circuit.
His pieces are published from BabelScores (Paris).

Inter canem et lupum –Berceuse– (2022) for tenor recorder and shakuhachi

Masahiro Aogaki

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⭕️Ernesto Schmied⭕️

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