https://urbanartsberlin.bandcamp.com/album/synthesis-vol-2

Micro Structures (2013)

Chromatic Phantasies [Pno] (2020-22)

Lamiere, for ensemble and electronics (2024).
Composer: Matteo Tundo
Performed by Concrete [Lab] Ensemble
Directed by: João Quinteiro.

Live Recorded at O'culto da Ajuda, Lisbon (PT).
30 July 2024.

Lamiere, for ensemble and electronics (2024)

Cyanotype (2024)

Irish Sound, Science & Technology Association (ISSTC 2014
Concert 1, August 28, Day 1)
http://issta.ie/isstc/isstc-2014/#schedule

San francisco Sweet Thunder Music Festival 2014
http://musicweb.ucsd.edu/~terbe/wordpress/wp-content/uploads/2014/04/SweetThunder.concert.F.pdf

The 39th International Computer Music Conference 2013 (Perth, Australia)

This work 'Mirage' focuses on the acoustic realization of fragmentary images of mirage on the bleak desert. Chasing the traces of virtual aural journey, a portion of sounds gradually converge into the variation form of Gayageum (Korean traditional string instrument) through the panning.

Mirage (2013)

The twentieth century gave us to ability to dislocate sounds in time as well as in space. Especially invention of digital processing skills facilitated ‘Schizophonia’ which means separation between an original sound and its electroacoustical reproduction named by R.Murray Schaffer. In this context, this piece ‘Habits of 0&1’ reflects the Schizophonia in order to represent the invisible digital relationship including conversations in our isolated daily life. By means of delay feedback and panning effect, tiny grains of sound components describes the auditory realization of fragmentary ‘communications’ with conversations which are separated and disconnected each other easily, like ‘0 and 1(off & on)’. Its basic idea was inspired by Georges Aperghis’s piece “Retrouvailles” which contains various metaphors for communication through the two men’s body action and voice performance. This work reminded me of ‘pingpong’ game between two people with small talk and jokes. Depending on development of pingpong ball sound transformation, this piece has narrative arcs which are linked in a mixed form of fragmented components and played with the ground voice modulated by using Audiosculpt. In the process of finding ‘breakthrough’ of conversations, the first and the last parts of this piece form symmetrical structure with respect to stationery sounds.

Awards received: Award of Distinction at Matera Intermedia Festival 2016 (MA/IN Festival,Italy) 
https://www.mainfest.it/en/mainprize/

[program booklet]
https://issuu.com/materaintermedia/docs/ma_in_2016_booklet__hq_

(Original website (on constructing..)
http://www.materaintermedia.it/main-2016/
https://www.casacava.it/2016/12/21/matera-intermedia-festival-2016/

NWEAMO Festival 2016(Tokyo)
http://nweamo.org/tokyo-2016/

Musiques & Recherches
(association dédiée à la musique acousmatique)
http://electrodoc.musiques-recherches.be/fr/c/6857/lee-hoyong

Premiere: September 26, 2015, The Center for Experimental Music and Intermedia (CEMI) in the College of Music at the University of North Texas,  ICMC 2015 in Denton (Texas, USA)

Habits Of 0&1 (2015)

2016. 12.16. AM 11:01 

LG G4(F500S) Smart-phone recorder

Bari Aeroporto Station(2016)

2016. 12.16
Next to Italian family..in the train to Bari centrale station

LG G4 phone recorder

In the train(2016)

2016. 12. 19 AM 11:11
chlidren in an alley (Finding vanished pieces of memory)

LG G4(F500S) phone voice recorder

via San Potito (on my way to MUSMA)

* This piece was performed on Tuesday Sep.16, 2014, at Onassis Cultural Center in the frame of ICMC-SMC 2014 in Athens, Greece. 
(https://www.youtube.com/watch?v=RYsItDAue5o&t=202s)
'Tag' for acousmatic represents the scattered pieces of memories just like tag on cyberspace. In daily routine, stuffed times and memories are stamped on our mind as individual 'tag' which consists of some words. However, it means the sort of stigma when we remind someone unconsciously, at the same time. In consequence, the whole process leads to crack between human relationships with misunderstanding from 'Tag'. This piece focuses on the gesture of moving sounds symbolize the direction of memories. Especially, the materials consisting of synthesized sounds and field recordings in this piece are mainly exposed in droned and fragmented format. As the work progresses, such sonic materials are gradually transformed by means of filtering, time stretch and panning effect editing. The vocal part of this piece is characterized by drone voices symbolizing the hidden emotions and desires of human beings. Such drone voices are composed of Korean traditional vocal style which expresses feelings of lost.
Performed on Tuesday Sep.16, 2014, at Onassis Cultural Center in the frame of ICMC-SMC 2014 in Athens, Greece. (https://www.icmc14-smc14.net/)

Tag (2014)

Sound Story Creator

Hoyong Lee (b.Seoul, South Korea) is a composer, sound artist and writer. His pieces have been invited and presented in numerous world-renowned music festivals and international conferences in many countries.  He is an Award of Distinction Winner in Matera Intermedia Festival (MA/IN Festival 2016, Italy). He received a Master of Music degree majoring in composition for electroacoustic and instrumental music in Hanyang University. Prior to that, he studied Korean Languages & Literature with Culture Contents at Hanyang University (BA 2010).  With a liberal arts background from undergraduate studies, his experimental sonic practice has explored various ways of storytelling techniques on digital platforms with human voice and electroacoustic environment. His works are mostly based on the creative narrative structure blurring boundaries between noise, pitch and various tones of sounds under natural/electroacoustic environment.  He also gained recognitions as the first place winner in X-RAY FM Radio (Portland, USA) Storytelling Contest Prize in Portland, as an experimental sound storytelling. Executing diverse intermedia projects, he published his compositional autobiography book "소리, 세상을 담다(Sound the world)”, and he has been collaborated with Gwangju national science museum in Art-Science Festival since 2021 as a composer and contents planner. His intention is always to raise consciousness by using the media and audio. Especially he is interested in the increasingly blurry boundaries between word, songs, and poetry such as any kinds of languages and art forms including voice expression of oral storytelling. His creative art world was introduced in KBS 1 FM Radio (97.3Mhz in Seoul) interview programs.

www.youtube.com/@hoyonglee9191

Habits Of 0&1 (2015)

Hoyong Lee

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