Since 2020 Consensus Unreality has been discussing, in podcast form, unique perspectives on the occult, paranormal, highly strange and everything else in between. These curated mixes represent complementary sounds for our topics of discussion. Check out https://www.patreon.com/consensusunreality for the full archive and regular episodes. CU can also be listened to on Apple, Spotify and YouTube.

Miguel Espinel is a Venezuelan composer, performer, and improviser based in Denton, TX.

Also involved in Monte Espina, Oil Spill, The Watermelon is not Orange, Nahr Alhumam, Tangential Meandering.

Hey , I made some music and here is the evidence.
These are original songs composed performed and recorded by me ...for good or bad.

The Pleasant Valley and Ciikada songs are bands I did vocals on and aside from lyrics did not write or record any of the music.
Hast Av Vatten was written/performed by me (guit/vox)with  Nathan Draughdill;guitars .Nathan Lynas;drums .Amber Voiland;keys and Daniel Dietrick;bass.
recorded live in Nathan Lynus' living room in the RedRiver house about 400 years ago  before the dark times.

I had no idea what I was doing a lot of the time.

I adhere to no parameters stylistically, aesthetically or belong to any scene.

"A musical scene is a limit, but art is limitless."
-Vindsval

Described as “a force multiplier with more talents than time” (PATRON Magazine), whose music is “alternately celestial and dark” (John Schaefer, WNYC New Sounds), Anuj Bhutani is a quickly emerging composer, performer, vocalist, and producer whose music often features visceral grooves; ethereal, meditative spaces; a combination of acoustic instruments and electronics, narrative depth, and genre-fluidity. 
He is pursuing his bachelor’s degree in composition at University of North Texas and received an Undergraduate Research Fellowship to study and write about musical process/glitch in the music of David Lang under the guidance of Dr. David-Bard Schwarz. Since 2019, Anuj has also served as the Undergraduate Vice President of UNT Composer’s Forum. His primary composition teachers have included Andrew May, Sungji Hong, Drew Schnurr, and UNT Composer-in-Residence Bruce Broughton. He also holds a BA in Psychology from UT Austin, where he graduated with High Honors and a Presidential scholarship in 2015.

Venezuelan Composer born in Caracas in 1959. 

In 1989 she obtained a PhD from York University in England and since then she returned to Venezuela where she has taught at the Simón Bolívar University, where she now a days directs  the Digital Musical Laboratory.
Adina has written extensively for the flute and the guitar among other genres, nowadays she is concentrating on electronic music and video art, and many of her works are being played at festivals of this genre.
She has been part of organizations such as Venezuelan contemporary music, the ISCM (executive committee) and the Venezuelan electro acoustic music. She is also part of RedAsla (a very active net of Latin-American sound art composers organization) and also is the only woman at the Collegium of Latin American composers.

Her work has always been related to consonance, rather than tonality. Lately she has researched on early music materials and composers such a Machaut and Landini. In the electroacoustic work she has predilection for sound of nature, especially birds, together with street calls, particularly those of Spanish origin still present in Caracas streets.
At the moment she is working on a video Opera based on a love poem of the XI century in Toledo, Spain, where she mixes her version of early music (using baroque guitar and tiorba), puppets, electronic music and love poems read by ordinary women.
Her music has been recorded by BIS Grammophon, and Elektron, Sweden, Leonardo, (MIT, USA), RedAsla, (México) and Equinoccio, Caracas, Venezuela, among many other independent record companies in Venezuela, Argentina, Denmark and Colombia.
She is currently teaching a programme of electronic music for non-musicians based on the Supercollider programme, within a philosophy of freeware for young people, and runs regular courses of Max/Msp for the postgraduate composition programme at the Simón Bolivar University.

She has represented Venezuela many times at the ISCM, and has participated in other latinamerican festivals such as Visiones Sonoras and Manuel Enríquez Contemporary Music Forum (México), Sonoimágenes and EMS 09 (Argentina), and also in San José de Costa Rica, Montevideo, Uruguay, Cuenca, Ecuador, Medellín, Colombia, United States, Fylkingen, Estocolmo and Canada. Her flute works are frequently mentioned in academic works on contemporary latinamerican compositions.

Bitchin is a monthly podcast all about music discovery and discussion with a focus on the metal underground. 
Support underground metal!!

Starring:
The re-animated carcus of a goth clown (not to be confused with a mime)
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I am a total beginner at this, doing it only for the giggles. Also wanting to explore my darker side, specifically themes of bodily autonomy, kink, PTSD all that good shit that has woven into the hurricane of life over the past 3 years. Please enjoy my complete descent into madness as I literally scream over midi guitars.

'PRECOG' full ep coming 11/11/22
IG @mill_audio_visual
DM or EMAIL mill116669@gmail.com for bookings

Miguel Espinel is following