Mgmt Alex alex@ground-music.net
Booking Richard richard@paramountartists.com/ James james@paramountartists.com
Italy valerio.serranti@vivoconcerti.com

Adventures in machine music built to make subs rattle and feet wiggle; a convoluted mess of elektrology and teknology, 3-step, bass-core, post windmill, proto-minimal wankstep, gondola, shithouse, acid wonk, ambient gabber, no more, no less.

BOOKING
chris@unfoldartists.com (ROW)
joe@surefireagency.com (NA)
a.montes@cuatroveinte.tv (LATAM)

Mutant Metropolitan Culture. 
DJ | Writer | Platform | Brvtal Vision 
Inquiries: contact@thebrvtalist.com
The Brvtalist DJ bookings: booking@thebrvtalist.com

Pick up our tote bag at: https://thebrvtalist.com/shop/human-resources-carry-all-bag

Brvtalist Sound Recordings: 
New releases: 
https://thebrvtalist.bandcamp.com/

THE CATEGORY IS … AWARD WINNING …

Award winning is no understatement.

Winner of the DJ Mag Top 100 Lifetime Achievement Award (November 2022), the Keychange (PRS) Inspiration Award (Sound City April 2023), the NTIA Ambassadors of The Night Award (March 2024) DJ of the Year (Nordoff and Robbins) Northern Music Awards 2024, Manchester Culture Awards – Inspiration Award 2024 – Paulette is certainly racking up the awards and plaudits. 

No surprises here though, since Paulette is a highly regarded DJ, broadcaster and now author, celebrated around the world, born and raised in (and still resident of) Manchester. Over a 30-year career, she has scaled the heights of dance music fame and hedonism playing disco, house and techno to huge crowds and in cool underground basements. She is a DJ who is renowned for consistently ‘smashing’ every set she plays. One of two women to have a monthly residency at the Hacienda, she went on to have residencies at Brighton’s Zap Club and London’s Heaven and Ministry of Sound, before serving successful stints in Paris and Ibiza then returning to Manchester to rise again in her birth and spiritual home. She has a keen talent for reinvention and replicating excellence. Her second Essential Mix was broadcast on Radio One in February 2023. She is known for her monthly radio shows with Reform Radio, Gilles Peterson’s Worldwide FM and has a Global Residency show produced in collaboration with The Radio Department that can be found on Apple Music. She is a regular presenter stand-in on BBC 6 Music. 

She has played iconic B2Bs with Radio One Introducing Dance’s Jaguar, The Blessed Madonna, Erol Alkan, Stacy ‘Hottwax’ Hale, Prosumer, IsaBELLA and there are more planned for 2026. She shines consistently from disco through to tech house and has dazzled with sets for The Hacienda, Warehouse Project, Faith, Trade, HeSheThey, Kaiku in Helsinki, Corsica Studios, Blitz Club in Munich, Horsemeat Disco, El Row, Levels, Scissors, San Remo, Stonebridge and Greenpeace at Glastonbury, Bugged Out, Drumsheds , Glitterbox at Hi Ibiza and Defected in Malta amongst many more!

Aside from dj’ing Paulette is an events and exhibition curator and a regular contributor to radio shows as diverse as Afrodeutsche’s ‘The People’s Party’, Craig Charles’ Funk and Soul Show, Jamz Supernova on 6Music, Radcliffe and Maconie, Amy Lame, Anamatronic’s ‘Dance Devotion’, Eats Everything’s ‘Edible Beats’. She sits on the Regional and Live Events Committees (North) for the Musicians’ Union and is a Power Up mentor for shesaidso.  Her debut book ‘Welcome To The Club: The life and lessons of a black woman DJ’ published in January 2024 by Manchester University Press to huge critical acclaim and became available in paperback and audiobook formats in April 2025.  She is working on her second book and is closing out 2025 with a nomination for I Love Manchester’s Emmeline Pankhurst Award and has been permanently honoured by the city with an Akse-P19 mural in Deansgate, Manchester (creator of the George Floyd, Ian Curtis, Marcus Rashford, Victoria Wood, Michelle Yeoh landmarks).

For bookings please contact Laura Callegaro laura@elitemm.co.uk
mobile: +44 7966614990
office phone: +44 (0) 1273 55 40 22

• Soundarchitect • Composer • DJ

Cio D’Or is an artist, composer and DJ who seamlessly bridges the worlds of techno, art and composi,on. Her artistic drive and creative process begins with an idea that emerges from silence and aims to convey something inexpressible and indescribable. Her work testifies to the timeless possibilities of music and movement.
Cio D’Or’s sound is characterised by attention to detail, weaving together ethereal textures, subtle rhythmic complexity and an undeniable emotional depth, creating a balance between architectural precision and fluid, cinematic immersion. Each element is placed with intention and shaped by a keen awareness of structure and space.
Her releases on Semantica, Prologue and Kynant are timeless expressions of her minimalist and cinematic approach to electronic music.
Known for her dramaturgically structured DJ sets and cinematic productions, she has performed at Berghain, Dekmantel, Bassiani, De School and festivals worldwide.
Cio D’Or’s sound blends architectural precision with immersive atmospheres, informed by influences from Eno to Vainiø, from Bach to Stravinsky, and rooted in decades of sonic exploration. Her music continues to evolve. Her lifelong study of music does, too.

Artist Curriculum Vita 
Education
1977–82 first piano lessons, autodidactic learning of xylophone, congas, kalimba, guitar,
1982–85 Private school for contemporary dance, Martha Graham technique, Berlin  
1999–today Studies in music production, sound creation, composition, dramaturgy, video scoring, photography and visual media. Skills include vinyl mixing, electronic music techniques, MPC 2000 sampling, field recordings, synthesizers, keyboards and music software – developed both on journeys and in the studio.

 Career [Selection]
1976 Conga performer in a jazz band
1981–87 Choreographies modern Ballet, Graham technique in Hanover, Berlin
1983–85 Teacher in modern dance, choreography and gymnastics at VHS Berlin
1984-86 Modern Ballet for André Heller [Fire theatre “Sturz durch Träume“] by L.A. Ellis, as well as in the cinema film by John Frankenheimer„The Holcroft Covenant“
Dance theatre by B. Seidel
2015-today Visual artist for her music: shooting and editing music videos, photographing covers, developing visual concepts
Publications [2000-today]  Musical theatre, 2 films, 3 albums, 14 EPs, international podcasts, various national/international interviews. Labels, among others: Prologue and Semantica

Stage [1999-today]  Over 400 national/international dramaturgical hybrid DJ and ambient performances 

2005 Affiliated member GEMA
2010 Resident Advisor Top 100 DJ worldwide [64th ranking]
2013 Composition „Distanz“ for the Taschenopernfestival in Salzburg
2013 Lecturer Landesmusikrat NRW: “Rmx. Regendered Workshop”
2013 Dommune TV–Tokyo, Japan
2014 PULSA:RE with Brigitta Muntendorf; premiere: Deutschlandfunk
2015 Goethe Institut Sweden„Grammophon“
2015 Lecturer „Loop–A Summit for Music Makers/Ableton“
2015 Film score Ataraxya [1st prize Int.Dig.Animation Nagoya,Japan]   Man on Mars filmmusic
2015 Music for the Haute Couture CHANEL Show Fall-Winter 2015/16 & Karl Lagerfeld Interview   
2016 Dave-Festival, Dresden: Music/Dramaturgy for 2 modern-dancers with visuals in a cinema, assignment Dresden
2020 Extraordinary member of GEMA [composer]

2020–2024 Advanced studies in classical music theory and piano (including fugues). Conceptual and dramaturgical development of projects combining classical and contemporary music worlds, integrating new sound developments, followed by project planning supported by consecutive scholarships. Scholarships: 2× Ministry of Culture and Science NRW, 3× Musikfonds, GEMA
• 60-minute live act with instruments for EU festivals : dramaturgy & composition
• Piano compositions [52 minutes] for film and European stage productions
• Electronic–orchestral interplay [Polar Q, Kynant Records 019, vinyl & digital]
• Music trilogy [Clavier | Orchestral | Ambient, 3 CDs] for publication and stage
• Music portrait of a homeless person
2024 Music for the Haute Couture Show LOEWE Spring-Summer 2025 2025 On behalf of Francisco Tavoni for the exhibition The Source – Astral Projections at the Lindberg Galleries, Melbourne, she created a 40‑minute mix for the sound installation with her sounds and music, including binaural tracks at 4 Hz and 7.5 Hz.
2026 Guest Curator for Electronic Music at the Art Festival Hanover Herrenhausen, Germany

Press Comments [Selection]
n.n.
Minimal Collective (Text: Brent van den Elshout)
In a world driven by volume and spectacle, Cio D’Or stands apart, mastering the power of the barely perceptible. This editorial explores her philosophy of sonic minimalism—where silence, restraint, and nuance challenge conventional ideas of presence in music. Through her creative process, live performances, and the balance between macro and micro perspectives, we uncover how Cio D’Or transforms the ‘power of less’ into a profound, intentional form of presence.

Orb Mag (Text: Cédric Finkbeiner) 
Designer of an instantly recognizable sound, she produces warm and deep complex structures, constantly on a fence between light and dark cliffs, noises and silences, cinematic settings and authentic presence. Part of a family of intricated sounds brought by artists such as Aleksi Perälä, Alva Noto, and Ryuichi Sakamoto, she’s a high representative of the minimal movement. She honors painter and pioneer Frank Stella’s quote “The aim of art is to create space,” she does through deep refined electronic music compositions and stripped piano pieces, delicate yet substantial.
Intriguing and engaging, her musical minimalism invites the listeners to bridge gaps with their thoughts, making them active in the artistic process and, therefore, contributing to the immersive effect. The mental activity is yet effortless for them: minimalism allows a focus on the essentials, by eliminating the dispensable sonic excesses and by creating space. Such a process brings mental freedom to the listeners, by breaking through the wall that a too-dense track would normally build. On the contrary, Cio D’Or’s music is open, and inviting, with an exquisite balance between artistic depth and hopeful, melancholic intelligence.

Monument Podcast (Text: Joe Mayberry)
What’s better than a mix from electronic music royalty Cio D’Or? Two mixes. This week we present something very special, a tale told across two chapters. As a mainstay of techno for over two decades, Cio D'Or has consistently pushed boundaries, gracing the decks of revered institutions worldwide and crafting a legendary discography with releases on Prologue, Semantica, Hypnus, Time to Express and more.
Across both mixes you will hear Cio’s unparalleled ability for sculpting minimalism and sonic architecture, masterfully recontextualizing familiar and obscure tracks alike, breathing new life into them and unveiling hidden dimensions. She dissects, reassembles and creates intricate connections between disparate sounds, all flawlessly executed with an alchemist’s touch.
Prisma 33 starts at a slower tempo, delicately building into an eruption of psychedelic minimalism. Dada grows with kinetic energy, with Cio sculpting sounds and textures into a deep trip where time seems to bend and dissolve, finishing with an unexpected wildcard that only a master selector could make work.

These are my personal rules based on experience and love for music, promoters and audiences:
Set: 2 hours main time, 3 hours at the beginning of a night***
1 hour live (hopefully from Mid 2026)
Live recording:  
a) I love mixes that I perfect at home for an hour, because the idea, dramaturgy and a mix should, ideally, express something and be timeless.
b) there are far too many mixes online ( I prefer quality over quantity ).. 
Deeply thank you for your understanding! Love, Cio ~∆*

A world of our own

Samurai Music | Mindgames | waveforms - Please follow https://soundcloud.com/horolabel for Horo releases

We do not accept demo's.

MGMT: leon.alexander@redlightmanagement.com

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