Awesome, music-like sounds result. It's on youtube at: http://www.youtube.com/watch?v=2xZgCVG_Bzk

For those who are wondering, I believe the large amount of plays this has gotten were mostly from reddit.com, but other sites such as youtube can account for some of them, as well as the tracks page on soundcloud.

This is the Windows 7 x64 edition of mspaint.exe. I used Adobe Audition to import and edit the audio, but one could just as easily use Audacity's "import Raw Data" feature. I imported this as 8-bit, 22050hz stereo audio. I faded in the beginning, as well as removing a long section of noise part of the way through. I also added a bit of phase distortion, as well as reverb and equalization.
Here's a temporary download link: http://www.mediafire.com/file/aut9bjrdbn37abx/mspaint.mp3


Windows 7 x64 MS Paint EXE Interpereted as PCM Data

Never Came Back

JingleBells

2019 0222 Instrument

Ableton Operator, Keyscape, Eurorack

Live-
https://www.youtube.com/watch?v=tPpJH49zxec

Altération

watch on YT - https://youtu.be/tCnxdxWyjOI

this abstract piece emerged from experimentation with probabilistic/conditional sampling. Previously I've shown the use of generative re-sampling techniques for ambient pieces, but this time I wanted to demonstrate these techniques in service of a more explicitly rhythmic style

the only samples used were a stock drum loop and a noise sample (used to excite a comb filter). I used two internal re-sampling tracks, one which records the output of the noise track, and the other which samples from the cue bus - changing which tracks feed the cue bus then became an important aspect of the performance

I used only 1 part, and there are two main patterns. Each main pattern has a variation pattern that is identical except it will not activate re-sampling (i.e. no 'record trigs'). So if I liked what I was hearing and/or wanted the samples to persist longer, I could switch to the version of the pattern that would not trigger re-sampling

performing this piece was very interesting and challenging in a very similar way to working with my typical eurorack patches, where live re-sampling, highly interdependent signal flows, and generative techniques result in highly interactive and reactive musical systems

recorded the first day of winter December 21st, 2018 - audio direct from the Octatrack main outs, mild post-production compression, EQ, and limiting applied

Transient Spaces

Khyan - Jimma

forward-thinking electronic music and methods

Transient Spaces

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