Founded in 2009, the internationalist label Cómeme has established itself as a mobile home, a dance music caravan joined and nurtured by artists from BsAs, Joburg, Medellín, Bucharest, México, Köln and many more places on the planet. Cómeme aims to become a place for diversity, irreverence, musical insurgency and freedom.

𝐦𝐮𝐬𝐢𝐜 𝐭𝐡𝐚𝐭 𝐠𝐞𝐭𝐬 𝐭𝐡𝐞 𝐜𝐨𝐥𝐥𝐞𝐠𝐞 𝐛𝐢𝐭𝐜𝐡𝐞𝐬 𝐠𝐨𝐢𝐧𝐠™

Bookings:  brandon.m@luckyagency.au
Promo / Collabs: will@willomusic.com.au

Hailing from the rural countryside of South Australia, now residing in the Gold Coast. WILLØ has established himself as one of the country’s most promising rising artists. Known for his high energy remixes and crowd pleasing mashups, his tracks have found their way onto DJs' USBs worldwide.

WILLØ’s dedication to crafting his unique sound has resulted in multiple chart topping remixes, amassing millions of streams and an impressive 90,000 downloads on SoundCloud. In 2023, his cover remix of Counting Stars climbed to #6 on Australia’s Club ARIA Charts and secured the #20 spot on the Top Club ARIA Charts for the year.

Throughout his career, WILLØ has shared the stage with global icons like the Backstreet Boys, Disco Lines, BUNT, Sidepiece, Meduza, Will Sparks and Ben Nicky. His music has also garnered support from industry heavyweights such as Marshmello, Steve Aoki, Timmy Trumpet, Two Friends, Tujamo, KSHMR and Westend to name just a few.

TOM'S DINER 🔥
https://marten.fanlink.tv/toms-diner
__________ 

CONTACT:
MARCO.VOELKEL@MGNFY.COM

High-Tech Minimal
be serious!

In 2024, the single "Gravity" went gold in Mexico.

Bookings: info@dnzagency.com
Benelux: karel@burst-artists.com
Asia: jonathan@warungagency.com

Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by
classic Chicago house and nu‐school French flair, underpinned with a hip‐hop attitude. His long running Robsoul Recordings also defines him as one of the
most skilled label heads in underground house music.
In the studio Phil is dedicated to classic hardware like Akai’s MPC 3000 sampler and Roland’s TR909 drum machine. He has released more than 250 tracks and
remixes since his debut in 2000, working with labels including 2020 Vision, Music For Freaks, Brique Rouge, Detour, Adult Only and his own Robsoul, which
is responsible for the majority of his original output. 

Phil’s work can also be found in the collaborations Fries & Bridges (with Hector Moralez) and PS Project/Bubba Beats & Kid Piston (with DJ Sneak). Production highlights include Phil’s three albums ‘Love Affair’ (2011), ‘Yeah I Like That’ (2003) and ‘Raw Instrumental’ (2012), alongside style‐defining singles ‘Hypnose’, ‘It Put Me Well’ and ‘All Day Every Day’. The music has been
heavily supported by international dance press including achieving accolades such as MixMag’s and De‐Bug’s ‘Album Of The Month’, while DJs ranging from
Danny Howells and Yousef to Mark Farina and DJ Sneak consistently play his tracks. Behind the decks, Phil has racked up enough air miles to take him around the
world several times over, with appearances at the world’s leading house clubs ‐ Queen’s Club, Sankeys, Circus, Ministry of Sound, Back to Basics and Stereo are
all regular haunts, alongside his Paris residency ‘Get Underground’ at the infamous Rex Club.

Phil has also fully embraced the relationship with his fans and house music fans in general – whether through his popular ‘Underground Chronicles’ video diaries
on Youtube or his personal relationships on Facebook.
Despite his success Phil isn’t one to brag. To him it’s all about keeping proper house music alive. Which just goes to prove Phil Weeks is a house music purist.

I still believe in dancing

http://itischriswatson.com/dance

Bookings (Worldwide): george@industryliveagency.com

Management: james@itischriswatson.com

For the unexposed, the Opulent Temple started as a Large Scale Art & Music theme camp at the annual Burning Man arts festival that takes place in the Black Rock desert of Nevada the week before Labor Day. We throw nightly parties showcasing underground, world class electronic dance music in a setting of art and creation we've made ourselves. Our community and fund raising events are based in San Francisco, and though our production is associated with the BM event, you can find us in many settings wherever there's fun to be had.

The Vision of the Opulent Temple is to gift a space for sacred dance to world class dance music. It is our intention to create the space for peak experience, community development, and inspiration that serves as a road map for what's possible in the so called 'default world.' The effort is self generated by the tribe, ie., no one gets paid to create our production. On the contrary, key members put a lot of their own time, effort, and sometimes money all year around to bring it back every year.

It's not just about partying.

It is our view that social change will not happen without individuals doing their part to elevate our collective spiritual center of gravity. Thus, it is our responsibility to nudge our own evolution to catch up with the outpaced growth of technology without the soul getting left behind. It's within this community of creative seekers that coalesces around the playa tribes that leaders must emerge to help steer this nation and this world towards a better day.

To create a space for Sacred Dance is to create a playground for connection with the Eternal, but in our case, still infused with the need for social action in the real world. Big beats and community are the launching point for insight to remind us there is a point to evolution. Transcendence, and nothing less. It might sound like hippy New Age shit, but in this case that doesn't mean it isn't true...

The Musical Vision
We're obviously firm believers in the beat, the transcending properties of mind blowing electronic dance music (EDM), both to open the heart and make the ass shake depending on one's preference and the moment. We value diversity in the range of world class artists that play our camp, as well as the camp dj's who build it so get to play what they feel. Most nights are fairly cohesive unto themselves, but day to day it can be all over the place. Our past line ups speak for themselves.

We'll see you in the sweet spot, under the stars...

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