Animals Of Your Pasture 
by Bara Gisladottir

Riot Ensemble, Aaron Holloway-Nahum, conductor

Live concert at 20 November, 2021 at Huddersfield Contemporary Music Festival, St. Paul’s Hall, Huddersfield, UK. Performed by Riot Ensemble. Performers: Horia Dumitrache, clarinet; Richard Craig, flute; Philip Haworth, oboe; Amy Green, baritone/tenor saxophone; Sam Wilson, percussion; Goska Isphording, harpsichord; Jack Ross, guitar; Marianne Schofield, double Bass; Aaron Holloway-Nahum, conductor.

Animals Of Your Pasture

“transmission”, for electric guitar and live electronics 
(1996-1999)
By Richard Barrett

Mauricio Galeano - electric guitar 
Santiago Bogacz - live electronics in Csound

Recorded by Gonzalo Varela and Leonardo Croatto on August 19 of 2022 in Facultad de Información y Comunicación, Montevideo, Uruguay

Mixing by Santiago Bogacz 

////////

Este material fue producido en el marco de la Universidad de la República, Unidad Académica Asociada entre la Facultad de Información y comunicación y la Facultad de Artes

Richard Barrett - transmission

Lamiere, for ensemble and electronics (2024).
Composer: Matteo Tundo
Performed by Concrete [Lab] Ensemble
Directed by: João Quinteiro.

Live Recorded at O'culto da Ajuda, Lisbon (PT).
30 July 2024.

Lamiere, for ensemble and electronics (2024)

Blow Up Percussion

Alessio Cavaliere, Pietro Pompei, Aurelio Scudetti, Flavio Tanzi

Live recorded on July 14th 2024, Festival ArteScienza, Goethe-Institut, Rome

Editing and mastering by Matteo Tundo

Meccanica dell'insurrezione (2024) - for four amplified metal plates

Berlin, "Ultraschall Festival" im "R"
Klavier : Christoph Grund 

S3 für Klavier und Elektronik

Javier Torres Maldonado: Huayra-Yana (2003, revision: 2012), for bass-flute and electroacoustic support (4 channels or stereo), fragment (only 6'). Duration of the piece: 10'13".
Flute: Gianluigi Nuccini.
More information: http://www.torresmaldonado.net

Published in ESZ News Magazine, 07/2012:

INITATORY MUSIC
Shamanism influenced the work composed in 2003 by Javier Torres Maldonado, now in a complete renewed version of the score.

Originally premiered in August 7 2003, as part of the performance of Terremoti, dalla distruzione alla rigenerazione (a show put together by actor Ugo Donato and flutist Gianluigi Nuccini), there was the premiere of a new work for bass flute and electronics by Javier Torres Maldonado entitled Huayra Yana (literally Night-wind). The author presented his work with the following words: “In the cosmology of one of the ancient ethnic groups of Peru, the Quechua, there was the cult of the four winds, Huayra Muyo or a circular wind, Huayra Puca, a red and warm wind, Huayra Ritu, a cold wind and Huayra Yana, the black wind of night. My piece is inspired by the last one, associated by the Quechua cosmology to the descent to the underworld; Huayra Yana is the nightwind, a symbol of one of the initiatory steps in Andean shamanism: mystical death. The only source of sound used in the electronic part are aeolian notes on the bass flute, referring to the wind, and percussive sounds produced with the same instrument and the ting of crotales. The instrumental project essentially consisted in finding different ways of producing aeolian and percussive sounds, articulated in various ways by different consonants pronounced simultaneously with the notes. In the first two minutes the electronic part simply multiplies the musical ideas uttered by the instrument, but soon it passes on to subtle and discreet transformations which gradually loose their resemblance to the original source. In the second, third and last section these transformations result in a few fascinating wavering sound-spectra in constant evolution. The work was presented at the Fortezza delle Verrucole, in Alta Garfagnana”. The new will be premiered on next 18.06.2012 at the Auditorium of the Conservatory of Lugano (Switzerland), by the flutist Ine Vanoereven.

Huayra Yana, for bass flute and electronics (fragment)

pour piano, captation gestuelle, transducteurs et électronique en temps réel

Liphyra

Jean-Claude Risset, “Passages”, pour flûte et bande magnétique (1982)
Claudia Giottoli, flutes
Nicola Casetta, sound engineer
"Segnali" 2016 - Perugia (Italy)

Jean-Claude Risset - Passages

Acousmatique 4, Quadriphonie | 2019 • mix stereo

Recording by JACK quartet of an excerpt from A complete history of music for string quartet and electronics.
Commissioned by Wittener Tage für neue Kammermusik (WTK) 2020.
Broadcast première on WDR3, April 2020.

A complete history of music - Appendix 2

I Sing the Body Electric (2020)
by Claudia Jane Scroccaro
Florentin Ginot, double bass
Claudia Jane Scroccaro, live electronics
Arnaud De la Celle, sound engineer
Mikhail Malt, Encadrement Pédagogique

Recorded the 1st of July 2020 in the Grand Salle du Centre Pompidou
Manifeste Festival 2020 - IRCAM, Paris

I sing the body electric (2020) for Double Bass and Electronics - Florentin Ginot

Matteo Tundo is an Italian composer of acoustic and electroacoustic music. His compositional research focuses on the perception and cognition of sound events, investigating the neural mechanisms underlying the signification of sound. His work centers on the integration of neuroaesthetics into musical composition, employing innovative technologies to enhance the listener’s perceptual engagement and sensory experience.
After his initial guitar studies, he devoted himself entirely to composition and new technologies, studying at the conservatories of Florence, Parma, and Lugano, and at the Accademia Nazionale di Santa Cecilia. He studied composition with Ivan Fedele, Giorgio Colombo Taccani, Javier Torres Maldonado, and Nadir Vassena, and electronic music with Marco Ligabue, Alfonso Belfiore and Michelangelo Lupone. He also attended specialized courses with Salvatore Sciarrino, Yan Maresz, Beat Furrer, Franck Bedrossian, Marco Stroppa, Mark Andre and others. 
In 2024 he was composer in residence for the Divertimento Ensemble. In the same year, together with guitarist Pierpaolo Dinapoli, he founded the h[t] DUO, a guitar and live electronics duo, for which he is active as an electroacoustic performer
His compositions have been performed in Italy, Germany, England, Portugal, France, Spain, Greece, Switzerland, Austria, United States, Iran, Korea, Japan, Hong Kong, and Australia. He has participated as composer in international festivals.
He teaches computer music at the Conservatory of Brescia, Italy. After his initial guitar studies, he devoted himself entirely to composition and new technologies, studying at the conservatories of Florence, Parma, and Lugano, and at the Accademia Nazionale di Santa Cecilia. He studied composition with Ivan Fedele, Giorgio Colombo Taccani, Javier Torres Maldonado, and Nadir Vassena, and electronic music with Marco Ligabue, Alfonso Belfiore and Michelangelo Lupone. He also attended specialized courses with Salvatore Sciarrino, Yan Maresz, Beat Furrer, Franck Bedrossian, Marco Stroppa, Mark Andre and others. 
In 2024 he was composer in residence for the Divertimento Ensemble.
His compositions have been performed in Italy, Germany, England, Portugal, France, Spain, Greece, Switzerland, Austria, United States, Iran, Korea, Japan, Hong Kong, and Australia. He has participated as composer in international festivals.
He teaches computer music at the Conservatory of Brescia, Italy.

Lamiere, for ensemble and electronics (2024)

Matteo Tundo

Recent comments

Ariel González Losada

Matteo Rigotti

Related tracks